Andalousie - Buffart

Andalucia - Philip A. Parker

Andaluca - Victor Lopez

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Andalusia - Hugh M. Stuart

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Andalusia - Kumiko Tanaka

In the summer of 1990, Kumiko Tanaka travelled around Europe and whilst in Spain she was most impressed by the places in the Andalusian region, such as Cordoba, Granada and Malaga. Blue skies, white walls and the bright sun all attracted her. Eachalley she explored reflected Arabian, Islamic or Jewish tradition and had its own unique feel, which remained in the traveller's heart for many years. Add a little Spanish romance to any occasion with this atmospheric concert item.

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Andante

Andante - Franz Schubert

Andante - Georges Bizet

The composition of the suite Roma was a labor of love for Bizet as it took some eight years to complete, originally being intended as a symphony. This Andante, together with an Allegro, forms the first movement of the work. Wilvan der Beek has created a beautiful, satisfying band arrangement of this little-known masterpiece.

Andante - Lorenzo Pusceddu

Andante & Rondo - Antonio Capuzzi

Antonio Capuzzi (August 1, 1755 - March 28, 1818) was an Italian violinist and composer who studied violin with Nazari and composition with Bertoni. In 1805 he moved to Bergamo, where he was professor of violin at the Instituto Musicale and leader of the orchestra at Teatro Riccardi. He was highly regarded there both as a teacher and a performer. Although popular in his day, most of his music is now forgotten; his most commonly performed piece today is the Concerto for Double Bass. All of Capuzzi's known compositions were written during his Venetian years. It was in Venice that Capuzzi became close friends with Domenico Dragonetti, Beethoven's virtuoso bassist. It isspeculated that Capuzzi wrote his Concerto for Double Bass for Dragonetti. Gerald Oswald has made a fine arrangement of the second (Andante) and third (Rondo) movements of the concerto to feature either euphonium or tuba with concert band. The solo part is also available in an edition with piano accompaniment.

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