Results
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£137.99Strathcarron (from Hymn of the Highlands) (Concert Band - Score and Parts) - Sparke, Philip
Sword Dance from Hymn of the HighlandsStrathcarron is a movement from Philip Sparke's Hymn of the Highlands, in which each movement reflects a different location in the beautiful Scottish highlands. Stratcarron, named after a village at the head of Loch Carron, near the Isle of Skye, takes the form of a sword dance which alternates between fast and slow tempi.Duration: 5:40
Estimated dispatch 7-14 working days
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£154.99Greek Folk Song Suite (Concert Band - Score and Parts) - Cesarini, Franco
Greek folk music is characterised by the sound of the 'buzuki' which is often used in combination with the clarinet, the mandolin, the violin and various types of tambourines. In Greek Folk Song Suite, Franco Cesarini has elaborated on three songs belonging to this most ancient tradition. The first, O Haralambis, is in 7/8 time, a characteristic of a popular folk dance called kalamatianos. Originally, the song O Haralambis was sung to 'tease' during weddings with the text of the song refering to a young man who refuses to marry. The second movement, Stu Psiloriti, refers to an ancient song from the island of Crete. The third movement of the suite is based on the song Vasilikos tha gino and is characterised by the sirtaki, probably the most popular Greek dance outside of Greece. This is Greek passion portrayed by a concert band!Duration: 9:00
Estimated dispatch 7-14 working days
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£44.95The Kings Go Forth (Concert Band - Score only) - Gregson, Edward
This work was commissioned jointly by the Royal Air Force Music Service and an American Universities Consortium and received its world premiere during the 1996 RAF British Tour. It is scored for large symphonic wind band, with the addition of voices.The work is a sequel to the highly successful The Sword and the Crown which was premiered in 1991 by the mass bands of the RAF (and also was an RAF commission). That work was based on music written for the Royal Shakespeare Company productions of The Plantagenets and Henry IV, parts 1 and 2 (for productions between 1988 and 1991).The Kings go Forth is similarly based on musical material for those productions. It uses different thematic elements and incorporates them into a three-movement suite entitled: The Church; The People; The State.This reflects the fact that in Henry IV Parts 1 and 2, Shakespeare introduces The People as an important element in the dramatic structure. The Church and The State are, of course, both leitmotivs throughout the entire plays. An Agnus Dei is heard at the outset from a solo voice. The ensuing Dies Irae is a fast and, at times, quite violent dance. The two sections which form the basis of the second movement, The People, concentrate on popular elements and reflect to some extent the tavern scenes in the plays. The two ideas presented are a harvest hymn reflecting the country scenes set in Gloucestershire, and a jazzy, 'up-tempo' dance based on the medieval song, Sumer is icumen in. The third movement, The State, deals with the Kings theme in the title of the piece. The juxtaposition of battle music with funeral music for Henry IV and Henry VI leads to a reworking of the leitmotif from the beginning of the work. The final section is Coronation music for Henry V, eventually leading to a triumphant climax. - Edward GregsonDuration: 17.15Recorded on QPRM 125D Festival of Music 1996, Massed Bands of the Royal Air ForceRecorded on QPRM 134D The Kings Go Forth, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£164.95
The Kings Go Forth (Concert Band - Score and Parts) - Gregson, Edward
This work was commissioned jointly by the Royal Air Force Music Service and an American Universities Consortium and received its world premiere during the 1996 RAF British Tour. It is scored for large symphonic wind band, with the addition of voices.The work is a sequel to the highly successful The Sword and the Crown which was premiered in 1991 by the mass bands of the RAF (and also was an RAF commission). That work was based on music written for the Royal Shakespeare Company productions of The Plantagenets and Henry IV, parts 1 and 2 (for productions between 1988 and 1991).The Kings go Forth is similarly based on musical material for those productions. It uses different thematic elements and incorporates them into a three-movement suite entitled: The Church; The People; The State.This reflects the fact that in Henry IV Parts 1 and 2, Shakespeare introduces The People as an important element in the dramatic structure. The Church and The State are, of course, both leitmotivs throughout the entire plays. An Agnus Dei is heard at the outset from a solo voice. The ensuing Dies Irae is a fast and, at times, quite violent dance. The two sections which form the basis of the second movement, The People, concentrate on popular elements and reflect to some extent the tavern scenes in the plays. The two ideas presented are a harvest hymn reflecting the country scenes set in Gloucestershire, and a jazzy, 'up-tempo' dance based on the medieval song, Sumer is icumen in. The third movement, The State, deals with the Kings theme in the title of the piece. The juxtaposition of battle music with funeral music for Henry IV and Henry VI leads to a reworking of the leitmotif from the beginning of the work. The final section is Coronation music for Henry V, eventually leading to a triumphant climax.- Edward GregsonDuration: 17.15Recorded on QPRM 125D Festival of Music 1996, Massed Bands of the Royal Air ForceRecorded on QPRM 134D The Kings Go Forth, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£174.99Mexican Pictures - Franco Cesarini
Your band will love getting acquainted with Mexican Pictures, a suite in four movements based on Mexican folk music. The first movement, El Butaquito, is based on a very lively folk-song of the same name and is characterised by its many contrasting rhythms. The second movement, Romance Mejicano, creates a peaceful and romantic atmosphere. The title of the third movement, Ballaviejo, means 'Antique Dance', in which the word antique refers to the rhythms that were taken to America by Africa's black population. La Charreada, the final movement, depicts the popular Mexican Rodeo, where the action in the arena is usually supported by instrumental ensembles, the so-called 'Mariacchi'.
