Blaze! - Romeyn

"Blaze!' is an exciting and aggressive, fresh sounding work that harnesses the energy and intensity of young musicians. It begins with an explosion of sound, leading to a memorable melodic theme. Multiple musical styles are explored offering many teaching opportunities for dynamic shaping, contrast and varied styles. An exceptional and valuable piece that will excite performers and bring audiences to their feet!

Blazersschool - Ivo Kouwenhoven

Blazing Bones of the West!

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Blazing Clarinets - Andrew Balent

Feature your clarinet section with an excellent new Andrew Balent original that is reminiscent of the great novelty numbers by Leroy Anderson. This piece flows effortlessly from the page. A welcome addition to the reportoire.

Blazing Saddles

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Blazon - James Curnow

Subtitled "Prelude Brillante," this forceful concert opener is just what you need to begin your next program! Full of strong marcato brass statements, accents and sforzandos, your students will be ablaze with energy and excitement when they play this superb piece!

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Blazon - Philip Sparke

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Blazon! - David Shaffer

In this exciting fanfare, the brass and woodwinds proclaim majestic excitement through the use of interesting harmonies and crisp rhythmic motion. Aggressive percussion writing adds to the intensity of the performance. Written for the very youngest ensembles, "Blazon!" is the perfect selection to open your next concert.

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Bleak Forest - Andreas Ziegelbäck

Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022.Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales... don't they?Andreas Ziegelbck studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universitt, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelbck's interest in composing. In 2021, Andreas Ziegelbck completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band.

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Bleibt Treu - Andreas Obiltschnig