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£32.95PRAELUDIUM FOR 5 WIND BANDS (Novello Symphonic Band - Score only) - Bedford, David
Duration: 5:30 minutes
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Hymns for four-part mixed choir a cappella (1846, St. Florian)No. 1 in E flat major (WAB 41/3): Quite SlowNo. 2 in C major (WAB 41/4): AndanteNo. 3 in B flat major (WAB 41/1): SlowNo. 4 in A flat major (WAB 41/2): SlowHymn for five-part (2 S, A, T, B) mixed choir and organNo. 5 in D major: SolemnlyThey are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.
Estimated dispatch 7-14 working days
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£104.99Romanza from Symphony No. 5 - Ralph Vaughan Williams
In partnership with Oxford University Press and authorized by the Vaughan Williams Charitable Trust, this major new initiative brings the incredible catalog of Ralph Vaughan Williams to the wind band community, with scholarly transcriptions by leaders in wind band composition. Titles in the Symphonic Series come from treasured major orchestral works by Vaughan Williams that havenever before been available for wind band. This work is Grade 5.To view other titles in the series, visit www.giamusic.com/RVW.
Estimated dispatch 7-14 working days
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£356.00Symphony No. 5 in B-flat Major, Op. 100 - Sergei Prokofiev
Written in a single summer month while World War II was still raging in 1944, Prokofiev's Symphony No. 5 would become not only one of the composer's most celebrated and performed works, it would stand among the giants in all of 20th Century classical compositions. Cast in four movements, Prokofiev once gave a statement that he intended it as a hymn to free and happy Man, to his mighty powers, his pure and noble spirit. He added, I cannot say that I deliberately chose this theme. It was born in me and clamoured for expression. The music matured within me. It filled my soul. Deliberate or not, his statement likely helped placate the Communist Soviet Party, who under Stalin ruthlessly, and often fatally, censored the art and music of the time. This Southern Music publication represents the first complete band transcription of Prokofiev's monumental work by one of the world's most respected wind band editors, Dr. R. Mark Rogers. The edition provides a rare opportunity in the symphonic wind band repertoire for ensembles to perform an orchestral masterpiece in its entirety.
Estimated dispatch 7-14 working days
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£60.505 Minutes a Day #1 - Andy Clark
Get your young band started off right during the first 5 minutes of each rehearsal with this three part warm-up and tuning exercise by Andy Clark. Part one is a chorale designed to get the lips vibrating and the horns warmed up. Part two is a scale and technique exercise The final section is a tuning exercise designed to help your students learn to listen and adjust their instruments accordingly.
Estimated dispatch 7-14 working days
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£60.505 Minutes a Day #2 - Andy Clark
The second of Andy Clark's extremely successful series of Chorale Warm-ups, Technical Exercises & Tuning Routines to get your band off to a great start during the first 5 minutes of your rehearsal. An excellent way to save time and improve your band at the same time. Can't Be Beat!
Estimated dispatch 7-14 working days
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£128.60Isolation - Suite in 5 Movements - Øystein Sjøvaag Heimdal
This suite in 5 movements was written during the Corona pandemic and is inspired by experiences and feelings during this period. Feelings like insecurity, frustration, happiness, sorrow, hope, and optimism are the underlying themes, and this can be heard through the music. This is not, however, program music, so the audience may have their own perception of what the music is about.This piece provides the opportunity to focus on the different elements of music, such as dynamics, articulation, expression, tone control and timbre.The five movements can be performed separately.
Estimated dispatch 7-14 working days
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£79.00The Magic Flute In 5 Minutes - Wolfgang Amadeus Mozart
Judy Nishimura has arranged her ever-popular "Magic Flute in 5 Minutes" for solo flute and concert band, which is sure to be a delight for all audiences. Feature your first chair flute player with this delightful romp through the most popular themes from this famous Mozart opera.
Estimated dispatch 7-14 working days
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£104.99
Ungarische Tnze Nr. 5 & 6 - Johannes Brahms
Fascinated by the expressive power and spirit of the gypsy music from Hungary, Brahms used mainly traditional melodies in his Hungarian Dances as well as themes from compositions in similar musical styles. No. 5 and No. 6 are the most well-known of his Hungarian Dances and are popular as encores at the New Year's Concert of the Vienna Philharmonic.
Estimated dispatch 7-14 working days
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£54.995 Minutes a Day #5 - Andy Clark
The fifth of Andy Clark's extremely successful time saving warm-ups. Contains a Chorale Warm-up, a Key Study and Technique Exercise, in addition to a short Tuning Routine to get your rehearsal off to a great start. An excellent way to save precious rehearsal time and improve your band at the same time.
Estimated dispatch 7-14 working days
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