Results
-
£19.95
ZOO BALL (Score) - Strachan, Keith
Zoo Ball is score in five parts with various transpositions for each voice. Parts 1 & 2 are the Soprano parts. Part 1 should 'outweigh' part 2 in sound, if not in numbers, as it is often divided. Trumpets/Cornets and Clarinets should be divided accordingly between the parts. Part 3 is the Alto part. It is occasionally scored as an individual part but frequently doubles part 2 or 4. Part 4 is the Tenor part. Part 5 is the Bass part and frequently doubles part 4, either in unison or at an octave lower.The Zoo Ball is a suite of twelve light-hearted pieces for the young wind of brass band by Keith Strachan.It can be seen from the titles that the young player is introduced to a variety of dance rhythms that are both fun to play and enjoyable to listen to.It is scored in five parts (some of which divide in places) so can be played by ensembles of aroung ten players up to full band. When a fuller instrumentation is available, teachers and conductors are encouraged to vary the scoring as appropriate, particularly in repeated sections. This will allow players to rest occasionally and add changes of colour to the band sound by avoiding excessive doubling.Contents:Lion's PrideHippo's WaltzKangaroo HopEel CongaElephants' MarchSnake, Rattle and RollPanther TangoPenguin PolkaBuffalo BluesBlack Mamba SambaTiger RagMonkey Swing
Estimated delivery 7-14 working days
-
£69.95
ZOO BALL (Value Set) - Strachan, Keith
Includes the score and 1 each of the 17 instrumental partsZoo Ball is score in five parts with various transpositions for each voice. Parts 1 & 2 are the Soprano parts. Part 1 should 'outweigh' part 2 in sound, if not in numbers, as it is often divided. Trumpets/Cornets and Clarinets should be divided accordingly between the parts. Part 3 is the Alto part. It is occasionally scored as an individual part but frequently doubles part 2 or 4. Part 4 is the Tenor part. Part 5 is the Bass part and frequently doubles part 4, either in unison or at an octave lower.The Zoo Ball is a suite of twelve light-hearted pieces for the young wind of brass band by Keith Strachan.It can be seen from the titles that the young player is introduced to a variety of dance rhythms that are both fun to play and enjoyable to listen to.It is scored in five parts (some of which divide in places) so can be played by ensembles of aroung ten players up to full band. When a fuller instrumentation is available, teachers and conductors are encouraged to vary the scoring as appropriate, particularly in repeated sections. This will allow players to rest occasionally and add changes of colour to the band sound by avoiding excessive doubling.Contents:Lion's PrideHippo's WaltzKangaroo HopEel CongaElephants' MarchSnake, Rattle and RollPanther TangoPenguin PolkaBuffalo BluesBlack Mamba SambaTiger RagMonkey Swing
Estimated delivery 7-14 working days
-
£62.95Once Upon a Time Signature - Vince Gassi
Themes are pliable; they can evolve and exist in more than one time signature. Once Upon a Time Signature is the perfect opportunity for your young musicians to improve their craft by adapting to frequent changes in time. 4/4 to 3/4, and back again, they will rise to the challenge. Count on it!
Estimated delivery 7-14 working days
-
£95.995 Tantum Ergo - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Hymns for four-part mixed choir a cappella (1846, St. Florian)No. 1 in E flat major (WAB 41/3): Quite SlowNo. 2 in C major (WAB 41/4): AndanteNo. 3 in B flat major (WAB 41/1): SlowNo. 4 in A flat major (WAB 41/2): SlowHymn for five-part (2 S, A, T, B) mixed choir and organNo. 5 in D major: SolemnlyThey are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.
Estimated delivery 7-14 working days
-
£57.50Spider-Man: No Way Home Main Theme - Michael Giacchino
Scored for flexible instrumentation, this dynamic arrangement of the Spider-Man main theme includes three stylistic sections - the slow opening, delicate treatment in 3/4, and concluding with the exciting setting in 4/4.
Estimated delivery 7-14 working days
-
£53.50Flash in the Pan! - Richard L. Saucedo
Composed in a single driving tempo, this dynamic and concise work provides plenty of excitement and flash. The playful main theme is accompanied by a rhythmic pattern alternating between 4/4 and 3/4. In addition, some quirkydissonant passages and percussion feature spots help to spice things up. Dur: 2:15
Estimated delivery 7-14 working days
-
£104.99Divertimento - Roger Boutry
Divertimento is an outstanding composition by Roger Boutry for Alto Saxophone and Wind Orchestra. This great work is really nice to play and will enlighten the audience. The Orchestracomposition required is: 2 Flutes, 2 Oboes, 2 Bassoons, 2 small Clarinets, Clarinet I, Clarinet II, 1 Bass Clarinet, 2 Alto Saxophones, 2 Tenor Saxophones, 1 Baritone Saxophone, 4 Horns, 4 Bb or C Trumpets, 4 Trombone or 3Trombone and an Euphonium, 1 Bb or C Bass, 1 Double Bass, 1 Harp, Timpani, Drum and a Celesta. It is divided into three parts: I. "Allegro ma non troppo", is strongly rhythmic and syncopated.Itincludes a Cadenza by the Solo Saxophone and is written as a tribute to Jazz music. II. "Andante", also includes a Cadenza by the Solo Saxophone but at the end of the section. It is reminiscent of slowerblues ballads. III. This part features few sections by the Solo Saxophone but is specially highlighted its ending, in a bright and fast finale. This volume features the score and parts for all theinstruments. Born in France in 1932, Roger Boutry received numerous prizes, including those for Piano, Composition and Conducting. He received the Grand Prix de Rome in 1954. His career was quite successful,alternating between Harmony professor, composer and conductor. He also received numerous prizes for his incredible compositions.
Estimated delivery 7-14 working days
-
£68.99Infinity and Beyond... - Philip Sparke
The last decades of the 20th century saw man's first steps in space exploration. Since the first moon landing by Neil Armstrong in 1969, these adventures in outer space have captured the public's imagination and have given birth to scores of science fiction movies, books and TV series that have tackled the subject. Infinity and Beyond... takes as its inspiration the wonderful film scores of composers such as John Williams and Jerry Goldsmith, who have almost invented a style which could be called 'space music'.Opening with a rhythmic bass figure, Infinity and Beyond... begins with a robust introduction in 3/4, which leads to the main theme in 4/4, played by the full band. Ashort bridge passage, utilising the interval of a fourth, leads to a modal central section, featuring first the trumpets and then played by the whole band; this in turn leads back to a repeat of the introduction until the main theme returns to bring the piece to a close.
Estimated delivery 7-14 working days
-
£74.99Let There Be Peace On Earth - Miller
Ed Huckeby's stirring arrangement of a beloved classic is a terrific addition to any concert program with an important message. Starts out with a paraphrase of the main theme in 4/4 before presenting the entire melody in its original 3/4. The arrangement build to a strong dynamic ending that is sure to impress. An excellent concert opener or closer that is timeless in its appeal! Don't miss this one!
Estimated delivery 7-14 working days
-
£78.95
The Voyage - George Sweet
At first lush and mysterious, then light and uplifting, The Voyage begins. Newcomer George Sweet brings us some invigorating ideas and harmonic treatments, as well as shifting hythmic feels from 4/4 to 3/4 time. There is some great interplay between various sections of the band that changes from light woodwind sounds to strong brass interjections. George is a composer to watch in the years to come.
Estimated delivery 7-14 working days
View Music