Results
-
£104.99Solemnitas - Jan van der Roost
This short but solemn overture was written on the occasion of the 110th jubilee of Harmonie Hautcharage, Luxembourg. It is an homage to Jean-Paul Frisch and his son Grard (the present conductor), who each have been conducting the ensemble for many years. Under their leadership, the band has developed and improved remarkably. The very first musical theme, presented during the introduction of this little overture, is based on the letters hidden in the names Jean-Paul and Grard Frisch (in which h is considered b - as it is in German), thus aiming the spotlight on both key figures in the history of Harmonie Hautcharage. After the rather stately intro, the allegro is more joyful and lighthearted, thus depicting the optimism of the many young players of the band. The end is exciting and energetic: it radiates positivity and belief in the future.
Estimated dispatch 7-14 working days
-
£129.99Everything Beautiful - Samuel R. Hazo
Premiered by Maestro Eugene Migliaro Corporon conducting the National Honor Band of America, this spectacular memorial for renowned band director Charles Campbell will surround your students and audiences in layers of emotion. Expressive moments upon moments allow the ensemble to follow their musical instincts, gaining an aesthetic reward each time. Typical of performances, the work fades into introspective silence, then is followed by lengthy applause. Available in the original three-movement set, and also just Mvt. 1, The Stillness of Remembering (HL04004298). Dur: 9:00 (Live concert recording by the University of Kentucky Wind Symphony - Dr. John Cody Birdwell, conductor - Samuel R. Hazo, guest conductor) Movements: I. The Stillness of Remembering II. Irish Tune III. While I Think on Thee, Dear Friend
Estimated dispatch 7-14 working days
-
£104.99Fanfare and Jubilation - Naoya Wada
Fanfare and Jubilation was commissioned by the Yahata Technical High School Band (Fukuoka, Japan) to celebrate the 40th edition of their annual concert, and is dedicated to its directors, Mr. Satoru Yoshihara and Ms. Akane Morimoto. The premiere took place on June 14, 2007 in Kitakyushu City, Fukuoka, Japan with Mr. Satoru Yoshihara conducting.The piece is comprised of two parts: a festive opening fanfare; and a scintillating melody that reflects the celebratory atmosphere. Its melodic character, uplifting mood and punchy wit make Fanfare and Jubilation equally suitable as an opening piece or a concert work.
Estimated dispatch 7-14 working days
-
£51.95Hallelujah Chorus (Concert Band with Optional Chorus - Score and Parts) - Handel, George Frideric - Kinyon, John
The Hallelujah Chorus is the best known and most dramatic section from The Messiah, an oratorio first performed in Dublin in 1742 with the composer conducting. In addition to the chorus, the original orchestration called for two oboes, two bassoons, two horns, timpani, strings and keyboard instruments. King George III, in attendance at the premier performance, is said to have suddenly leaped to his feet on hearing the opening chords. Historians disagree, however, as to whether his majesty was merely showing his appreciation of the music or whether, as one story goes, he had been startled out of a sound sleep. Whichever, the entire audience followed the regal example, thereby instituting a tradition which has persisted for more than two centuries. Even today it is customary for an audience to rise during the performance of this exciting work. Duration: 4.00
Estimated dispatch 7-14 working days
-
£1.95Hallelujah Chorus (SATB Choral Octavo) - Handel, George Frideric - Kinyon, John
The Hallelujah Chorus is the best known and most dramatic section from The Messiah, an oratorio first performed in Dublin in 1742 with the composer conducting. In addition to the chorus, the original orchestration called for two oboes, two bassoons, two horns, timpani, strings and keyboard instruments. King George III, in attendance at the premier performance, is said to have suddenly leaped to his feet on hearing the opening chords. Historians disagree, however, as to whether his majesty was merely showing his appreciation of the music or whether, as one story goes, he had been startled out of a sound sleep. Whichever, the entire audience followed the regal example, thereby instituting a tradition which has persisted for more than two centuries. Even today it is customary for an audience to rise during the performance of this exciting work. Duration: 4.00
Estimated dispatch 7-14 working days
-
£49.95A Life Well Lived (Concert Band - Score and Parts) - Wiffin, Rob
A Life well lived was commissioned by the Morrish family in 2023 on the death of Ian Morrish. It is dedicated to them with the inscription in loving memory of Ian.I knew Ian from early days at Southall Citadel Salvation Army Corps and then our paths crossed again briefly when I joined the Central Band of the Royal Air Force. Ian had been a euphonium player in the band for many years and was about to leave to take up a teaching post in Surrey. He was always very involved in choral music, conducting choirs throughout his life. I therefore wanted to keep this piece song-like and actually started with the song which appears from letter D to the end, which can always be performed on its own. From there I used the rising octaves that introduce the song to form the beginning of the work, with the feeling in the back of my head of a river starting to flow. There is nothing referential in the more dramatic sections towards the beginning, but every life has its dramas and I wanted something to give some balance to the tranquil nature of much of the piece. In the middle of the work I use a little motif taken from a song I remember Ian singing in his floating tenor voice. I develop the motif a little as an accompaniment to a new line which has, for me, a sense of purpose and directness and has an oblique reference to the RAF March Past. This builds to the aforementioned song and from there the music flows with its highs and lows to its peaceful conclusion.- Rob WiffinDuration: 3.30
