Results
-
£136.00Run to the Edge (Concert Band - Score and Parts) - Dove, Jonathan - Littlemore, Philip
Jonathan Dove's thrilling and energetic showpiece was originally composed for the London Schools Symphony Orchestra (of which the composer was a member). Phillip Littlemore has expertly arranged the work for concert band, providing symphonic wind ensembles with a high velocity joy ride. Duration: 5:00
Estimated dispatch 7-14 working days
-
£150.00Surface (Prerecorded Soundscape with Concert Band - Score and Parts) - Shapiro, Alex
Depth, which is also the opening movement of Shapiro's electroacoustic wind symphony suite Immersion, is an anthem to an underworld of grandeur that is home to the tiniest, and the largest, creatures on Earth, each equally imperilled by the reckless behaviour of our human species. We must honour, respect, and marvel at these lives, rather than destroy them.Duration: 7.45
Estimated dispatch 7-14 working days
-
£79.00Joyful Variants (Based on Themes of Beethoven) (Concert Band - Score and Parts) - Beethoven, Ludwig van - Wada, Naoya
Celebrate and praise this legendary composer! Joyful Variants is a powerful setting using the famous theme of Ode to Joy from the ninth symphony of Ludwig van Beethoven. This joyous work includes quotations of melodies from other Beethoven works, cleverly hidden. Find them all, then you will be a Beethoven master! An excellent choice for concert opener or encore piece. Brilliant and exciting music!Duration: 2.45
Estimated dispatch 7-14 working days
-
£48.70First Sounds for Junior Band, Volume 1 (Flexible Ensemble - Score and Parts) - Wood, Stephen D.
4 Part Flexible Ensemble and PercussionIncludes:Three Warm-Ups For BandThree Folk Songs For BandStateside MarchChaconne and VariationsMorning Mood (Grieg)Fantasy on Three French Folk SongsTheme from Symphony No.9 (Beethoven)Brass BopA Christmas Fantasy
Estimated dispatch 7-14 working days
-
£295.00Enduring City (Concert Band - Score and Parts) - Glyn, Gareth - Noble, Paul
Enduring City was composed to celebrate the 300th anniversary of the founding of New Bern, the first permanent seat of the colonial government of the state of North Carolina. It was first settled in 1710 by Swiss and German immigrants under the leadership of Christoph von Graffenried and and John Lawson. The 2010 composition was commissioned by the New Bern 300th Anniversary Committee and the City of New Bern, to portray the city in terms of its history, its present and its optimism for the future; the North Carolina Symphony gave its first performances, in venues throughout the state. Its one continuous movement is in well-defined sections. Most of the musical themes derive from names of people and places connected with New Bern, using letters that are also note-names, omitting those which are not. For example, the opening trumpets spell out E-B-E-D for New Bern ('R' standing for Re, which is D in fixed-doh sol-fa notation) and B-C-G for Baron Christoph von Graffenried. They are answered by the orchestra's "John Lawson, Gent.", the name on the cover of the co-founder's A New Voyage to Carolina. Lawson's questing and adventurous character is then suggested, accompanied by a "Carolina" note-name theme; and, after the Graffenried theme on solo horn, the music of both men combines for their voyage, culminating (on trumpets and trombones) in the founding of New Bern. The story of Tryon Palace, central to the city's history, is represented by echoes of the various kinds of music heard at the Governor's residence - fife and drum bands, minuets and the slaves' "Jonkonnu" festivals from Africa, celebratory fanfares and fireworks; the section reaches a climactic ending when all are combined. After a peremptory interruption by the snare drum, the perky fife theme is transformed to portray the conflicts that visited New Bern over the centuries, alternating with a new "grief" theme, which - when sounded by strings alone - leads to music of reconciliation and then of the natural beauty of the city's surroundings. A steady, lively rhythm underpins the final section, confidence - in the present and for the future. Echoes of previous themes are heard, but the closing peroration is reserved for a majestic and joyous statement of the name of New Bern itself.
