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£39.95EINE KLEINE NACHTMUSIK (Simply Classics Concert Band) - Mozart, Wolfgang Amadeus - Stubbs, Duncan
Written in 1785, the Serenade in G major (K525) became better known as Eine Kleine Nachtmusik - one of Mozart's best-known works. The serenade was designed to be played at social functions usually outdoors. True to his genius Mozart elevated this form of music to the highest level possible in his day. Above all this music was written to entertain, so enjoy and don't forget to smile! American Grade 1.5 Duration: 1:45
Estimated dispatch 7-14 working days
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£34.95
Minuet (from The Anna Magdalena Notebook) (Simply Classics Concert Band - Score and Parts) - Bach, Johann Sebastian - Turnbull, Kit
Duration: 1:45 .Simply Classics Grade 1
Estimated dispatch 7-14 working days
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£34.95
MINUET No.2 from Music for the Royal Fireworks (Simply Classics Concert Band) - Handel, George Frideric - Turnbull, Kit
Duration: 1:00 Simply Classics Grade 1
Estimated dispatch 7-14 working days
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£124.95SWORD AND THE CROWN, The (Prestige Concert Band - Score and Parts) - Gregson, Edward
In 1988 I was commissioned by the Royal Shakespeare Company to write the music for The Plantagenets trilogy, directed by Adrian Noble in Stratford-upon-Avon. These plays take us from the death of Henry V to the death of Richard III. Later, in 1991, I wrote the music for Henry IV parts 1 and 2, again in Stratford. All of these plays are concerned with the struggle for power (the crown) through the use of force (the sword) and they portray one of the most turbulent periods in the history of the British monarchy.This work quickly became established in the mainstream repertoire and has received performances worldwide as well as five commercial recordings and many broadcasts. In 2002 I was approached by the Parc and Dare Band regarding their summer festival and commissioned to do a version for brass band. This was given its first performance in Treorchy Hall by the combined bands of Black Dyke and Parc and Dare conducted by Nicholas Childs.When the Royal Air Force Music Services commissioned me to write a work especially for their British tour in 1991 I immediately thought of turning to this music and transforming some of it into a three-movement suite for symphonic band.The first movement opens with a brief fanfare for two antiphonal trumpets (off-stage), but this only acts as a preface to a Requiem aeternam (the death of Henry V) before changing mood to the English army on the march to France; this subsides into a French victory march, but the English army music returns in counterpoint. Finally, a brief reminder of the Requiem music leads to the triumphal music for Richard Plantagenet, Duke of York, father of Edward IV and Richard III (the opening fanfare transformed).The second movement takes music from the Welsh Court in Henry IV (part 1) which is tranquil in mood; distant fanfares foreboding battles to come are heard, but the folktune is heard three times in different variations and the movement ends as it began with alto flute and gentle percussion.The final movement starts with two sets of antiphonally placed timpani, drums and tam-tam, portraying the 'war machine' and savagery of battle. Trumpet fanfares and horn calls herald an heroic battle theme which, by the end of the movement, transforms itself into a triumphant hymn for Henry IV's defeat of the rebellious forces.- Edward GregsonPerformance time 13'54"Recorded on QPRM117D FESTIVAL OF MUSIC 1991, Massed Bands of the Royal Air ForceRecorded on QPRM120D THE SWORD AND THE CROWN, Central Band of the Royal Air Force'Finale' recorded on QPRM142D FESTIVAL OF MUSIC 2002, Massed Bands of the Royal Air Force)
Estimated dispatch 7-14 working days
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£164.95The Kings Go Forth (Concert Band - Score and Parts) - Gregson, Edward
This work was commissioned jointly by the Royal Air Force Music Service and an American Universities Consortium and received its world premiere during the 1996 RAF British Tour. It is scored for large symphonic wind band, with the addition of voices.The work is a sequel to the highly successful The Sword and the Crown which was premiered in 1991 by the mass bands of the RAF (and also was an RAF commission). That work was based on music written for the Royal Shakespeare Company productions of The Plantagenets and Henry IV, parts 1 and 2 (for productions between 1988 and 1991).The Kings go Forth is similarly based on musical material for those productions. It uses different thematic elements and incorporates them into a three-movement suite entitled: The Church; The People; The State.This reflects the fact that