Credentium - Jan Van der Roost

A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There followsa rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.

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Credo - Fisher Tull

As implied by the title, Credo is in the nature of a profession of faith. Organized in a tripartite form, the opening section presents a four-note motif contrasted with a chorale-like melody in the woodwinds. The slower middlesection is more contrite and reflective, the polyphonic texture in the woodwinds being imitated by a similar setting in the brasses. The final section employs development of the material from the first section in a fugal settingleading to a climactic affirmation followed by a resolute ending. (5:30)

Credo - James Barnes

If you have a large percussion section, Credo might be a perfect piece for your young band. It is very carefully scored and cross-cued, so that almost any size band can perform it. Composed in sonatina form, it is highly energetic and tuneful, and the bass instruments have lots of fun, easy things to play. Credo is very safely scored, with Piccolo, 2nd Oboe, 2nd Bassoon, Contra-Alto Clarinet, 3rd Trombone and Double Bass parts optional. Ranges are very reasonable; the only sixteenth notes in the piece are in the snare drum.

Credo - Serge Lancen

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Credo - William Owens

Credo in un Dio crudel - Giuseppe Verdi

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Creed - William Himes

A creed is a statement of belief. This piece, while not literally programmatic, seeks to convey a sense of affirmation and trust, ideals considered to be the basis of humanity. The result is music which is descriptive and atmospheric, conjuring a variety of moods ranging from reflection to exultation. A natural for contest! Correlates With Best In Class Bk.2 Page 32 / SOE Bk.3 Page 4

Creep It Real - Chris M. Bernotas

Creep it Real, by Chris M. Bernotas, is the perfect selection for your fall or Halloween concert! This creeptastic piece uses only the first few notes taught in most method books and will set a haunted mood by using minor-key modality and optional glissando effects for the trombones. (2:05) (Correlates to Sound Innovations, Book 1, Level 4).

Creepers In The Castle - Ralph Ford

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Creepy Classics For Band - Robert E. Foster

A great way to introduce some of the best-known themes from classical literature in a fun and spooky package! Four of the most haunting classical themes: In the Hall of the Mountain King; The Sorcerers Apprentice; Danse Macabre and A Night on Bald Mountain conjure up images of ghosts, witches, sorcerers and all manner of creepy, spooky creatures. Especially suitable for Halloween concerts, youll want to program this all year round!