Concertino For English Horn and Wind Ensemble - Geert Brouwers

Concertino for Flute - Cécile Chaminade

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Concertino for Horn - Jan van der Waart

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Concertino for Marimba and Band, Op. 21b - Paul Creston

Grades 4-5

Concertino for Marimba and Winds - Alfred Reed

Written for famed Japanese marimba soloist, Reiko Kono. This concerto-like work is accompanied by the full resources of the modern concert band. The movements are a romantic "Nocturne", a gay, lilting "Scherzetto", and a brilliant "Toccata" which is surprisingly set to a swing-boogie rhythmic background.

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Concertino for Organ - Thomas Trachsel

This work was created by an order from the wind orchestra Feldmusik Sarnen and its conductor Rolf Schumacher on the occasion of his anniversary concert in the Hofkirche in Lucerne. The organist at the premiere was the organist of the court church Wolfgang Sieber. I tried to illuminate the Hofkirche and its organ in all three movements. In the Toccata the full force of the organ becomes clear, while in the second movement one is reminded more of praying monks in the cloister. In the final, all important topics are processed again. The organ part is very difficult to master, the accompaniment in the wind orchestra should be feasible for a wind orchestra grade 4 (approx. 1st class). (Edition Symphonic Works)

Concertino for Percussion and Band - Menno Bosgra

This three-part work was commissioned by Kunstfactor--the Dutch Institute for Amateur Art. Its purpose is to further the repertoire for solo percussionist and orchestral accompaniment--whether brass band, fanfare orchestra or wind band. For a good performance, the soloist should be well-versed in a variety of techniques, and should have a good understanding of the instruments not only technically, but also musically. In terms of the selection of instruments and also technique, the first and second movement are more classical in style, while the final movement--with a set-up of various so-called 'untuned' instruments--is more suited to contemporarysolo kit playing. These distinctions will become clear to the soloist while studying the piece. (Menno Bosgra)Movement One requires timpani and tambourine;Movement Two requires marimba and vibraphone;Movement Three is a set-up of: five untuned drums (bongos and toms), large drum (standing), large floor drum or smaller bass drum (lying down), cowbell on a stand, suspended cymbals, Chinese cymbal and small drum.

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Concertino for Percussionist and Band - Jack Stamp

Concertino For Piccolo and Band - Samuel Pascoal

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Concertino for Solo Percussion and Wind Orchestra - Satoshi Yagisawa

The effective use of solo percussion, combined with an elegant orchestration, brought a warm reception at the premiere of this work from Satoshi Yagisawa's 'Concertino Series'. Yagisawa's style is usually considered as rather dramatic, however, inthis piece he adds a whole new dimension to his compositional skills.

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