December Joy - Douglas E. Wagner

Arranged by Douglas E. Wagner, three well-known secular carol tunes are showcased in this big and brassy, bright and flashy seasonal extravaganza, especially suited as a concert opener. Beginning with a cascade of chimes, soaring woodwind runs, and bold brass lines, "Deck the Hall" and "Here We Come A-Caroling" are presented with dynamic flair, interspersed with brief fanfare-like episodes. The mood transitions to a jaunting sleigh ride across the winter landscape, partnering the second time through with "Jingle Bells," as the spirited celebration closes with a short coda, drawn from musical materials heard in the opening measures of the work. (2:55) This title is available in SmartMusic.

December Revolutions

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December Sky - Erik Morales

'On a crisp, cold night in December, she gazes upward and stands in awe of the heavens. She realizes that the earth is only a tiny part of something greater.' This scenario provides the backdrop for this composition, which wasinspired by the night sky as viewed by my six-year-old from our home in Louisiana. It begins with the theme in the clarinets. The rest of the ensemle gradually reveals itself, as if one discovers a star not previously noticed inthe sky. The music reaches its climax at measure 34, where we are humbled by the sheer multitude of stars in the sky and realize our place in the universe. The piece ends with twinkling stars portrayed in the flute, oboe,clarinet,and bells.

Decennial Suite - Lorenzo Pusceddu

Decennium - Eric Swiggers

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Decennium - Trevor Ford

Dchir - Riccardo Cocciante

Deck the Hall

Deck the Halls

The original Welsh song Nos galan dating back to the sixteenth century, has become an international Christmas carol with the English lyric Deck the hall with boughs of holly.The song does not offer much in terms of variation, but I have tried to construct a short piece where one can see that the song still offers itself to a wide array of stylistical treatments.The opening is almost like a Christmas Overture, before it wanders in to a renaissance-like style.The middle section offers a much more lush and lyrical rubato treatment, with lots of color and thick harmonization.The end then turns the tempo even more up than at the start of the piece, and brings us through a big band ending with long soaring lines.- John Philip Hannevik -

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Deck the Halls - Chip Davis

Grade 3-4 Based on the popular arrangement by Chip Davis.