Results
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£118.99Liquid (Concert Band - Score and Parts) - Bocook, Jay
Liquid portrays the many different ways that water moves around us. From the opening raindrops and first few notes upon which the piece is built, this fast-paced and engaging work takes us through a series of variations that depict cascading waterfalls, flowing rivers, crashing waves, trickling creeks, and ripples over the surface of a calm lake. The piece culminates with a thunderous setting of the 13th-century Latin hymn Dies Irae, Day of Wrath. Duration: 5:30
Estimated dispatch 7-14 working days
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£309.99Ninth Symphony (Concert Band - Score and Parts) - Barnes, James
Premiered on 21 September, 2018 in Lawrence, Kansas by The University of Kansas Wind Ensemble (Dr. Paul Popiel, conducting), James Barnes' Ninth Symphony was composed between January and late June of that same year. This large work was commissioned by a consortium of twenty-one college bands, community bands, professional bands and individuals to help mark the 70th birthday of the composer (b. 1949). It is an expansive forty-minute work in four movements, of which the composer writes, "This is my last symphony...this work represents a compendium of all that I have learned during the fifty years of composing and scoring for this wonderful new medium: the modern wind band." The first movement, subtitled Elegy, is based around G minor. It is the longest movement of the symphony. Tragic and despondent in character, it is cast in sonata-allegro form. The second movement is entitled Scherzo. Barnes claims that "I have always wanted to write a waltz," and that is how this movement is cast, in a modified rondo form in D minor. In contrast to the mood of the first movement, the scherzo is a delightful posy of expansive melody, splashy color, humor and rhythm. The third movement, which is in a modified tertiary form, is entitled Night Music. In contrast to the scherzo, this movement begins with a mysterious incantation, first displayed by solo Alto Flute. The music becomes even darker and more mysterious, while overall the movement effectively expresses an "otherworldly" mood, ending with a solo soprano offstage which suddenly emerges, eerily singing a modified version of the opening incantation. Cast in sonata-allegro form, the fourth movement is most definitely a rousing Finale, beginning with a brilliant fanfare and undergoing several mood transformations before emerging into the final coda, ending the symphony with an energetic splash of color. Duration: 40.00
Estimated dispatch 7-14 working days
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£164.99A Sevenoaks Suite (Concert Band - Score and Parts) - Sparke, Philip
A Sevenoaks Suite was commissioned by the Sevenoaks and Tonbridge Concert Band from Kent in the south-east of England. The suite describes 3 famous landmarks in the Sevenoaks and Tonbridge area: Knole Park, situated to the south-east of Sevenoaks. The Chapel - Tonbridge School: This movement centres around a hymn-like chorale, depicting the years of worship that have taken place within the chapel, and The Vine Bandstand suggesting the type of music often played in bandstands. It is in march form, but is not actually a march throughout, veering off into other styles before ending emphatically.Duration: 10.30
Estimated dispatch 7-14 working days
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£134.99Aretha! (Concert Band - Score and Parts) - Tinner, Gilbert
Aretha Franklin - the 'Queen of Soul' - was an icon and inspiration for women all around the world, and the first female artist to enter the 'Rock and Roll Hall of Fame' in 1987. This medley by Gilbert Tinner contains Aretha Franklin's most famous hits: 'Respect', '(You Make Me Feel Like) A Natural Woman', 'Son of a Preacher Man' and of course 'Think', one of the greatest up-tempo tracks of all time.Duration: 7.45
Estimated dispatch 7-14 working days
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£91.99Step by Step (Concert Band - Score and Parts) - Sparke, Philip
Step by Step was commissioned by the Sony Concert Band to celebrate their 60th anniversary in 2018. Step by Step is an up-tempo concert march. The title was chosen as it has obvious associations with marching but also as a salute to the constant improvement and development that makes the products of Sony Corporation famous around the world.Duration: 3.15
Estimated dispatch 7-14 working days
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£183.99Three Norwegian Sketches (Concert Band - Score and Parts) - Sparke, Philip
Three Norwegian Sketches was commissioned by Andalsnes Musikkforening, Norway, who are conducted by John Hudson. The three contrasting movements - Trollveggen (The Troll Wall), Rauma Elv (River Rauma) and Raumabanen (The Rauma Line) - describe life and scenery around the town of Andalsnes on the beautiful west coast of Norway. This is a challenging, imaginative and versatile work, ideal for a concert or a contest.Duration: 14.30