Estimated dispatch 7-14 working days
-
£78.00A Trombone Family Reunion (Trombone Trio with Concert Band - Score and Parts) - Fillmore, Henry - Glover, Andrew
Between 1908 and 1929, Henry Fillmore composed a series of fifteen novelty pieces featuring the trombone section with band. These became collectively known as "The Trombone Family," with names and subtitles connecting them in sort of a musical genealogy. The three most popular family members, "Lassus Trombone," "Miss Trombone," and "Shoutin' Liza Trombone" join together in a whimsical way for "A Trombone Family Reunion," along with some "shirttail relatives" depicted by famous trombone excerpts from the symphonic repertoire. Included are quotations from "Blue Bells Of Scotland," "Symphony No. 4" by Tchaikovsky, "Tannhauser Overture," "Second Hungarian Rhapsody," "Prelude to Act III of Lohengrin," "Hallelujah Chorus," "Ride of the Valkyries," "Turkey In The Straw," and a few other surprises. Great fun! Duration: 3.30
Estimated dispatch 7-14 working days
-
£76.99Continuum (Concert Band - Score and Parts) - Buckley, Robert
This exciting, innovative new work from Robert Buckley was commissioned by the Troy University Symphony Band in honour of the 37th annual Southeastern United States Concert Band Clinic in Alabama. Using a recurring two-measure loop, this uniquely constructed piece is built up around various musical building blocks that are constantly evolving and transforming. The music is dramatic and dynamic, with full-blown ensemble passages suddenly dropping to quiet, powerful moments without ever losing the music's continuous drive. Following an exotic, bluesy middle section the piece builds, accelerating to a thrilling, rhythmic, percussive finish. A real tour de force!Duration: 7:00
Estimated dispatch 7-14 working days
-
£62.00A Ralph Vaughan Williams Portrait (Concert Band - Score and Parts) - Vaughan Williams, Ralph - Wagner, Douglas E.
Vaughan Williams' work represents the height of English Post-Romanticism after the turn of the century, which was characterized by fervent nationalistic spirit and a corresponding surge of interest in discovering, preserving, and performing traditional folk music. This arrangement includes elements of "Fantasia on a Theme by Thomas Tallis," A Sea Symphony, "Linden Lea," and "Overture to The Wasps," all seamlessly intertwined.Duration: 3.45
Estimated dispatch 7-14 working days
-
£46.95Ode to Three Ships (Concert Band - Score and Parts) - Beethoven, Ludwig van - Story, Michael
Based on "I Saw Three Ships" and "Ode to Joy". Imagine a holiday tune created with no key signature and using only the first few notes learned that's suitable to perform after only a few months of instruction. This arrangement is a mash-up using the popular Christmas carol "I Saw Three Ships" combined with Ludwig van Beethoven's "Ode to Joy" from his 9th Symphony. Merry first 'band' Christmas!Duration: 1.45
Estimated dispatch 7-14 working days
-
£250.00The England of Elizabeth,Three Portraits from (Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul
This suite was derived from Vaughan Williams' score for the film, The England of Elizabeth, written in 1955. It was the composer's tenth of his 11 cinematic efforts and designed to serve a more descriptive role than other such scores, since the movie was a documentary featuring no action scenes, but lots of images of paintings, buildings, and the like. Composer Muir Matheson adapted this three-movement suite, probably shortly after the composer's death in 1958, though publication of the manuscript would not come until 1964. The first movement is entitled Explorer, and refers to Sir Francis Drake. Its music is mostly festive and colourful, but features interior passages of exotic flavor, similar in style to that of Vaughan Williams' then-recent Symphony No.8. The second movement is entitled Poet and, at about seven minutes, is the longest of the three in this 16 to 17 minute work. It also contains probably the score's best music, hardly a surprising result since the poet in question is Shakespeare, one of the composer's favourites and an inspirational springboard for so many other of his works. The mood is mostly subdued and Vaughan Williams presents lovely, if slightly somber music in the opening, and follows it with a hearty, folk-like dance tune. The latter part of this movement depicts Shakespeare as a noble, heroic figure in English history. The last movement, Queen, is devoted to Queen Elizabeth. It has a regal yet muscular manner at the outset, and features a gentle but somewhat disengaged middle section. It returns to the splendor and colour of the opening to close the work. This suite is important because it distills some of the best music from the film into a logically assembled structure. Program notes extracted from those of Robert Cummings.
Estimated dispatch 7-14 working days
View Music