Results
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£45.00
The Black Pearl (Concert Band - Score and Parts) - Shanley, Steve
Ahoy, maties! Take your beginning band on a pirate adventure with this dark and mysterious piece! Low brass and low woodwinds are featured on the initial statement of the melody, and the lyrical middle section allows the whole band to work on legato style. The minor-key melodies and interactive percussion make "The Black Pearl" an ideal change of pace for your next concert. Duration: 1.45
Estimated dispatch 7-14 working days
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£50.00
Fanfare Fantastique (Concert Band - Score and Parts) - Smith, Robert W.
Written as an opener for your beginning band concert, Fanfare Fantastique is bold, exciting and aggressive work that will clearly make a strong musical statement. Active percussion combined with powerful melodic lines in the brass and woodwinds, this new contemporary classic by Robert W. Smith will make your young band sound mature and artistically accomplished. Appropriate for any concert or festival performance. Duration: 2.15
Estimated dispatch 7-14 working days
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£61.95
Variations on L.B.I.F.D. (London Bridge is Falling Down) (Concert Band - Score and Parts) - Reed & Wagner
Alfred Reed needs no introduction for those who admire his distinguished concert band works. This arrangement for concert band draws from five movements of his original 28 composed for brass quintet based on "London Bridge Is Falling Down." Included are: "Statement," "Waltz," "March Fo(u)rth!," "A Little Funeral Music, Please (Eine Kleine Trauermusik)," and "Finale." A demonstration of compositional techniques practiced during the past three centuries, the work is filled with captivating and highly musical moments. Even though players will encounter a few changes in tonal centers, meters, and tempo throughout, there is not much that would get in the way of having a fun experience learning and performing. Duration: 2:45
Estimated dispatch 7-14 working days
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£75.00
Once in Royal David's City (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Once in Royal David's City is a Christmas carol originally written as a poem by Cecil Frances Alexander. The carol was first published in 1848 in her hymnbook Hymns for Little Children. A year later, the English organist Henry John Gauntlett discovered the poem and set it to music. According to The New Oxford Book of Carols, the text was conceived by Cecil Alexander after overhearing a group of her god children complaining about the dreariness of the catechism. Cecil masterfully took doctrines from the Apostle's Creed and simplified them for her hymns. Cecil wrote about 400 hymns in her lifetime, among which are All things bright and beautiful and There Is a Green Hill Far Away. She used the money for charitable purposes, and was a tireless advocate (and visitor) of the poor and sick. Henry John Gauntlett had spent the first half of his career as a lawyer before abandoning his practice to pursue music. He served as the organist at a number of leading London churches. Gauntlett was a prolific writer and is said to have composed over 1000 hymn tunes. He made tremendous contributions to the world of music, even inventing mechanical improvements to the organ. As a result, he was praised by the famous Felix Mendelssohn and was awarded an honorary doctorate in music from the Archbishop of Canterbury. In 1919, Arthur Henry Mann, organist at King's College (1876-1929), introduced an arrangement of Once in Royal David's City as the processional hymn for the service. In his version, the first stanza is sung unaccompanied by a boy chorister. The choir and then the congregation join in with the organ on succeeding stanzas. This has been the tradition ever since. It is a great honor to be the boy chosen to sing the opening solo--a voice heard literally around the world. In this arrangement for band accompaniment, the first five verses may be performed as directed by the conductor, with different groupings of instruments for each verse, i.e., Vs.1, A cappella; Vs. 2, Fl., Oboe, E.H., Bsns; Vs. 3 Cl., Saxes; Vs. 4, Brass; Vs. 5, All, and Vs. 6 as written with featured descant. This arrangement is one of the Series of Band Arrangements compatible with the David Willcocks Carols for Choir, Book 2 (#31).
Estimated dispatch 7-14 working days
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£84.00
Changes Ahead (Concert Band - Score and Parts) - Sherburne, Erik
What starts out as a fanfare quickly becomes variations on the opening themes. As the title suggests, those themes are musical foreshadowing for the "Changes Ahead". With effective use of mixed meters, changing keys and rhythms there is an excitement that builds off of otherwise simple melodies. In the middle section comes a lyrical contrast with a sense of anticipation that the "changed" themes are coming back to a powerful ending, where all the themes combine. "Changes Ahead" showcases each section of the band, but more importantly it will challenge them to listen to other themes and compliment them. With lots of percussion, dramatic brass, flowing winds this piece creates a bold musical experience for the band and the audience. Duration: 5.45
Estimated dispatch 7-14 working days
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£45.00
Rock That! (Concert Band - Score and Parts) - Smith, Robert W.
Using a mature and infectious rock groove, "Rock That!" for the beginning band will make your young musicians sound well beyond their years. Featuring the low brass and woodwinds on the initial melody, the piece provides all in the band with parts that will excite both musician and audience. This is the one they will be asking to play again and again! Fun for all! Duration: 1.30
Estimated dispatch 7-14 working days
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£99.00
Swing (from American Dances) (Concert Band - Score and Parts) - Smith, Robert W.
American Dances is a three movement suite originally composed for the Boston Pops Brass. Each movement features an American popular music genre. "Swing" was composed based upon the American jazz and big band tradition that was popular in the 1930s and 1940s. This will have your audience tapping their toes and clapping their hands as you band sizzles throughout. Duration: 2.30
Estimated dispatch 7-14 working days
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£49.95
Autopilot (Concert Band - Score and Parts) - Bernotas, Chris M.
With its catchy melody and exhilarating rhythm, every band member fills an important role in this original composition. The rhythmic theme leads to a legato section before the low brass and winds take over with the melody, finishing strong with the full band coming in for a landing. Duration: 2:00
Estimated dispatch 7-14 working days
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£62.00
I'm Seventeen Come Sunday (Concert Band - Score and Parts) - Grainger, Percy Aldridge - Story, Michael
Based on Percy Granger's choral and brass setting, this British folk song is cast for developing band by Michael Story. The delicate clarinet introduction grows in intensity with the addition of the entire woodwind family and finally the entire ensemble. Teaching opportunities are presented with introductory multi-meter. Careful attention to all articulations will guarantee a musical performance. This compelling addition to the young band repertoire allows this cherished composition to be enjoyed by a wider array of ensembles. Duration: 2.15
Estimated dispatch 7-14 working days
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£106.99
Song of Friendship (Concert Band - Score and Parts) - Sparke, Philip
Song of Friendship was commissioned by the Concert Band of Jumonji University, Saitama, Japan and their conductor, Yutaka Nishida. The commission marked the 50th year of Yutaka Nishida's involvement with bands as a player, conductor and radio presenter. The ceremonial Song of Friendship opens with an extended fanfare, largely featuring the brass section. This leads to the main theme, which develops slowly until it is played by the full band. A change of key signals a contrasting central section containing a quiet woodwind chorale, which grows until the return of the triumphant sounding main theme. Elements of the opening fanfare then close the work. Duration: 6.45
Estimated dispatch 7-14 working days