Bright (Concert Band - Score and Parts) - Davis, Jerry

The indie pop band Echosmith has done it again with the catchy "Bright." With a reinforced syncopated foundation in a laid-back cut-time, the delightful melody is introduced initially in flutes and then throughout the ensemble. The folksy and easy feel will bring a nice contrasting moment for your pop program.Duration: 2:45

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Bright Eyes (Concert Band - Score and Parts) - Batt, Mike - Kernen, Roland

In 1976, Mike Batt wrote Bright Eyes especially for Art Garfunkel, of the duo Simon & Garfunkel, who sang it as the title song of the animated film Watership Down. At that time no one could guess at the global success that this classic melancholy yet wonderful song would enjoy. 35 years, numerous chart appearances, cover versions and awards later, here's Roland Kernen's sensitive arrangement for a performance to fall in love with all over again!Duration: 4:00

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Bright Future (Concert Band - Score and Parts)

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BRIGHT LIGHTS ON BROADWAY (Young Band) - Higgins, John

Featuring some of the best-known showstoppers ever to hit the bright lights, here is a well paced and skilfully written number sure to please just about any audience. Includes: Comedy Tonight, Everything's Coming Up Roses, and There's No Business Like Show Business.

Bright Lights! (Concert Band - Score and Parts) - Sheldon, Robert

A strong rhythmic pulse drives the tuneful melodies and technical flourishes in this fast-paced, high-energy showcase written in modified rondo form, this joyful offering works well as an opener, closer, or encore piece.Duration: 4:00

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BRIGHT SUNLIT MORNING (Ralph Hultgren) (Baritone Vocal/Prestige Concert Band Extra Score) - Hultgren, Ralph

Extra Score. Described, by the composer, as "a personal reflection on the events in the USA on the morning of September 11th 2001". Inspiration came from quotations in the bible. Bright Sunlit Morning features the words of many Psalms and other sections of the Old Testament and are sensitively incorporated in this work for baritone vocal and concert band. Performance time 12'13' (Recorded on QPRM 149D BRIGHT SUNLIT MORNING, Regimental Band of the Coldstream Guards).

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BRIGHT SUNLIT MORNING (Ralph Hultgren) (Baritone Vocal/Prestige Concert Band) - Hultgren, Ralph

Described, by the composer, as "a personal reflection on the events in the USA on the morning of September 11th 2001". Inspiration came from quotations in the bible. Bright Sunlit Morning features the words of many Psalms and other sections of the Old Testament and are sensitively incorporated in this work for baritone vocal and concert band. Performance time 12'13' (Recorded on QPRM 149D BRIGHT SUNLIT MORNING, Regimental Band of the Coldstream Guards).

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BRIGHT SUNLIT MORNING (Regimental Band Coldstream Guards) (CD)

International Wind Band Music Vol.1. The Regimental Band Coldstream Guards. Director of Music: Major Graham O. Jones MBE. Includes: DALI (Aldo Rafael Forte); Fantasy Variations (Yasuhide Ito); Bright Sunlit Morning (Ralph Hultgren); Neapolitan Serenade (Martin Ellerby); My Sister's Tears (Ralph Hultgren); Symphony for the Millennium (Aldo Rafael Forte)

Brighton Beach (Concert Band - Score and Parts) - Latham, William

Numerous dynamic contrasts combined with unique woodwind contributions unite in this solid concert march. William Latham's "Brighton Beach" concert march serves equally well as an outstanding recessional for graduation ceremonies. This work is a must for every school band library. Duration: 4.00

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Brighton Camp, Suite of Cotswold Folkdances (Concert Band - Score and Parts) - Lane, Philip - Noble, Paul

The Suite of Cotswold Folkdances (not to be confused with Cotswold Dances) was commissioned by the Stroud Festival to celebrate HRH, the Princess Anne and her family taking up residence in the Cotswolds, near Stroud. The suite of dances is based on traditional Morris tunes prevalent in the Cotswolds at the turn of the century. Although the tunes themselves are left largely untouched, their implied harmonies and moods are treated more freely to create a balanced work for the concert hall. Numbers 2, 3, and 4 may recall more familiar variants since it is in the nature of folksong/dance for there to be more than one version when examples were transmitted, not always accurately, by word of mouth or note of pipe.

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