Eyes on the Stars (Concert Band - Score and Parts) - Wiffin, Rob

Eyes on the Stars was commissioned by the Surrey Police Band in 2022 in memory of George Rowland. George was a remarkable character. He was born in Vienna but spent his early days in Tuscany, coming to England with his family at the start of WW2, where he went on to be one of the pioneers of cancer research. He was an avid skier, tennis player and extremely keen musician. Wherever he went he joined a community band so when he and his family settled in Surrey he joined the Surrey Police Band. To them he was George who played bass clarinet, a polite chap with a lovely deep Surrey accent! In trying to fulfil the terms of a commission for a five-minute work I attempted to embrace the verve and aspirational nature of George and his overwhelmingly positive nature, hence the title Eyes on the Stars.- Rob WiffinFirst performed by the Surrey Police Band on 18 March 2023 at Emmanuel Church in Stoughton.Duration: 5.15

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Eyes Open (from The Hunger Games) (Concert Band - Score and Parts) - Swift, Taylor - Kazik, James

From singing superstar Taylor Swift comes this hit song from the blockbuster movie The Hunger Games. This version for young players stays true to the original light rock style and will go together quickly with limited rehearsal.

Fa Una Canzona (Concert Band - Score and Parts) - Vecchi, Orazio - Daehn, Larry

Duration: 1.30

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Fable and Folk Tale (Concert Band - Score and Parts) - Broege, Timothy

Two spirited movements evoke the mystery and excitement of good storytelling. The opening Fable features boldly profiled music interjected with spoken words, Once upon a time... The Folk Tale takes a simple melody through a set of brisk and often surprising variations.Duration: 3:30

Fabulous Las Vegas (Concert Band - Score and Parts) - Moerman, Wilco

Duration: 2.45

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Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul

This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.

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Facedown (Euphonium/Baritone Solo with Concert Band - Score and Parts) - Calster, Sven Van

This is an ideal work to bring your euphonium or baritone soloist into the limelight. All aspects of the instrument are featured, with virtuoso, rhythmic passages as well as attractive, cantabile melodies. The straightforward accompaniment makes it possible to play this composition with practically every band as the parts have been provided with sufficient doublings.Duration: 6:10

Faces of the World (Concert Band - Score and Parts)

A delightful march with a truly regal sound. The haunting melody and stately tempo make this a very appealing selection for either contest or concert use and its slightly modal sound is sure to make it a favorite with your students. Another extraordinary young band piece from a very popular composer. A REAL WINNER!

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Fackeltanz #1 (Concert Band - Score and Parts)

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Factory Riffs

Edgy and rhythmic, this explosive work will excite your students and audiences! Thick harmonies and gritty percussion writing give the impression of playing inside a noisy factory. Powerful and energetic, this will be an unforgettable hit at your next festival or concert performance! A brilliant and unique work!

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