Results
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£57.50TAKE THE "A" TRAIN (Young Band) - Ellington, Duke - Lowden, Bob
This Duke Ellington jazz standard has been successfully arranged here for your intermediate concert band by Bob Lowden.
Estimated dispatch 7-14 working days
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£84.50Superman - John Williams / arr. Bob Lowden
When great movie music is the topic, one name comes to the minds of most of us: John Williams. This towering score, as arranged for your concert band by Bob Lowden, contains all of the famous John Williams musical trademarks -- drama, power, and massive sound blocks. The medley contains: "Theme from " * "The Planet Krypton" * "The March of the Villians" and "Finale." Here is John Williams at his finest! (6:50)
Estimated dispatch 3-5 working days
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£72.99Raven (The Trickster) - Bob Baker
From a song shared by Squamish First Nation artist and performer Bob Baker, comes this distinctive work for concert band shaped by Robert Buckley that will allow your students to experience the music of one of North America'sFirst Peoples. Raven flows from a playful pentatonic melody and uses falloffs to imitate the original vocal style of the Eagle Song Dancers.
Estimated dispatch 7-14 working days
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£72.99Wolf Song (Takaya Slulem) - Bob Baker
From a song shared by Squamish First Nation artist and performer Bob Baker, comes a new work for concert band shaped by Robert Buckley that will allow your students to experience the music of one of North America's First Peoples.Using aleatory elements, Wolf Song flows from a powerful pentatonic melody and grows into a work that is at once atmospheric and exciting. Dur: 6:30
Estimated dispatch 7-14 working days
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£149.40Make You Feel My Love - Bob Dylan
This melody is the Norwegian version of "Make You Feel My Love" composed by Bob Dylan. The lyrics is translated by Bjarne Hjelmeland and the song performed by, among others, Norwegian singer Ingebjrg Bratland. The English version is also widely covered, notably by Adele. The lyrics is a tribute to love, and the song is a popular song for weddings. Watch balance all times, both regarding foreground/background and within instrument groups. The piece is in soft and middle soft dynamics. Make sure that it is not too loud, while maintaining marked dynamic variations.
Estimated dispatch 7-14 working days
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£23.50
Stratford Cove - Bob (Robert) Lowden
Bob Lowden has a way with music for beginning players. This march is easy to rehearse, fun to play, and designed to show off the band.
Estimated dispatch 7-14 working days
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£21.99
Soft Shoe Rag - Bob (Robert) Lowden
The woodblock (sandpaper) is predominant throughout as the band moves through this fun- filled, relaxed program piece. The traditional "soft- shoe" sound is there, but Bob Lowden's scoring has more of a contemporary feeling that will delight young musicians.
Estimated dispatch 7-14 working days
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£98.99
Hollybush - Bob (Robert) Lowden
This Bob Lowden original is semi-traditional in style with excellent melodic content, strong lower brass lines and clever use of dynamics. Will make a great program closer.
Estimated dispatch 7-14 working days
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£64.90
Bob the Builder / Bob der Baumeister - Paul K. Joyce
Estimated dispatch 7-14 working days
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£150.00A Child's Garden of Verses (Soprano Solo with Concert Band - Score and Parts) - Jager, Robert - Noble, Paul
A Child's Garden of Verses has a very special meaning for me. Bob Jager, a family friend, was visiting in our home, and my wife, Mitzi Noble, a soprano soloist, was singing to his children. Bob's two young children became so enthralled with the music that Bob wanted to capture that moment. So he composed this piece for Mitzi, and dedicated it to his children, Kathleen and Matthew. The text is from Robert Louis Stevenson's poems: I. Happy Thought; II. The Wind; III. The Land of Counterpane; IV. From a Railway Carriage; V. Escape at Bedtime. Bob writes: The ideal performance instrumentation would be one on a part. If a larger group is used the balance should be kept proportional. In a few places the terms Solo or One are used where the sonority is critical, and this should be strictly followed. Above all, the singer should never feel forced by the ensemble. This work was composed in 1972, and was never published. I am pleased that Bob has allowed me now to publish it under Noble Music Publications, so that it may be available for others to perform and enjoy. Mitzi writes: Although we did not have access at the time, the ideal performance would be with a throat mic so that the soloist is free to move around the stage and sing, as though singing and relating to children sitting on the front row.
Estimated dispatch 7-14 working days
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