Results
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£64.95
Nightlights (Tuba Solo with Concert Band - Score and Parts) - Pankhurst, Lucy
Nightlights was commissioned by Chris Jeans and Don Collins for Youth Brass 2000, to be used as part of their programme at the 2019 European Championships. Written during January 2019, Nightlights received its world premiere by Youth Brass 2000, conducted by Chris Jeans with Siobhan Bates as soloist, at the 2019 European Brass Band Championships in Montreux, Switzerland.Originally written as a Tenor Horn solo, this version for Tuba was arranged for and is dedicated to Dr Joanna Ross Hersey.Nightlights is intended to illustrate a winter's evening looking out across Lake Geneva from Montreux. Tiny lights appear beneath the mountains from faraway homes and vehicles, flickering in the distance and shimmering in the reflections on the water. Tiny, blinking nightlights against the inky blue of the clear sky. Thousands of stars shine above, blurring the boundaries between land, water, and the heavens into a sparkling ether. Transfixed, the bustle of sounds and lights from Montreux seems a lot further away than it is in reality. Eventually, each little light blinks out, one at a time, leaving the chill of the cold night air and an empty sky.Duration: 4.30
Estimated dispatch 7-14 working days
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£124.95
Sinfonietta - Score and Parts - Rob Wiffin
Program NotesSinfonietta is a challenging, extended work for symphonic wind band. It is in three movements: Dance with the Devil, A Glimpse of Paradise and Reyes Magos. The first two movements are a transition from dark to light; Dance with the Devil is aggressive and occasionally macabre whereas A Glimpse of Paradise is serene. The first and final parts of the second movement were originally written for a sequence in the Royal Military Tattoo 2000, played under the John Magee poem High Flight – ‘Oh I have slipped the surly bonds of Earth...Put out my hand, and touched the face of God’ - with videos of eagle owls in flight dramatically projected onto the buildings of Horse Guards in Whitehall, London.The last movement, Reyes Magos, is the joyous fiesta of the Three Kings. I wrote Sinfonietta while living in Spain and there January 6th, rather than Christmas Day, is the main day of present-giving, marking the Epiphany, the arrival of the Kings from the Orient at the Nativity.Sinfonietta is technically and expressively demanding but is written within the realms of tonal language.
Estimated dispatch 7-14 working days
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£24.95
Sinfonietta - Score only - Rob Wiffin
Program NotesSinfonietta is a challenging, extended work for symphonic wind band. It is in three movements: Dance with the Devil, A Glimpse of Paradise and Reyes Magos. The first two movements are a transition from dark to light; Dance with the Devil is aggressive and occasionally macabre whereas A Glimpse of Paradise is serene. The first and final parts of the second movement were originally written for a sequence in the Royal Military Tattoo 2000, played under the John Magee poem High Flight – ‘Oh I have slipped the surly bonds of Earth...Put out my hand, and touched the face of God’ - with videos of eagle owls in flight dramatically projected onto the buildings of Horse Guards in Whitehall, London.The last movement, Reyes Magos, is the joyous fiesta of the Three Kings. I wrote Sinfonietta while living in Spain and there January 6th, rather than Christmas Day, is the main day of present-giving, marking the Epiphany, the arrival of the Kings from the Orient at the Nativity.Sinfonietta is technically and expressively demanding but is written within the realms of tonal language.
Estimated dispatch 7-14 working days
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£122.50
Festive Music
This work of festive atmosphere was written in 2000 for symphonic band, then the composer arranged it for symphony orchestra. In this piece, Lszl Dubrovay (*1943) parts with his special, hallmark concert band effects; rather, lively vibrations enriched with colliding seconds and distant overtones are brought to the foreground. The special sound is coloured by ornamental trills, appearing even in batches, and vibrating collisions in the high registers. The performance is rendered even more unique by the outer trumpets on both sides of the space. The trumpets and the flugelhorns can be divided into ten parts altogether, thus, the piece can be played by one ensemble or several bands together, as it is usual at the conclusion of large-scale festivals. This composition may be a great choice for festive concerts, since it is a solemn, innovative, and - by virtue of the free arrangement of the performing space - special work at the same time.
Estimated dispatch 7-14 working days
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£145.50
The Castle - Lars Erik Gudim
The ballad "The Castle" was originally written for the EBU Big Band's concert in Bergen in 2000. The band, consisting of a musician from each of the EBU countries, performed specially commissioned music by Bugge Wesseltoft and Lars Erik Gudim.
