Cantate Domino with SATB - Flex 6 parts - Georg Friedrich Händel

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Cante Jondo - Hardy Mertens

Canterbury Chorale - Jan Van der Roost

This quiet piece with its broad tones was originally written for brass band on request of Robert Leveugle, chairman of the composers own band: Brass Band Midden Brabant (Belgium). The direct cause was a visit to the beautiful cathedral of theEnglish city Canterbury, in which so many fine compositions sounded throughout the centuries. Later on, Jan Van der Roost rescored this piece for symphonic wind band, exploring the full richness of colours of this formation. Besides solo phrases forseveral instruments, there are some massive tutti passages making the wind orchestra sound like a majestic organ. By the way: an "ad libitum" organ part adds an extra richness, colour and power to this piece, making it sound even more broad andgrand.

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Canterbury Coronation - James Curnow

On June 2 1953 the coronation of Queen Elizabeth II took place following a ritual that has been used since 750 AD. Since Canterbury is the ancient religious centre of Great Britain the Archbishop of Canterbury, the head of the Church of England, has presided over the coronation ceremonies of rulers of England for many generations. Canterbury Coronation seeks to capture both the ancient solemnity and the spirit of celebration that is inherent in a coronation and its accompanying ceremonies.

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Canterbury Procession - Gene Milford

A gorgeous work, combining the genius of Ralph Vaughan Williams with all the pomp and nobility is loved in the music of Britain. Programmable for commencement or anytime! Beautiful!

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Canterbury Suite - Tatgenhorst

Two principal folk-like melodies have been woven together in this little suite. After a brief brass opening a rich chorale is played by woodwinds followed by the development section using sharp accented rhythms. The themes and their variations are added individually as they build for an exciting full band climax.

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Canterbury Tales - James Curnow

Based on Chaucer's 'Canterbury Tales,' this work in three short movements depicts 'The Knight's Tale', 'The Franklin's Tale,' and 'The Miller's Tale.' Contemporary, yet within a very understandable framework, this is substantive programming at a very reasonable level of diificulty.

Canterbury Walk - Carl Strommen

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Cantica - J. Taylor

Here's a bold Spanish-flavored composition which features your trumpet soloist. Both an easy and more difficult version of the solo part are included. Powerfully scored for maximum sound, it's perfect for developing bands!

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Cantica de Sancto Benedicto - Jacob de Haan

Cantica de Sancto Benedicto is a three-movement work for mixed choir, soprano solo, concert band and organ ad libitum - on Latin lyrics that relate to the life of Saint Benedict. It was commissioned by the city of Norcia in Italy, whereBenedict was born. The holy Benedict (480-547) is considered the founder of monastic life within the Roman Catholic Church. His enormous influence is especially owing to his monastic rule, the Regula Benedicti.Jacob de Haan has named the movements ofCantica de Sancto Benedicto after the Holy Trinity: the Father (Gloria Patri), the Son (Gloria Filio) and the Holy Spirit (Gloria Spiritui Sancto). The lyrics of thehymn Gemma Caelestis, (which, like the othertexts, were originally used in Gregorian chant) are voiced by the choir. To this purpose, Jacob de Haan composed new, choral-like, homophone music. The sequence Laeta Quies is rendered by the soprano; the verses (divided over the threemovements) are alternated with those of Gemma Caelestis. The work closes with an impressive grand finale, in which texts are used from the proprium of the mass in honor of the saint's day of the holy Benedict (11 July). Notes to the conductor:For this cantata, there are various possibilities for the performance. The first involves a performance in which the choir and soprano parts are only accompanied by organ. Such a performance has several advantages: since the band never soundstogether with the choir and the soprano, no balance problems occur, and even a performance with a large concert band and a small cantata choir is conceivable. A special layout is also possible - with which you can set up a three-dimensionalperformance in a church. For example, the choir can sing in the chancel, accompanied by the choir organ; the soprano can stand on the gallery, accompanied by the main organ; and the band can be seated in another part of the church. The choir couldalso sing from a gallery. With layouts like this, working with two conductors is advisable. Choral parts available separately.

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