Pineapple Poll (Suite from the Ballet)

In four charming movements, this cherished work is back in print with all new engraving and a full score for the first time. The movements are entitled "Opening Number," "Jasper's Dance," "Poll's Dance," and "Finale." A real work-out for your top-notch ensemble from the Chappell Army Journal, this one's well worth the energy. is an exciting addition to the Belwin Classic Band series! (11:43) This title is available in MakeMusic Cloud.

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Pinnacle - Michael Kamuf

This bold and exhilarating original work for concert band combines mixed meters, lyrical themes, and powerful harmonies, taking your musicians and audiences on a thrilling musical journey. The compelling, energetic grooves in the alternating 3/4 and 4/4 sections look and sound complex, but are repetitive and easily mastered. Perfect as a concert or festival opener or closer! (3:45)

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Pippin

Scored by Stephen Schwartz and arranged for concert band by Ralph Ford, this endearing medley includes "Corner of the Sky," "Magic to Do," "Extraordinary," "Simple Joys," "Pippin (Finale)," and the mega-hit, "Morning Glow." (5:45) This title is available in MakeMusic Cloud.

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Pique Dame (Highlights) - Franz von Suppé / arr. Ralph Ford

Perfect as a concert opener, closer, or show piece, "Pique Dame," by the romantic Austrian composer Franz von Suppe is now available, for the first time, in a form accessible for young musicians. A wonderful variety of styles and flavors will make this a must-have for your developing band! (2:00)

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Pirate Kings from the East - John Henry Hopkins / arr. Scott Watson

In , composer Scott Watson re-imagines the legendary journey of the Three Kings, musically transporting the action from the desert to the high seas, swapping the traditional caravan of camels with a fearsome tall ship and pirate crew! Bold themes, triple-meter sea-shanty rhythms, and exciting percussion contribute to the high-spirited adventure. At the stirring conclusion of this buccaneer drama, one can almost hear the maritime Magi heartily proclaiming, "We Three Kings of Orient... ARRRGH!" (2:45)The series is an innovative addition to the ever-expanding interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:

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Pirate's Cove - Gene Milford

Pirate's Cove is a dramatic short overture that captures the excitement, daring and mystery of the age of the buccaneers. Scored to give the less experienced band a secure, full sound, Pirate's Cove has interesting parts and melodic writing for all sections.

Pirates of the Barbary Coast - Timothy Loest

This gripping programmatic work depicts the historic Battle of Tripoli. A mysterious opening foreshadows the impending conflict as American ships set sail for war. Tension builds as Marines cross the Libyan Desert and courageously storm the fortified pirate city of Derna. The Marine's Hymn announces the adrenaline-rushing assault complete with an aleatoric aerial bombardment. This innovative work is likely to be the most memorable portion of your concert or festival performance. Riveting!

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Pirates Revenge - Adrian B. Sims

Embark on a seaward journey beginning with the dawn of a pirate expedition! From singing sea chanteys to entering battles at sea, includes swashbuckling melodies that seek thrill and mischief along the way. A fantastic composition for accomplished groups, this work by Adrian B. Sims will keep audiences on the edge of their seats! (4:45)

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Pittsburgh Overture - Krzysztof Penderecki

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.Original Item: EP66202-CMPST

Planets in Motion - Victor López

The composer's premise that students learning resembles planets in motion---moving faster as learning increases much like planets closer to the sun orbit at a greater speed---was the inspiration for this original work. Using only the first few notes presented in most beginning band methods without eighth notes in the winds, this original work is scored without a key signature in order to be accessible even to the least-experience ensemble. This engaging melody will make your very beginning band sound very advanced, featuring solid scoring and doubling throughout. Right in the pocket! (1:45)

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