Estimated dispatch 7-14 working days
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£115.60
Lullaby for small goblins - Gudny Hagen
"Amalies Christmas" is a Norwegian TV series for children, produced by NRK in 1995, and broadcasted again in 19976, and in 2000.The program consisted of 24 episodes, and follows Amalie Wang (Anne Marie Ottesen) making preperations forChristmas in an old house where there lived goblins. The program was the first of many to follow, based on the author Gudny I. Hagens characters. The music is composed by Philip A. Kruse, and all episodes ended with the goblin family (HaraldHeide-Steen jr., Brit Elisabeth Haagensli og Pia Borgli) singing "Lullaby for small goblins".This arrangement for young concert band may be performed with different instrumental soloist or vocalist.Chords are included for piano/guitar. It isimportant to focus on the dynamics and the tempo. The soloist must be heard clearly and adding a choir in the refrains makes it even nicer. It is a melodic song that suits being performed in churches and rooms with ambience. The song is often usedaround Christmas time, but it is written as a small lullaby that can be played anytime.
Estimated dispatch 7-14 working days
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£69.99
A Call for Peace - Carmine Pastore
Carmine Pastore's simple hymn, "A Call for Peace" is dedicated to the year 2000. In his lyrical work, "A Call for Peace", the composer expresses his hope that, with the turn of the millenium, the global community will strive to achieve world peace.
Estimated dispatch 7-14 working days
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£118.99
Seaside Road - Itaru Sakai
This piece was composed in the summer of 2000, on commission of the Whightull Wind Ensemble. Seaside Road is a march in two-four time. The work begins with a tempestuous sound, followed by a light passage. Featuring, amongst others, your Bass Clarinet and Euphonium soloists in the trio section, the work builds towards an agile tutti before concluding with a powerful closing section. A must for all your summer season concerts.
Estimated dispatch 7-14 working days
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£84.99
A Copland Portrait - David Conte
Originally commissioned by maestro Neal Gittleman, A Copland Portrait was premiered by the Dayton Philharmonic Orchestra in January 2000. In March of 2015, First Lieutenant Ryan Nowlin's transcription of this work for band was premiered by "The President's Own" United States Marine Band under the direction of Lieutenant Colonel Jason Fettig. ECS Publishing is proud to offer both the band and the orchestra version. Conte on the creation of this overture: "I set out quite consciously to evoke various aspects of Copland's work by combining and recombining them within the terms of my own musical personality. For example, the first theme of A Copland Portrait combines the character of a theme from The Red Pony with the rhythmic texture of the scherzo of the Third Symphony. While composing the piece I was conscious of drawing inspiration from many of Copland's works; a melodic shape here, a harmonic gesture there, until I arrived at something that felt fresh and new to me. A Copland Portrait is cast in a traditional Sonata-Allegro form. After a vigorous, syncopated orchestral tutti, the first theme is announced in the solo oboe, accompanied by a steady eighth-note ostinato. Playful interjections are stated in the flute and bassoon. The syncopated tutti returns; the first theme is stated again, this time in the low winds. This theme builds to a colorful climax, leading into a more dissonant transition section, which gradually slows and gives way to a lilting, more lyrical second theme in the clarinet. After some modest development of the second theme, a more plaintive theme stated in the muted trumpet brings the exposition to a close. A scherzando development section follows; the first four notes of the first theme are inverted and subjected to various contrapuntal treatments. This development section ends with a return of the opening syncopated motive, leading into a recapitulation of the first theme, this time in canon, and the second theme and closing theme, broadly sung. A brilliant toccata-style coda brings A Copland Portrait to a brisk conclusion."
Estimated dispatch 7-14 working days
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£174.99
Excelsior - Rob Goorhuis
Excelsior was composed by Rob Goorhuis in the year 2000 on the occasion of the 75th anniversary in 2001 of the Amsterdam-based concert-band Jong Excelsior. Excelsior is a one-movement fantasia, consisting of contrasting themes. The first theme (the Excelsior theme) is characterized by angular figures moving in an upward direction. The second theme is playful and humorous in nature. Rob Goorhuis, who was born and bred in Amsterdan, may even have utilized memories of his own juvenile pranks in this second theme. The third theme, which is introduced by the cor anglais is melancholy and melodious. The elements mentioned above interchange in a thoroughlycaptivating manner, which ultimately results in an attractive composition fully capable of adding lustre to an anniversary. Excelsior werd door Rob Goorhuis gecomponeerd ter gelegenheid van het 75-jarig jubileum van muziekvereniging Jong Excelsior te Amsterdam. Excelsior is een doorgecomponeerde fantasie, bestaande uit met elkaar contrasterende themas. Het eerste (Excelsior)thema wordt gekenmerkt door hoekige stijgende figuren. Het tweede thema is speels en humoristisch van karakter. Rob Goorhuis, geboren en getogen Amsterdammer, verwerkte hierin wellicht herinneringen aan de kwajongensstreken uit zijn jeugd in Amsterdam. Het derde thema, ge?ntroduceerd door de Engelse hoorn, is melancholiek en zangerig. Genoemde elementen wisselen elkaar op boeiende wijze af, zodat een attractieve compositie is ontstaan. Dit werk is opgenomen in het Klein repertorium, harmonie - 1e divisie
Estimated dispatch 7-14 working days