Belle Of Pittsburg - Victor Herbert

Belle of the Ball - Leroy Anderson

Like most of Leroy Anderson's efforts, Belle of the Ball is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitalization -- of the Viennese waltz tradition. Having said that, the main theme sounds rather unlike a Strauss waltz, but the voice of Tchaikovsky is evident in its playful, fantasy-like character. The melody is rhythmic and comes in short groups of notes, beginning with two notes, then three, then expanding further; the music skates along elegantly. The middle section features a delightful variation on the theme, in which Anderson's gentle-belled sonorities impart a playful innocence. This exclusive Southern band edition by Mark Rogers reintroduces Anderson's enchanting work to new generations of audiences.

Belle of the West - Liberati

Bellefonte Overture - Robert Sheldon

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Belligerence - John M. Pasternak

Belligerence, by Carl Fischer Music newcomer John Pasternak, features strong rhythmic content, a memorable melodic figure, and dramatic percussion that is still within reach of beginning students. John drew on his own experience as a music educator to provide students with music they will love to play over and over.

Bellingrath Gardens - Ralph Ford

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Bellinzona

Bellissima - Wim Laseroms

Bellona

Bells - Ian McDougall

This powerful work by Ian McDougall showcases all the brilliance and splendor of the brass sections in a setting that makes a distinctive opener for any performance. Given its festive nature and the options for antiphonal staging, it works especially well for holiday performances.