Coronation Anthem - Georg Friedrich Händel

SATB Chorus Excerpted from: Zadok the Priest

Coronation March - Giacomo Meyerbeer

Giacomo Meyerbeer (1791-1864) was a German opera composer of Jewish origins, who has been described as perhaps the most successful stage composer of the nineteenth century. From 1831 until his death, he remained a dominating figure in the world of opera. His contemporary Hector Berlioz summed up his public career claiming that he 'has not only the luck of being talented, but the talent to be lucky'. His works made him the most frequently performed composer at the world's leading opera houses in the nineteenth century. Giacomo Meyerbeer composed his opera Le Prophte in 1849. In this opera a coronation is preceded by a splendid march. Although the opera itself is rarely performed, the Coronation March has gained a place in the concert repertoire.Franco Cesarini's arrangement for concert band of the Coronation March stands out for its skillful instrumentation which underlines the powerful sounds of this classic concert march.

Coronation March - Pyotr Ilyich Tchaikovsky

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Coronation scene from Boris Godounoff - Modest Mussorgsky

This powerful movement for band is taken from a spectacular scene of Moussorgsky's famous opera. It is superbly arranged for band by Barbara Buehlman, widely respected for her skilled arrangements and transcriptions of masterworks for band. A stately processional, Coronation Scene features brilliant orchestration creating dramatic expression and ceaseless musical excitement.

Coronation Suite - Jerry Nowak

This bold and brilliant work effectively portrays the spirit and pageantry of a regal coronation ceremony in three contrasting and colorful movements.

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Corons (les) - Pierre Bachelet

Corps a Corps - Robert Martin

Corrida Nmes - John Darling

Corridors Of Castle Doria - Barry E. Kopetz

The Corridors of Castle Doria is a musical journey through a castle of varied and mysterious corridors. The opening represents standing upon the steps of the castle and being in awe of its size and majesty. The first corridor becomes narrow and somewhat close, moving ever smaller into a virtual crawlspace. The next section represents a dungeon-like corridor, dark, dank and musty, followed by a secret passage. Finally, there appears a long dark corridor that ultimately ends in the Great Hall and then a race to get out of the narrow corridor and outside to safety.

Corsica

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