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  • £91.99

    Step by Step - Philip Sparke

    Step by Step was commissioned by the Sony Concert Band to celebrate their 60th anniversary in 2018. Step by Step is an up-tempo concert march. The title was chosen as it has obvious associations with marching but also as a salute to the constant improvement and development that makes the products of Sony Corporation famous around the world. Step by Step was commissioned by the Sony Concert Band to celebrate their 60th anniversary in 2018. Step by Step is an up-tempo concert march. The title was chosen as it has obvious associations with marching but also as a salute to the constant improvement and development that makes the products of Sony Corporationfamous around the world.

    Estimated dispatch 7-14 working days

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  • £84.99

    You Raise Me Up

    'You Raise me Up' has topped the charts all around the world. Its memorable Irish-style melody sticks with you like a real earworm! Here it is beautifully arranged by Bert Appermont. 'You Raise me Up' has topped the charts all around the world. Its memorable Irish-style melody sticks with you like a real earworm! Here it is beautifully arranged by Bert Appermont.

    Estimated dispatch 7-14 working days

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  • £93.50

    Christmas Morning - Gene Milford

    Allow arranger Gene Milford to transport you to that wonderful feeling of sitting around the tree on Christmas morning! Christmas Morning (Around the Christmas Tree) is an excellent choice for holiday concerts.

    Estimated dispatch 7-14 working days
  • £179.50

    Reflections - Suite on a Norwegian Folk Tune - John Brakstad

    The suite is constructed around a Norwegian folk tune. The melody is called "Dark Forebodings", and the words of the song revolve around thoughts and reflections on a future that can take unexpected, insecure, or perhaps dramatic and tragic turns.This is essentially a sad song with a beautiful melody. The folk tune itself is presented in the 2nd movement. In the 1st movement, the folk tune is joined with fleeting themes that indicate the unexpected; as if the music sometimesis confused as to which way to go. There are constant changes in atmosphere and feeling, from the harsh and dissonant, to the harmonious and melodic. The 3rd movement presents a more lively variant of thefolk tune, showing optimism andhappiness, even though the "halting" character of the rhythm underscores the unpredictable. The title "Reflections", therefore, refers to thoughts we can have about life. To the Conductor:The 2nd movement has an alternativeending which is may be used if the movement is played as an independent lyrical piece in a concert.It is advisable to begin first rehersal with the 2nd movement so that the main theme is known, before beginning on the 1st movement with itsmore semi-tonal parts. Intervals and intonation can provide much of the challenge in this movement.The 3rd movement can be more technically challenging, but there is considerable leeway in the tempo marking! It is important to maintain theenergy and intensity of the music through the whole movement.

    Estimated dispatch 7-14 working days

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  • £179.50

    Celebration for Band - John Brakstad

    Many Norwegian bands have grown up around factories, but Norwegian factories are often located in the countrysides - by a fjord or lake, by a river or waterfall that provided power for the factory. The factory was the foundation for the existence of the community, but it was also essential for the community's cultural life, choirs, bands etc. (cp. British brass bands and mining). "Celebration for band" tries to give a picture of the environment and life around a band like this, with both factory noise and the natural world (Pastorale), as well as the challenges and development of the band itself. The composition is built up of five connected episodes: - Fanfare and Prologue (concludes with a feeling of the untamed power of the river) - Pastorale I: " At the river" - Intermezzo: " The Factory" (starts with the opening of water for the turbines: snare drum. Factory whistle and bell call to work, and the spinning and weaving machinery starts up.) - Pastorale II: " Summer evening on the fjord." - Finale: " Challenge and Progress"

    Estimated dispatch 7-14 working days

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  • £113.30

    Moderate Dances - Angelo Sormani

    This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.

    Estimated dispatch 7-14 working days
  • £149.99

    Jericho - Bert Appermont

    Jericho is the musical translation of the well-known story from the book of Joshua about the capture of the city of Jericho by the Israelites.Part 1 depicts the cruel journey through the desert to Canaan, the promised land. An emotional lamentation for the yearning for a home, for the end of a roaming existence.The capture of Jericho is the theme of part 2. The city cannot be captured immediately and Jehovah orders an impressive army to march around the city for six days. On the seventh day, they marched around the city seven times and the priests blew their trumpets and the people cried so loud that the walls of Jericho came tumbling down. The Jews stormed the city and drove theinhabitants away. The music clearly reveals the marching army and you can hear the walls falling down with a tremendous noise. However, there is quite some artistic freedom in the actual story.A majestic and grand melody subsequently evokes the triumphant emotions that emerged as the fortified city fell (part 3).Following a personal and romantic interpretation, the scene ultimately ends in a typical Jewish feast (part 4) whereby the virtuosity of melodies played by the woodwinds and the passionate rhythms refer to traditional Jewish music. All themes are repeated in this last part in various forms, often simultaneous and in duelling counterpoint. The piece ends with fragments from the main theme of part 1 in major: peace and quiet return at last.

    Estimated dispatch 7-14 working days

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  • £174.99

    The Legend of Flathead Lake - Carl Wittrock

    In Scotland, the monster of Loch Ness is a hot issue, but the American state of Montana enjoys a comparable phenomenon going by the name of Montana Nessie. In the western part of this remote state lies Flathead Lake: a lake of 45 kilometres /38miles in lenght and 24 kilometres /15 miles breath. At several places, its depth exeeds 100 metres.Nessies discovery takes us back to the year 1889, when captain James Kerr aboard the passengership U.S.Grant was startled by a ship unknown to himsuddenly approaching his vessel across Flathead Lake. However, it turned out not to be a ship but an undefinable animal of immense size.From that moment onwards, life would never be the same again in and around Flathead Lake.The composer wasinspired by the story, and summarized the events into a symphonic poem, but from a surprising angle:that of the monster. The exiting opening allows us to follow the monster in its natural surroundings.The fast follow-up movement depictsMontana Nessie trotting and frolicking about the Montana woods and prairies.From its abode, it thorougly enjoys everything around it. This period abruptly ends in a short climax (Chimes). The solo for cor anglais marks a new period in themonsters life.The presence of people has a paralizing effect and the apprehensive atmosphere of the slow movement may be felt profoundly.The monster observes and mildly teases the ship. Abhor sounds force the ship to a withdrawal.The movingmusical continuation depicts the triumphant monster dancing an ironic waltz. The monsters fear and anger at the intrusion of his freedom run through the piece like continuous threads, and develop into the works final theme.

    Estimated dispatch 7-14 working days

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  • £53.50

    Aztalan (City of Mystery) - Michael Sweeney

    The ancient city of Aztalan existed around a thousand years ago in southern Wisconsin, but disappeared mysteriously by around A.D. 1300. Through careful use of tone clusters, haunting melodies and creative percussion effects, thisvery easy work for band portrays a sense of mystery and drama. Dur: 2:45 (Grade 1-1/2)

    Estimated dispatch 7-14 working days
  • £84.99

    Song of Hope - Johan Nijs

    Song of Hope is built up around a main theme with some small motifs woven around it. With this quiet, delicate work, the Belgian composer Johan Nijs has reflected hope of peace in the future. The profound melody reminds us of the fact that a moment's rest is wonderful in the hustle and bustle of our stressful existence. Why not calm down your concert mood with this highly atmospheric work.

    Estimated dispatch 7-14 working days

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