Results
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£104.99Prelude and Polonaise - Nikolai Rimsky-Korsakov
Nikolai Rimsky-Korsakov (1844-1908) composed his opera The Night before Christmas in 1894-95. The premiere took place on December 10 1895 in St. Petersburg. The libretto to the opera came from Rimsky-Korsakov himself and is based on a tale by Nikolai Gogol, which some years earlier had already served as operatic material for Pjotr Tchaikovsky. The opera tells the story of Vakula, the blacksmith of a small Ukranian village. He is madly in love with Oxana who demands - as proof of his love - a most unusual Christmas present: the magnificent slippers of the Empress. Knowing full well that, in normal circumstances, he would never be able to fulfil Oxana's wish, Vakula seekssupernatural assistance and finds it in the shape of the devil, who comes up with a ploy to help him. The devil carries him on his back to St. Petersburg, where during a lavish reception at court Vakula finds an opportunity to present his request to the empress. The Empress actually agrees to Vakula's wish and hands over her slippers to him. Thereupon he returns to his own village. Here, in the meantime, he had been given up for dead, and Oxana had been plunged into great sorrow as she had come to realise that she also truly loved Vakula. In the end, however, all misunderstandings are resolved and all adversities overcome: Oxana receives her extravagant present, the lovers are united, and the church bells call the villagers to the Christmas service.The vibrant Polonaise is played in the 3rd act of the opera at the entrance of the Empress, whose appearance is anticipated in the prelude by the fanfare motives. The music paints a vivid picture of the party atmosphere and the marvellous dcor at the imperial court of St. Petersburg, which Rimsky-Korsakov conjures up in his opera and which can also be played outside of the Advent and Christmas season, for example as an opening piece to any festive concert.
Estimated dispatch 7-14 working days
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£84.99Return of the Vikings - Bert Appermont
This composition paints a picture of belligerent and brave Vikings. After a short introduction the lofty main theme is heard, accompanied by sombre drum sounds. A brief idyllic passage follows that evokes a beautiful landscape. Gradually, a heroicmelody is revealed, leading to a great tutti, in which the rousing main theme is heard once more. Return of the Vikings closes with the sound of heroic brass and festive chords.
Estimated dispatch 7-14 working days
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£89.99Gelobet seist du, Jesu Christ
Gelobet seist du Jesu Christ (We Praise You Jesus Christ) is an old Christmas hymn dating from the 16th century, which can still be found in many hymnbooks today. John Blanken has created a varied and imaginative arrangement on four verses of the hymn. After the introduction, derived from the opening notes, the hymn is first accompanied by an agile harmonisation. Next, we hear the chorale in a four-part setting with a percussion accompaniment. Then follows a short prologue to the third verse and finally its time for fireworks as the arrangement takes a stylistic leap in time with the festive prelude to the fourth and last verse.
Estimated dispatch 7-14 working days
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£89.99Apollo - Jan Van der Roost
Like previous marches by Jan Van der Roost (Mercury, Arsenal, Helios, Minerva, Artemis, Montana...) the overall character of Apollo is rather stately and noble. Broad themes and a lyrical trio melody offer the opportunity for variousregisters to shine and to display their qualities, making this concert march a captivating experience for players and audience alike! Starting in a minor key, the march soon turns towards the major, reflecting the festive character of a true'jubilee march'.
Estimated dispatch 7-14 working days
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£149.99
An Olympic Celebration - Robert Buckley
An Olympic Celebration is a tribute to the pursuit of excellence and the triumph of the human spirit. This piece was commissioned by The West Vancouver Youth Band for the build up to the 2010 Winter Olympics. The initial "festive fanfare", based on open fifths moving in contrary motion, brings the athletes out into the arena. This leads to the "parade of the athletes" theme. Then comes the establishment of the "heroic theme" in the woodwinds and horns - moving through different sections - until the transition, with an alto saxophone solo and an oboe solo, leading into the "flashback" section. Here we go into the minds of the athletes and the internal and physical struggles thathave brought them to this place. The melody is epic; rich in feeling and full of heart. This moves through various moods until the introduction of the "challenge" theme; a theme stated by the horns and trombones, which passes through the different sections of the band. A restatement of the "flashback" theme, this time triumphant, takes us to a final fanfare of celebration and jubilation.