in Henry IV Parts 1 and 2, Shakespeare introduces The People as an important element in the dramatic structure. The Church and The State are, of course, both leitmotivs throughout the entire plays. An Agnus Dei is heard at the outset from a solo voice. The ensuing Dies Irae is a fast and, at times, quite violent dance. The two sections which form the basis of the second movement, The People, concentrate on popular elements and reflect to some extent the tavern scenes in the plays. The two ideas presented are a harvest hymn reflecting the country scenes set in Gloucestershire, and a jazzy, 'up-tempo' dance based on the medieval song, Sumer is icumen in. The third movement, The State, deals with the Kings theme in the title of the piece. The juxtaposition of battle music with funeral music for Henry IV and Henry VI leads to a reworking of the leitmotif from the beginning of the work. The final section is Coronation music for Henry V, eventually leading to a triumphant climax.- Edward GregsonDuration: 17.15Recorded on QPRM 125D Festival of Music 1996, Massed Bands of the Royal Air ForceRecorded on QPRM 134D The Kings Go Forth, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£19.95
ZOO BALL (Score) - Strachan, Keith
Zoo Ball is score in five parts with various transpositions for each voice. Parts 1 & 2 are the Soprano parts. Part 1 should 'outweigh' part 2 in sound, if not in numbers, as it is often divided. Trumpets/Cornets and Clarinets should be divided accordingly between the parts. Part 3 is the Alto part. It is occasionally scored as an individual part but frequently doubles part 2 or 4. Part 4 is the Tenor part. Part 5 is the Bass part and frequently doubles part 4, either in unison or at an octave lower.The Zoo Ball is a suite of twelve light-hearted pieces for the young wind of brass band by Keith Strachan.It can be seen from the titles that the young player is introduced to a variety of dance rhythms that are both fun to play and enjoyable to listen to.It is scored in five parts (some of which divide in places) so can be played by ensembles of aroung ten players up to full band. When a fuller instrumentation is available, teachers and conductors are encouraged to vary the scoring as appropriate, particularly in repeated sections. This will allow players to rest occasionally and add changes of colour to the band sound by avoiding excessive doubling.Contents:Lion's PrideHippo's WaltzKangaroo HopEel CongaElephants' MarchSnake, Rattle and RollPanther TangoPenguin PolkaBuffalo BluesBlack Mamba SambaTiger RagMonkey Swing
Estimated dispatch 7-14 working days
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£50.50Tirade - Robert Sheldon
Set in the Dorian mode, Tirade, by Robert Sheldon, offers young musicians the opportunity to perform with passion and emotion to make a bold musical statement. Since there are no dotted rhythms, articulations, or 8th notes (other than in the percussion section), and using only the first five notes the students have learned, this is a perfect piece for a beginning band's first concert! Tirade (1:55) (Correlates to Sound Innovations, Book 1, Level 2).
Estimated dispatch 7-14 working days
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£53.95Sussex Carol - Robert Sheldon
This uplifting arrangement of Sussex Carol, arranged by Robert Sheldon, is an ideal setting of one of England's most popular carols and the perfect choice for your holiday program. Usually performed in a spirited 6/8, this version sets the tune in a slower 3/4 time, allowing younger musicians to enjoy playing this delightful melody. (1:50) (Correlates to Sound Innovations, Book 1, Level 6).
Estimated dispatch 7-14 working days
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£132.50Diplodocus - Ingebjørg Vilhelmsen
Diplodocus is said to be one of the largest dinosaus to ever have lived. This plant munching beast weighted approximately 20 tons, and could measure up to 30 metres from head to tail. The dinosaur lived in North America during the Jurassic period.This piece describes the carefree nature of a Diplodocus.A life with no natural enemies, and with an exceptionally small brain.To the conductor:The drum set part (Perc. 1) can be played as written, or ad lib. There is also a simplified drum set part that can replace Perc 1. if needed.Perc 2. is optional, and can be omitted.
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Hymns for four-part mixed choir a cappella (1846, St. Florian)No. 1 in E flat major (WAB 41/3): Quite SlowNo. 2 in C major (WAB 41/4): AndanteNo. 3 in B flat major (WAB 41/1): SlowNo. 4 in A flat major (WAB 41/2): SlowHymn for five-part (2 S, A, T, B) mixed choir and organNo. 5 in D major: SolemnlyThey are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.
Estimated dispatch 7-14 working days
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