Adeste Fidelis (O Come All Ye Faithful): A Christmas Carol - arr. Arthur Harris/ transcr. William H. Silvester

The works in the Arthur Harris Christmas Series were originally written for orchestra, with several offering the option to add chorus. These transcriptions for band, both by William Silvester or Arthur Harris himself, retain the quality of the original orchestrations, offering bands the optional opportunity to perform with chorus during the Christmas season. Choral scores for each work are available separately. Band series with chorus includes: Silent Night, Joy to the World, Hark! The Herald Angels Sing, Adeste Fidelis (O Come All Ye Faithful), The First Nowell, O Tannenbaum, and Angels We Have Heard on High. Transcriptions for band alone includes: O Little Town of Bethlehem, God Rest Ye Merry Gentlemen, Joy to the World, Deck the Halls, and We Wish You a Merry Christmas.

Adirondack Park - Ryan Fraley

Excellent for festival or contest, this exciting new overture-style work has a haunting classic march tempo. Features interesting harmonic twists, mysterious themes, and various textures. Modest range demands make this an easy Grade 3. (4:45)

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Adoration (Movement 1 from ) - J. Eric Schmidt

A gently mysterious introduction leads us on a lyrical journey that culminates with a powerful and majestic final statement. This first movement from explores the various quiet, and not so quiet manners, in which adoration can be expressed. Two beautiful and austere themes highlight this deeply personal and moving work. This title is available in MakeMusic Cloud.

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Adrenaline Rush - Robert E. Foster

The title explains just what is going to happen as you open with this thriller for young band. Rob Foster shows an intimate knowledge of the grade 1 band and its capabilities. It is equally at home as an opener or closer for your concert.

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Advance of the Roman Legions - Michael Story

Musically presenting all the majesty and grandeur of ancient Rome, this original is a bold contest opener or closer that will permit your ensemble to sound confident. Introducing just a few accidentals and reviewing how long they last, this regal and distinguished original work will fill the stage! (2:15)

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Adventum

This arrangement captures the anticipation, arrival, and celebration of the holidays through the use of sacred and secular carols alike. The piece opens with a quiet setting of "O Come, O Come Emmanuel," then continues with a colorful and energetic rendition of the "Ukrainian Bell Carol" before drawing the piece to an exciting conclusion against a cacophony of ringing bells. (4:05)

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Adventure Awaits - Evan VanDoren

"Adventure Awaits" captures the excitement felt at the start of something new. Appropriately challenging for a developing band, this brief concert opener provides opportunities to explore lyrical melodies, colorful harmonies, independent entrances, and more! Start your next concert with this energizing selection.Original Item#: RWS-2236-00

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Adventure Overture - Timothy Loest

This three-part overture is extremely easy to put together and is an ideal transition from beginning band literature. Special attention is given to low brass parts, insuring that they are not too difficult. A lush lyrical section provides for some more interesting harmonies, yet is very approachable by bands at all levels. Use this section to work on balance and musicality with your ensemble. A D.C. al Fine completes the framework of this piece.

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Adventures in Rhythm - Charles Mekealian

"Adventures in Rhythm" is a fun, fast-paced piece that can also be used to broaden your band's rhythmic capabilities. The variety of syncopation creates an energetic feel, and the thematic elements in the piece are sure to capture the approval of your musicians and audience members.Original Item#: RWS-2235-00

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Adventus - Scott Watson

, meaning "arrival" or "debut" and celebratory in nature, was written to showcase the playing achievements of students. After a bold fanfare statement, the main theme is developed (first playfully, then with more grandeur). A contrasting moment of calm transitions to the exciting return of the opening theme, followed by triumphant closing material. Written squarely for Grade 1 players but with an attractive, mature sound that belies its level, , by Scott Watson, would make the perfect concert opener or closer. (2:30) Correlates to , Level 5.

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