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  • £62.95

    Battle Cry - Brian Beck

    , by Brian Beck, is an intense and exciting piece for musicians who are not afraid of a fight. The many shifts in style, dynamic markings, and various accidentals in every part help provide a rich harmonic and melodic contrast. Each part's range is very conservative, allowing even the youngest musicians an opportunity for an impressive performance. (2:40) (Correlates to , Level 4).

    Estimated dispatch 3-5 working days

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  • £49.95

    Pop Goes the Band - Chris M. Bernotas

    Watch your ensemble spring to life in this fun and engaging arrangement of the traditional tune "Pop Goes the Weasel," called "Pop Goes the Band." Each section of the band stands up to perform their part of the melody and gets a moment to shine. Sure to be a hit with your beginning band! Skillfully arranged by Chris M. Bernotas. (1:50) Correlates to Book 1, level 4.

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  • £73.50

    Soothsayer - Eric Rath

    , by Eric Rath, is a study in contrast and mood. Music with a mystical and otherworldly tone portrays a soothsayer--an oracle, fortune teller, or diviner. Mostly in 3/4 time and primarily built on the octatonic scale (half and whole steps alternating), the percussionists also get to have a heyday with this one. Students not only get to show off their technical side but work to develop smooth, flowing lines and a maturity to balance the most important part at any given moment. Enjoy the ride! (2:55)

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  • £62.95

    Through Courageous Eyes - Brian Balmages

    This innovative work makes use of an optional piano part that is most likely playable by someone already in the band. It was written in honor of Matt Rhodes, a student at John T. Baker Middle (Damascus, MD), who passed away during a battle with spina bifida. It represents his kindness, courage, and determination despite his confinement to a wheelchair. An opening ethereal section and chorale moves into an exciting portrayal of life which concludes with a humorous ending that was very characteristic of Matt. A very musical composition that teaches much more than notes. (4:50)

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  • £50.50

    El Cid - Scott Watson

    "El Cid" musically portrays the thrilling adventures and conquests of Rodrigo Daz de Vivar, a nobleman and military leader in medieval Spain. This rewarding work uses an infectious Spanish rhythmic ostinato (3+3, 2+2+2 in 3/4 time) that undergirds the main theme, driving the piece as it builds. Ample percussion, including an important tambourine part, contributes to the Spanish feel. (2:55) This title is available in MakeMusic Cloud.

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  • £62.95

    Nativity Carol - John Rutter / arr. Monty Musgrave

    John Rutter (b.1945) is one of England's best known composers of choral literature. While his choral works, including "Te Deum," "Magnificat," and "Requiem," are the most familiar, he has also written numerous instrumental works. Rutter composed the "Nativity Carol" for SATB chorus and organ in 1963, and it was published in 1967 as part of a collection entitled . Although the title suggests a seasonal work, its musical richness lends itself favorably for performance at any time of the year. (4:00)

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  • £53.95

    When You Tell Me That You Love Me

    As recorded by the finalists from Season 4, "When You Tell Me That You Love Me" is now a wonderfully versatile arrangement for your band. It can be performed with a variety of instrumental solos, as an accompaniment to a male and female solo, and, of course, the piano part can be used to prepare the vocal solos. It can even serve as an accompaniment with a small combo or with reduced instrumentation. A sure-fire winner! (3:48)

    Estimated dispatch 3-5 working days
  • £51.50

    A Festival Chime - Gustav Holst / freely arranged by Douglas E. Wagner

    The third movement of (), which Gustav Holst penned in 1916, was originally scored for chorus with piano, orchestra, or military band. The easily recognized melody is a nineteenth century Welsh ballad, known to most as the hymn tune "St. Denio," set to the words of English poet, Clifford Bax. In 3/4, this characteristically delightful Holst theme has been freely arranged to incorporate elements of his original score with additional material included to heighten musical interest for contemporary concert bands and audiences alike. As the title implies, chimes are an integral part of this arrangement; however, there are alternate options provided in the program notes if a suitable instrument is unavailable. This musical setting is complete with a variety of teaching and performance opportunities and a perfect fit for beginning concert bands. (2:00)

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