Du Haut de la Tour

Du und Du - Johann Strauss

Strausss Waltz Du und Du (You and You), published around the end of 1874, is based on motives from the operetta Die Fledermaus (The BaT) and named after one of its melodies, the famous chorus of Act II. The introduction, in triple meter(3/4), never modulates away from its basic key, F major. Du und Du contains 3 waltzes, each of them in the traditional structure ABA. After the third and last waltz, the piece concludes with a coda that elaborates fragments from the previouswaltzes.

Du, meine Heimat - Michael Klostermann

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Dual - Andrew Pearce

Dual Sound - Salvatore Nogara

Duat - Alex Poelman

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Dubinushka - Nikolai Rimsky-Korsakov

This short symphonic work was composed in 1905, during the first Russian Revolution. Rimsky-Korsakov takes his theme from a revolutionary worker's song.

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Dubinushka, Op. 62 - Nikolai Rimsky-Korsakov

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Dublimania - Menno Bosgra

This new work is based on Irish folk music.In the first part, the main theme is presented as a ballad, starting with the piccolo (as replacement for the flute which is widely used in Ireland), moving on the wood section to end with the entire orchestra.It then changes to a kind of rock style theme: powerful, rhythmic accompaniment with effects in dampers, a pedal point and the use of the spoons which is typical of Irish music (Irish pub), high-range bongo drum (replacement for the Bodhran), etc.In this second part I introduced a second theme as a counterbalance, played by several groups, which has clearly a more legato character and therefore sounds more melodious.The climaxof the work starts in the low-range brass section with its marcato theme that is developed with a great deal of rhythmicity in the accompaniment, clusters, etc. into a percussion solo interspersed by the orchestra in five-eight time with frequent parallel movement in chords (folk music style).Towards the end, theme 2 recurs twice: first as heard earlier with an extra counter melody and accompaniment pattern, then in a canonical form, in which the theme is played by three groups. The conclusion is a repeat of the middle section in five-eight time.I have tried to use many of the colours of a wind orchestra by having the wood sections and brass section play alone and making extensive use of dampers. Percussion also has a prominent role throughout the work.

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Dublin Dances - Jan Van der Roost

In Dublin Dances Jan Van der Roost has combined three well-known traditional Irish melodies to form an attractive medley. The medley contains Brian Boru's March, a melody made popular by worldfamous flautist James Galway, followed bythe atmospheric tune The Minstrel Man and, as a cheerful finale, The Irish Washerwoman. Add a little magic from the Emerald Isle to your concert with this rousing medley.

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