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£64.50Selections from - Alfred Reed / arr. Douglas E. Wagner
Part I of is the first of a four-movement suite drawn from the folk song arrangements and original musical works of Armenian composer Komitas Vardapet collected during the early 20th century. Each of Reed's four movements is represented in this lush through-played medley. Douglas Wagner has crafted a rewarding musical addition to the young band repertoire. (3:00) This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
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£7.95Slavonic Folk Suite - Alfred Reed
The SLAVONIC FOLK SUITE is an arrangement of a part of Reed's RUSSIAN CHRISTMAS MUSIC, one of the most frequently performed works of concert band literature. It is a moving, powerful, and beautiful piece for band and chorus.
Estimated dispatch 3-5 working days
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£79.50Joyeux Noel - Alfred Reed
"Joyeux Noel" (the French expression of "Merry Christmas") was originally written for brass ensemble, available from the publisher as item number M3057. Its success in that form prompted the composer to recast the work for full concert band and wind orchestra.
Estimated dispatch 3-5 working days
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£61.95Variations on L. B. I. F. D.
Alfred Reed needs no introduction for those who admire his distinguished concert band works. This arrangement for concert band draws from five movements of his original 28 composed for brass quintet based on "London Bridge Is Falling Down." Included are: "Statement," "Waltz," "March Fo(u)rth!," "A Little Funeral Music, Please (Eine Kleine Trauermusik)," and "Finale." A demonstration of compositional techniques practiced during the past three centuries, the work is filled with captivating and highly musical moments. Even though players will encounter a few changes in tonal centers, meters, and tempo throughout, there is not much that would get in the way of having a fun experience learning and performing. (2:45)
Estimated dispatch 3-5 working days
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£79.50Pomp and Circumstance March No. 4 - Edward Elgar / arr. Alfred Reed, M.J. Retford
Of all four marches that came after the overwhelmingly successful No. 1, March No. 4 seems to many people to be most closely related in general effect to the first. Just why this should be so is difficult to say. All five of the Pomp and Circumstance Marches are cast in basically the same form, a two-part A-B-AB, with the "A" part energetic and moving briskly along, and the "B" bringing a change of feeling (even though no actual change of pace is indicated) with the so-called "great tune" by way of contrast. However, it has become almost a tradition with Nos. 1 and 4 to play the final section in a slower tempo, probably in respect of Elgar's tempo marking "Grandioso" at this point. Certainly both of these "great tunes" could, and have, been considered as portraying musically the very essence and glorification of British majesty and power at the time they were written.
Estimated dispatch 3-5 working days
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£145.00Pictures at an Exhibition Finale for Band - Modest Mussorgsky / arr. Alfred Reed, Carl Simpson
Mussorgky's "Pictures at an Exhibition" has long held a place of interest in the collective minds of bandsmen. This fine transcription allows today's mature concert bands to perform the Baba Yaga and The Great Gate of Kiev while staying true to the composer's original intent. At under nine minutes in length, it works well in a number of programming situations.
Estimated dispatch 3-5 working days
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£87.50Symphony for Brass and Percussion - Alfred Reed
Originally composed in the summer of 1952 and premiered at the Chicago CBDNA conference that same year, the three-movement Symphony opens with abroad introduction containing the majority of the thematic material. The second most lyrical movement is in three-part song form and, the final movement is presented in rondo form. The instrumentation is for expanded brass and percussion sections and is scored for one-on-a-part. An exciting addition to the Belwin Classic series for discriminating ensembles. Recorded by Troy University Band.
Estimated dispatch 3-5 working days
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£170.00Second Symphony - Alfred Reed
Commissioned in the late Fall of 1975, work on the SECOND SYMPHONY was not begun until the Summer of 1977, when the score was completed in sketch form in three months, July through September. The instrumentation was begun in the late Winter of that same year and the Full Score completed on March 27th, 1978. The first performance took place in Fairchild Auditorium on the campus of Michigan State University on May 6th, 1978, by the Michigan State University Symphonic Band under the direction of Kenneth G. Bloomquist. The symphony is a single-movement work embracing three distinct sections. The first, marked is a freely constructed passacaglia built on a flowing theme derived from the tone row that underlies the entire score: Bb-F-E-Ab-G-D-Db-C-Cb-Gb-Eb-A, and which is developed in alternating variations leading to a powerful climax at its close. The second section is, in reality, a tense, hard-driving double fugue characterized by a constant march-like rhythm underlying the further development of the original theme and its countersubject in both duple and triple meters. This section, marked also ends in an overwhelming climax and then dies away, preparing for the third and final section. This final portion of the music, marked is based upon two long, lyric themes, also derived from the row, that alternate with occasional reminders of some of the thematic material from the second section, now transformed into a rich, glowing and relaxed tonal tapestry woven together from the myriad of tonal colors available in contemporary scoring practice for the winds. At the very end, after a fortissimo re-statement of the theme in its original form as derived from the row, there is a gradual ebbing of the flood of tone from the full ensemble as the various choirs drop out one by one, leaving only a dark, warm color of low Clarinets, Baritone and Tuba, hinting at the opening of the symphony, together with a last reminder of the original motif in the Bells and Vibraphone, suggesting, for the work as a whole, an arch-form.
Estimated dispatch 3-5 working days
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£58.50Festival of Lights - David Marlatt
This energetic composition is the composer's way of paying homage to some of his favourite compositions and composers such as John Cheetham, John Barnes Chance and the great Alfred Reed. Short musical quotations and suggestive melodic or rhythmic passages are included in the framework of this piece. The majority of the material is original and the driving rhythms, soaring lyrical themes and jazz-like harmonies are all elements Mr. David Marlatt came to know and enjoy since he began playing in concert bands. There is a scaled-down version of this piece for brass quintet.
Estimated dispatch 3-5 working days
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£98.50A Christmas Intrada - Alfred Reed
The celebration of the Nativity has called forth countless songs, dances, carols , plays and combinations of these, involving both vocal and instrumental forces, throughout the centuries, intertwining the feeling of radiant joy and infinite tenderness in many different ways. A CHRISTMAS INTRA DA represents an attempt to portray, in musical terms alone, five contrasting moods associated with the festivities of the Christmas season. These five sections are played without pause. They are: FANFARE: CHRISTUS NATUS EST for brass, chimes, bells and percussion only; LULLABY FOR THE CHRIST CHILD played by the woodwinds; PROCESSIONAL OF THE KINGS AND SHEPHERDS played by the full group; CAROL FOR THE HOLY NIGHT for woodwinds, saxophones and muted brass; and, finally, WASSAIL AND ALLELUIA beginning with the bells and chimes alone, and gradually growing to include not only the full group, but also antiphonal brass choirs, to bring the entire work to a joyous and triumphant conclusion. A CHRISTMAS INTRADA was commissioned by the Middle Tennessee State University Band and dedicated to the bands who annually participate in the Contest of Champions, on the occasion of its 20th Anniversary (1981).The first performance took place on that occasion, at Murfreesboro, Tennessee, October 23rd, 1981, with the U.S. Marine Band, plus antiphonal brass choirs. Grade 4, Duration ca. 10'
Estimated dispatch 3-5 working days
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