A Celebration Overture - James Swearingen

An outstanding work for the youngest players by the master young band composer, James Swearingen. Ranges are modest (the clarinet parts don't even go above the break) and it's playable with smaller groups, but the unmistakable Swearingen touch is evident throughout. Perfect for any young band performance situation, it will be a cause for "celebration" when your young band gets to play this appealing composition. TOTALLY FIRST RATE!

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A Celtic Celebration - John Kinyon

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A Celtic Christmas

Richard has arranged three distinctively different carols from the Celtic folk tradition and combined them into a stunning medley for concert band. Includes: Deck the Hall, Love Came Down at Christmas and Wexford Carol.

A Celtic Christmas - David Gorham

This delightfully musical selection brings a bit of the Irish to seasonal concerts for the holidays. The beautifully melodic Wexford Carol introduces the piece, embracing the listener with a peacefully serene and warm atmosphere. Following in sharp contrast is the wonderfully rollicking rendition of I Saw Three Ships, complete with the characteristic sound of the drone of bagpipes and energetic and exuberant Celtic drumming. All of this creates a vivid vision of Christmastime on the Emerald Isle.

A Celtic Christmas - James L. Hosay

This spirited new Christmas medley from the pen of James L. Hosay will be a delight for all as the crown jewel of your holiday performance. The unmistakable sounds of the Emerald Isle are artfully portrayed here by one of the finest band composers of modern times.A thrilling opening with the rhythmic counterpoint of a 6/8 against 3/4 effect introduces this festive holiday rhapsody of popular European Christmas carols in traditional Celtic settings. A CELTIC CHRISTMAS includes six of the classic melodies which bring the holidays alive for millions, including I SAW THREE SHIPS, AWAY IN A MANGER, HERE WE COME A WASSAILING, and others.This setting goes well beyond the usualholiday medley. You'll find Gaelic gold when you unwrap this sparkling musical gift with your band this year !

A Celtic Impression - Darrol Barry

A Centennial Adventure - Thomas Doss

"100 Years of the Republic of Austria" should be an occasion to reflect on the value of freedom and democracy, precious treasures that don't grow on trees but which have to be fought for again and again. The imperial anthem composed by Franz Josef Haydn, which to this day, survives as the German national anthem, has played a very special role in the story of Austria. It seems that Haydn was inspired by a Croatian folksong. It was sung in Burgenland Croatian areas in various versions under the title "Atal se jesem" ("I am standing"). The composer wrote this piece as a tribute to all people standing up for democracy in the name of mankind. A festive and impressive piece forcelebrational events alike!

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A Centennial Celebration - Robert Sheldon

A Centennial Celebration is a vibrant work incorporating simple mixed meters with interesting rhythms and tuneful melodies. A beautiful lyrical section includes many expressive opportunities for both the full ensemble and several soloists before revisiting the opening themes and moving on to a triumphant conclusion. This is Robert Sheldon at his best!

A Centennial Journey - Philip Sparke

A Centennial Journey was commissioned by the Norwegian ensemble Stavanger Musikkorps av 1919 to celebrate their 100th anniversary in 2019. The work was premiered under conductor Morten E. Hansen at their Jubilee Concert in the Stavanger Konserthus on 28th September 2019. The piece opens dramatically with a sweeping melody on horns and saxophones under florid woodwind figuration, building to a majestic climax. A trio for the trombones calms the mood until the opening melody returns in a gentler style, eventually building to a busy molto vivo. The woodwind figuration continues over a series of brass trios until the main theme of the work appears on clarinets and euphoniums. This develops to introduce a change of key, featuring a long, hymn-like melody on clarinets and horns. The melody is then taken up by the full band, interspersed with sporadic brass fanfares. The opening of the molto vivo returns and leads to a return of the opening horn melody, building to a thrilling coda based on previous melodic material.

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A Century of Music - Etienne Crausaz

This work was commissioned by the Concordia wind band and the cho male choir, based in Mige (Valais, Switzerland), to mark their respective centenaries. The piece is a sanguine sounding work entirely based upon variations in several keys of a main hymn. This creates a festive and 'sprituoso' atmosphere throughout this impressive, highly colourful and energetic work. This work was commissioned by the Concordia wind band and the cho male choir, based in Mige (Valais, Switzerland), to mark their respective centenaries. The piece is a sanguine sounding work entirely based upon variations in several keys of a main hymn. This creates a festive and 'sprituoso'atmosphere throughout this impressive, highly colourful and energetic work.

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