Estimated dispatch 7-14 working days
-
£84.99March-Chagu-Chagu (Concert Band - Score and Parts) - Yagisawa, Satoshi
This work was composed as ceremonial music, as part of a march medley for the participants' entry for the 71st National Sports Festival and the 16th National Disabled Personnel Sports Festival, held in Iwate Prefecture in 2016. The European premiere of this piece took place in December of that year, the composer guest conducting the Young Musicians from Fribourg, Switzerland. This work, fusing Japanese folk song with march music, will have wide appeal, like the sister work March-Bou-Shu. Duration: 3.00
Estimated dispatch 7-14 working days
-
£309.99Ninth Symphony (Concert Band - Score and Parts) - Barnes, James
Premiered on 21 September, 2018 in Lawrence, Kansas by The University of Kansas Wind Ensemble (Dr. Paul Popiel, conducting), James Barnes' Ninth Symphony was composed between January and late June of that same year. This large work was commissioned by a consortium of twenty-one college bands, community bands, professional bands and individuals to help mark the 70th birthday of the composer (b. 1949). It is an expansive forty-minute work in four movements, of which the composer writes, "This is my last symphony...this work represents a compendium of all that I have learned during the fifty years of composing and scoring for this wonderful new medium: the modern wind band." The first movement, subtitled Elegy, is based around G minor. It is the longest movement of the symphony. Tragic and despondent in character, it is cast in sonata-allegro form. The second movement is entitled Scherzo. Barnes claims that "I have always wanted to write a waltz," and that is how this movement is cast, in a modified rondo form in D minor. In contrast to the mood of the first movement, the scherzo is a delightful posy of expansive melody, splashy color, humor and rhythm. The third movement, which is in a modified tertiary form, is entitled Night Music. In contrast to the scherzo, this movement begins with a mysterious incantation, first displayed by solo Alto Flute. The music becomes even darker and more mysterious, while overall the movement effectively expresses an "otherworldly" mood, ending with a solo soprano offstage which suddenly emerges, eerily singing a modified version of the opening incantation. Cast in sonata-allegro form, the fourth movement is most definitely a rousing Finale, beginning with a brilliant fanfare and undergoing several mood transformations before emerging into the final coda, ending the symphony with an energetic splash of color. Duration: 40.00
Estimated dispatch 7-14 working days
-
£84.99March-Chagu-Chagu - Satoshi Yagisawa
This work was composed as ceremonial music, as part of a march medley for the participants' entry for the 71st National Sports Festival and the 16th National Disabled Personnel Sports Festival, held in Iwate Prefecture in 2016. The European premiere of this piece took place in December of that year, the composer guest conducting the Young Musicians from Fribourg, Switzerland. This work, fusing Japanese folk song with march music, will have wide appeal, like the sister work March-Bou-Shu, also published by de Haske Publications.
Estimated dispatch 7-14 working days
-
£309.99Symphony No. 9, Op. 160 - James Barnes
Premiered on September 21, 2018 in Lawrence, Kansas by the University of Kansas Wind Ensemble (Dr. Paul Popiel, conducting), James Barnes' Ninth Symphony was composed between January and late June of that same year. This large work was commissioned by a consortium of twenty-one college bands, community bands, professional bands and individuals to help mark the 70th birthday of the composer (b. 1949). It is an expansive forty-minute work in four movements, of which the composer writes, This is my last symphony... this work represents a compendium of all that I have learned during the fifty years of composing and scoring for this wonderful new medium: the modern wind band. The first movement, subtitled Elegy, is based around G minor. It is the longest movement of the symphony. Tragic and despondent in character, it is cast in sonata-allegro form. The second movement is entitled Scherzo. Barnes claims that I have always wanted to write a waltz, and that is how this movement is cast, in a modified rondo form in D minor. In contrast to the mood of the first movement, the scherzo is a delightful posy of expansive melody, splashy color, humor and rhythm. The third movement, which is in a modified tertiary form, is entitled Night Music. In contrast to the scherzo, this movement begins with a mysterious incantation, first displayed by solo Alto flute. The music becomes even darker and more mysterious, while overall the movement effectively expresses an otherworldly mood, ending with a solo soprano offstage which suddenly emerges, eerily singing a modified version of the opening incantation. Cast in sonata-allegro form, the fourth movement is most definitely a rousing Finale, beginning with a brilliant fanfare and undergoing several mood transformations before emerging into the final coda, ending the symphony with an energetic splash of color.
Estimated dispatch 7-14 working days
View Music