Estimated dispatch 7-14 working days
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£84.99You Raise Me Up (Concert Band - Score and Parts) - Lovland, Rolf - Appermont, Bert
You Raise me Up has topped the charts all around the world. Its memorable Irish-style melody sticks with you like a real earworm! Here it is beautifully arranged by Bert Appermont. Duration: 4.30
Estimated dispatch 7-14 working days
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£150.00A Child's Garden of Verses (Soprano Solo with Concert Band - Score and Parts) - Jager, Robert - Noble, Paul
A Child's Garden of Verses has a very special meaning for me. Bob Jager, a family friend, was visiting in our home, and my wife, Mitzi Noble, a soprano soloist, was singing to his children. Bob's two young children became so enthralled with the music that Bob wanted to capture that moment. So he composed this piece for Mitzi, and dedicated it to his children, Kathleen and Matthew. The text is from Robert Louis Stevenson's poems: I. Happy Thought; II. The Wind; III. The Land of Counterpane; IV. From a Railway Carriage; V. Escape at Bedtime. Bob writes: The ideal performance instrumentation would be one on a part. If a larger group is used the balance should be kept proportional. In a few places the terms Solo or One are used where the sonority is critical, and this should be strictly followed. Above all, the singer should never feel forced by the ensemble. This work was composed in 1972, and was never published. I am pleased that Bob has allowed me now to publish it under Noble Music Publications, so that it may be available for others to perform and enjoy. Mitzi writes: Although we did not have access at the time, the ideal performance would be with a throat mic so that the soloist is free to move around the stage and sing, as though singing and relating to children sitting on the front row.
Estimated dispatch 7-14 working days
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£75.00Once in Royal David's City (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Once in Royal David's City is a Christmas carol originally written as a poem by Cecil Frances Alexander. The carol was first published in 1848 in her hymnbook Hymns for Little Children. A year later, the English organist Henry John Gauntlett discovered the poem and set it to music. According to The New Oxford Book of Carols, the text was conceived by Cecil Alexander after overhearing a group of her god children complaining about the dreariness of the catechism. Cecil masterfully took doctrines from the Apostle's Creed and simplified them for her hymns. Cecil wrote about 400 hymns in her lifetime, among which are All things bright and beautiful and There Is a Green Hill Far Away. She used the money for charitable purposes, and was a tireless advocate (and visitor) of the poor and sick. Henry John Gauntlett had spent the first half of his career as a lawyer before abandoning his practice to pursue music. He served as the organist at a number of leading London churches. Gauntlett was a prolific writer and is said to have composed over 1000 hymn tunes. He made tremendous contributions to the world of music, even inventing mechanical improvements to the organ. As a result, he was praised by the famous Felix Mendelssohn and was awarded an honorary doctorate in music from the Archbishop of Canterbury. In 1919, Arthur Henry Mann, organist at King's College (1876-1929), introduced an arrangement of Once in Royal David's City as the processional hymn for the service. In his version, the first stanza is sung unaccompanied by a boy chorister. The choir and then the congregation join in with the organ on succeeding stanzas. This has been the tradition ever since. It is a great honor to be the boy chosen to sing the opening solo--a voice heard literally around the world. In this arrangement for band accompaniment, the first five verses may be performed as directed by the conductor, with different groupings of instruments for each verse, i.e., Vs.1, A cappella; Vs. 2, Fl., Oboe, E.H., Bsns; Vs. 3 Cl., Saxes; Vs. 4, Brass; Vs. 5, All, and Vs. 6 as written with featured descant. This arrangement is one of the Series of Band Arrangements compatible with the David Willcocks Carols for Choir, Book 2 (#31).
Estimated dispatch 7-14 working days
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£75.00Quittez, Pasteurs (Come, Leave Your Sheep) (Concert Band with Optional Choir - Score and Parts) - Noble & Rutter
With lyrics created in the seventeenth or early eighteenth century and music from around 1875, Quittez, pasteurs is a traditional French folksong perhaps originating in the Anjou region. The original arrangement by John Rutter is transcribed for Concert/Wind Band, and is compatible with the published choral versions in Carols for Choirs 2. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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