Estimated dispatch 7-14 working days
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£70.00Masque. Wind band - Kenneth Hesketh
A Masque (short for Masquerade) has been defined by Historians as 'A revel in which Mummers or masked folk come with torches blazing into the festive hall and call upon the company to dance and dice'. The chaos of this dramaticdance is depicted in this Masque by Hesketh. The main theme is bravura and is often present, in the background. The form of the piece is a simple scherzo-trio-scherzo. Colourful scoring (upper wind solos, trumpet and hornsolos alternating with full bodied tuttis) with a dash of wildness may tease both player and listener to let their hair down a little! 'Masque' has been transcribed for wind band by Kenneth Hesketh from his ScherzoforOrchestra, commissioned by the National Children's Orchestra in 1987.
Estimated dispatch 7-14 working days
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£174.99Klezmer Discovery - Sjaak van der Reijden
The Yiddish word 'Klezmer' has been derived from the Old Hebrew words 'Kley' (tool, instrument) and 'Zemer' (song, singing, making music).Klezmer is the traditional music of Jews from Eastern Europe.Yiddish musicians (Klezmorim) were regularly invited to come and play at Yiddish weddings as well as several other Jewish celebrations and festive occasions. Despite its close connection with traditional Eastern European folk music, Klezmer music has succeeded in preserving its distinctive Jewish character. 'Klezmer Discovery' is a voyage of discovery through the richly varied music of the Jewish people from Eastern Europe.The introduction consists of anumber of motives from different traditional melodies (a Mitzve Tenzel and L'cha Dodi), followed by a melody in 3/8th time (Kandel's Hora). This dance melody originally came from Bessarabia (present-day Moldavia) and was taken along to America by Jewish musicians round 1900. Subsequently, 'Der Terk in Amerika', a composition by famous clarinet player Naftule Brandwein can be heard. A number of fast, cheerful dance melodies (bulgars) form the finale of 'Klezmer Discovery' (Lebedyk un Freylekh, Lomir sich iberbetn and Sherele).
Estimated dispatch 7-14 working days
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£159.99Almansa - Ferrer Ferran
Al-Manzah, nowadays called Almansa, is a town of Muslim origin. Its name comes from the Arabic word al-mansah, meaning "the watchtower". On a rocky peak above the town stands an impressive castle from where it is possible to admire the Spanish Levant(the Mediterranean coast of the Valencian region) from the Meseta (a high plateau in the centre of the Iberian Peninsula).This is a delightful and festive piece which is both pleasant to listen to and exciting to play.
Estimated dispatch 7-14 working days
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£69.99
Mountain March - Wim Laseroms
A fanfare introduces This festive march is introduced by a lively fanfare which leads into the first, playful, melodic line which features a regular dynamic alternation and a light syncopated rhythm. After the traditional bass solo, the first theme returns. The initial theme, performed by piano and cantabile trio, later sounds in a jubilant forte with various figurations in the higher woodwinds. The fine work Mountain March is suitable as a street march, but will also gain much appreciation on the concert platform.
Estimated dispatch 7-14 working days
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£69.99
Viva Excelsior - Wim Laseroms
Wim Laseroms composed Viva Excelsior on the occasion of the hundredth anniversary of music society Excelsior in Losser (the Netherlands).After a powerful tutti entry, the percussion section bridges the period up to the first reprise. This festive march is then followed by a playful melodic theme in which the semi-quavers prevail, accompanied by a beautiful legato countermelody in the horns and euphoniums. During the second reprise a marcato bass solo and a technically sparkling and dynamic contrasting phase alternate. The trio features a new theme - starting from the chalumeau register and leading to an exuberant repeat in the brass with ornamentations by the high woodplayers.
Estimated dispatch 7-14 working days
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