Estimated dispatch 7-14 working days
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£250.00The England of Elizabeth,Three Portraits from (Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul
This suite was derived from Vaughan Williams' score for the film, The England of Elizabeth, written in 1955. It was the composer's tenth of his 11 cinematic efforts and designed to serve a more descriptive role than other such scores, since the movie was a documentary featuring no action scenes, but lots of images of paintings, buildings, and the like. Composer Muir Matheson adapted this three-movement suite, probably shortly after the composer's death in 1958, though publication of the manuscript would not come until 1964. The first movement is entitled Explorer, and refers to Sir Francis Drake. Its music is mostly festive and colourful, but features interior passages of exotic flavor, similar in style to that of Vaughan Williams' then-recent Symphony No.8. The second movement is entitled Poet and, at about seven minutes, is the longest of the three in this 16 to 17 minute work. It also contains probably the score's best music, hardly a surprising result since the poet in question is Shakespeare, one of the composer's favourites and an inspirational springboard for so many other of his works. The mood is mostly subdued and Vaughan Williams presents lovely, if slightly somber music in the opening, and follows it with a hearty, folk-like dance tune. The latter part of this movement depicts Shakespeare as a noble, heroic figure in English history. The last movement, Queen, is devoted to Queen Elizabeth. It has a regal yet muscular manner at the outset, and features a gentle but somewhat disengaged middle section. It returns to the splendor and colour of the opening to close the work. This suite is important because it distills some of the best music from the film into a logically assembled structure. Program notes extracted from those of Robert Cummings.
Estimated dispatch 7-14 working days
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£174.99Mexican Pictures (Concert Band - Score and Parts) - Cesarini, Franco
Your band will love getting acquainted with Mexican Pictures, a suite in four movements based on Mexican folk music. The first movement, El Butaquito, is based on a very lively folk-song of the same name and is characterised by its many contrasting rhythms. The second movement, Romance Mejicano, creates a peaceful and romantic atmosphere. The title of the third movement, Ballaviejo, means 'Antique Dance', in which the word antique refers to the rhythms that were taken to America by Africa's black population. La Charreada, the final movement, depicts the popular Mexican Rodeo, where the action in the arena is usually supported by instrumental ensembles, the so-called 'Mariacchi'.Duration: 14:30
Estimated dispatch 7-14 working days
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£169.95Call of the Cossacks (Concert Band - Score and Parts) - Graham, Peter
Call of the Cossacks is part of the series of 'travelogue' features by Peter Graham, following in the footsteps of Cry of the Celts and Windows of the World. The Cossacks were a nomadic people whose ethnic makeup included Ukrainians, Tartars, Poles and Jews. A similarly wide range of Eastern European folk music features in this work, from Gypsy to Klezmer. Movement 1, Procession of the Tartars is cast in the old-style band 'patrol' and adapts a Klezmer folk song Fun Tashlach. The second movement, Doyle's Lament, is an original melody featuring solo alto saxophone while the final movement, Cossack Wedding Dance, is deep in Fiddler on the Roof territory - a pot pourri of Klezmer, Gypsy and Cossack styles. Each movement can be programmed separately.
Estimated dispatch 7-14 working days
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£144.99
Suite Marchigiana (Concert Band - Score and Parts)
According to a famous statement by Herder, folk songs represent the archives of a nation's knowledge, the expression of its heart and theimage that reflects its history and identity. Suite Marchigiana is a three movement piece, inspired by folk songs from the Marche in central Italy, a region with a very ancient and rich folkloristic heritage. The first movement elaborates on the well-known Pasquella. The Pasquella comes from a traditional winter begging ritual where a group of musicians go from house to house singing verses, wishing their audience good health, wealth and abundance, in return for small amounts of money, food and wine. The second movement is an Andante Triste inspired by an old song called Sona la mezzanotte (The Clock Strikes Midnight), a melancholic song that reminds us of unhappy love stories, bereavement, and so on. Luciano Feliciani concludes the suite with the Saltarello Marchigiano, which is bright and sparkling, and therefore in complete contrast with the previous movement. Although unproven, the Saltarello is thought to have its origins in the 'saltatio' (a latin dance). While the choreae were group dances, circular in structure and with a rhythmic progression, the saltationes were more lively in character. The fast, frenetic and joyous saltarello was without any doubt the most famous musical expression of rural central Italy in the nineteenth century. 10:20
Estimated dispatch 7-14 working days
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£82.95Symphonic Suite - Clifton Williams
A suite of five movements with different material. Each movement is associated through the use of one theme. The first, "Intrada," is fanfare-like, and the second, "Chorale," features a trumpet solo. "March," the third movement, is reminiscent of the opening material, followed by "Antique Dance," which has a modal melody. The final movement, "Jubilee," is clearly the most intense. The work is an Ostwald Award-Winning Composition of the American Bandmasters Association and is clearly a repertoire standard. (12:23) This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
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