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£84.50Cartoon Carnival
Everyone loves to laugh! This medley of cartoon favorites is sure to get that started for your performers and audiences. The medley includes "Merrily We Roll Along," "(Meet) The Flintstones," "Jetsons Main Theme," "Animaniacs," "This Is It!" (Bugs Bunny's main theme), and "The Merry-Go-Round Broke Down." Lots of effects for the percussion section. A sure hit at any concert. (3:26)
Estimated dispatch 3-5 working days
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£62.95Carnival of Venice
The musical form theme and variations became popular as a cornet showpiece in the early 1900s. Simple themes or popular folk songs from a variety of cultures were used. The lyrical theme would be played, then a series of variations followed demonstrating the technical skill and virtuosity of the player. Often triple tonguing and/or range extremes were used as showoff devices. The most famous of these cornet theme and variations is the .
Estimated dispatch 3-5 working days
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£45.95Calypso Carnival - Timothy Loest
This fun, dance-like piece has a mildly syncopated motif with a percussion section including mallets, claves, maracas, agogo bells, bongos, and cowbell. The rhythmic motif is developed and all the winds get into the action before the final chorus. A perfect change of pace for your concert program. (2:30)
Estimated dispatch 3-5 working days
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£87.50Carnival of Shadows - David Marlatt
Something has happened at the circus... the magician has hypnotized the entire audience and the circus isn't quite right. After a strange and frightening beginning, there is a gentle, yet peculiar rain that falls. A creepy theme in the tenor saxophone (interrupted by some terrifying screams) moves into the trapeze artists theme where they seem to encounter an accident. A short funeral procession leads back into the lone sneaky saxophone before the magic box is opened. This magic slowly evolves into a return to normality and back to The Greatest Show on Earth! Experience this spine-chilling circus with by David Marlatt. (6:00)
Estimated dispatch 3-5 working days
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£133.00Roman Carnival Overture - Hector Berlioz / arr. Kenneth Singleton
Estimated dispatch 3-5 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£218.30Norsk Kunstnerkarneval Op.14 - Johan S. Svendsen
This well-known work was composed in Christiania in 1874 for a burlesque Carnival in "Kunstnerforeningen".An early title for the work was "Bryllup paa Dovre". The manuscript score and parts at The National Library in Oslo of the early version with this title have much more music than the version printed by C.F. Peters, Leipzig in 1881. The form in this first version was ABA with an additional trio part that later were discarded. In the trio Svendsen used the melody Sterreisen (Os har gjort kva gjeras skulle) from Lindeman's collection of Norwegian Folk Tunes. (Vol. I/115). In the A-part a wedding tune (Bruraslaatten) from Sogn is used (Lindeman Vol. I/476). The Carnival's literary theme was the connection between the cold north and the warm south. Musically the south is represented in Svendsen's music by Raffaele Sacoo's melody from 1835 "Te voglio bene assai".I believe that if Norwegian quality music from this period is going to be performed, it must at least be available. There must be editions for modern instrumentations with full scores. I do this as my contribution to expand and enrich the repertoire for Concert Bands.- Stig Nordhagen -
Estimated dispatch 7-14 working days
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£13.95
Breaking the Century
1Breaking the CenturyNigel ClarkeCentral Band of the Royal Air Force6.392Hemming WayJohn DankworthCentral Band of the Royal Air Force13.583-5Tuba ConcertoJoseph Horovitz orch. James GourlayJames Gourlay (Tuba) with Central Band of the Royal Air Force I. Movement 1 6.05 II. Movement 2 7.03 III. Movement 3 6.366Music for ArosaPhilip SparkeCentral Band of the Royal Air Force11.017-10EvocationsMartin EllerbyCentral Band of the Royal Air Force I. Harlequin's Carnival 3.05 II. The Death of Don Quixote 5.48 III. Sue?o 2.11 IV. The Royal Hunt of the Sun 3.34
Estimated dispatch 7-14 working days
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£13.95
Festival of Music 2003
1Reach for the SkyJohn AddisonThe Massed Bands of the Royal Air Force3.292The TrapRon GoodwinThe Massed Bands of the Royal Air Force2.573Come What MayBuerwaldCorporal Matthew Little with The Massed Bands of the Royal Air Force4.324Carnival of Venicearr. Duncan StubbsThe Massed Bands of the Royal Air Force5.595Tribute to Cole Porterarr. RichardsonThe Massed Bands of the Royal Air Force9.356CzardasMonti arr. Duncan StubbsCpl Barry Stringer & Cpl Justine Stringer The Massed Bands of the Royal Air Force3.547Coastal Command Suite, Excerpts fromR. Vaughan WilliamsThe Massed Bands of the Royal Air Force7.158The Other Side of the Rainbowarr. