Results
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£42.50God Bless the U.S.A.
Discovery Series - Grade 1.5 Recorded by Lee Greenwood, this contemporary patriotic anthem has already become a standard. With its strong message and dynamic melodies, this song strikes a resonant chord with all audiences. Johnnie's version is easy to learn and will sound full even with small bands with incomplete instrumentation. (2:50)
Estimated dispatch 7-14 working days
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£168.50The Wild Rumpus - Stephen Beck
Grade 5 Winner of the prestigious 1999 Schirmer competition for young composers, this significant work with expanded instrumentation brings Stephen Beck to the forefront of contemporary literture for bands. TheWild Rumpus was inspired by the childrens book, 'Where The Wild Things Are', by Maurice Sendak. Near the middle of the story, the hero, a young boy named Max, discovers the world of the Wild Things, and is crowned king ofthe Wild Things. At that point, Max shouts Let the wild rumpus start! Composed in two movements - I. Howling, Swinging and II. Marching.
Estimated dispatch 7-14 working days
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£118.99Fascinating Ribbons - Joan Tower
G. Schirmer Concert Band - Grade 3-5 Joan Tower's first major work for winds is characterized by an energetic style that is colorful, rhythmic, and muscular. The title refers to the many contours of motives shaped in curved ribbonpatterns. Commissioned by the College Band Directors National Association and premiered at the national conference in 2001, this is an important addition to the contemporary repertoire for band. (Grade 5) (11:00)
Estimated dispatch 7-14 working days
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£104.99Vox Populi (Voice of the People) - Richard Danielpour
G. Schirmer Concert Band - Grade 3-5 Contemporary composer Richard Danielpour has established himself as one of the most sought-after writers of his generation, with orchestral works performed around the globe. In a style that is uniquely American and rhythmically vibrant, Jack Stamp offers this impressive wind adaptation of one of Danielpour's more recent compositions. A marvelous work for the mature ensemble. (Grade 5) (6:50)
Estimated dispatch 7-14 working days
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£89.99Remembrance Day - Morton Gould
G. Schirmer Concert Band - Grade 3-5Premiered by the University of Connecticut Wind Ensemble in the presence of President Clinton, Gould's last large work for wind ensemble is a striking mood piece that conveysa melancholic feeling. A haunting Marimba solo opens this work that challenges players with its spare exposed textures and wide dynamic range. President Clinton called it a treasure. (Grade 5) (9:00)
Estimated dispatch 7-14 working days
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£64.99Sempre Avanti - Patrick J. Burns
Conveying a spirit of hope and inspiration, this powerful overture (translated Ever Forward) features a diverse mix of styles and moods. The opening fast theme scored for the full ensemble is rich with vitality anddrive. A legato middle section trades themes from section to section and provides a variety of dynamic and emotional contours. The final fast section starts quietly propelled by an incessant Timpani figure, then steadily builds toan impressive full band conclusion. Dur: 5:45 (Grade 4)
Estimated dispatch 7-14 working days
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£127.30What's Your Favorite Cake? - Hilde Høyvik Dahl
This suite is written for beginning band at grade level 1-1,5. It consist of four short movements in various style. In one of the movements, the musicians are introduced to time signature.The suite in its entirety is a great concert piece, but you may also play the movements as single pieces.The composition consists basically of three voices to make it playable also for smaller ensembles.
Estimated dispatch 7-14 working days
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£113.30Master Cat Suite - Angelo Sormani
Angelo Sormani created this suite from the "Master Cat" fairytale which lasts 12 minutes covering the main themes. This amazing piece, created for 5 vocals and percussion, may be performed by the whole orchestra with excellent results. The CD in the catalogue is played by a complete orchestra, and as can be heard, the results are amazing.
Estimated dispatch 7-14 working days
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£110.00Mount Everest - Kees Vlak
This composition basically consists of three fragments and an epilogue (conclusion):1) Plateaux, 2) Sherpas, 3) Climb. The piece starts with a musical depiction of the deserted plateauxs and mountain peaks of the Himalayas. The mysteriousness of theTibetan country was caused by its inaccessibility to other nations. One even believed that there was a paradise behind the huge mountains; the land of Shangra La. 1) After the sound of a gong, the Asian-like theme arises extremely softly from thedecay of the percussion. In bars 4 and 5 the syllables of Hi-ma-la-ya echo. Then a second theme appears; it symbolises the enchantment of the mountaineers by seeing the Mount Everest. 2) Eastern percussion, very evenly without emotion, sound from thedeserted village of the sherpas. The phrasing is prescribed by the number 'three'. From measure 56 Tibetian monks sing a chant, also with the religious background of the number 'three'. 3) The third part starts of with the sight of the giant MountEverest with an entirely new theme, that is played impressively by the strong low brass instruments of the band, immediately followed by the excited big climbing. The many surprises are depicted by the changing time signatures. Two themes are inconstant battle; the binary Himalaya theme and the ternary Mount Everest theme. Only once there is a steely composure. The registers in which the piece is played increase. The tension rises...Then the peak is reached. A long pause follows before onerealises that one is on top of the world. Slowly the emotions of joy grow and lead to an enormous climax. The first enchanted theme sounds again in total glory.
Estimated dispatch 7-14 working days
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£75.00Sonata - Derek Bourgeois
This work, composed in 1998, was commissioned by the American trombonist Don Lucas as a work for trombone and piano and first performed by him in Birmingham on 19th May 2000. Subsequently, I arranged the music for both solo trombone and brass band and solo trombone and wind band so that it now exists in three formats. The first movement, in B flat major, is brisk and energetic, and is cast in sonata form. The second subject is gentler and more lyrical. The second movement, a scherzo in C major, is the most complex of the four. Basically the structure is a rond. For a long time the music remains in the opening 5/8 time until a new theme introduces more broken rhythms in a more jazzy idiom. After a return of the opening theme the following episode is more tonally ambiguous. Finally, the main theme returns to round off the movement. The third movement, a lyrical adagio, is really one long extended melodic flow. The harmonies are lush and the textures simple and direct. The tonal center is A minor, but the music meanders through so many keys, that this key centre is heavily disguised. The finale is a fiery affair. G minor is really its home key, but throughout the movement the music moves about a lot and the second subject is first heard in A flat minor. The movement's underlying sonata structure is masked not only by its loose tonality but also by its frequently changing time signatures. Like the first movement the second subject is more lyrical in nature and for a while it seems that the music will end peacefully, but a final flurry heralds a triple forte unison on the home note of the first movement - B flat. Derek Bourgeois
Estimated dispatch 7-14 working days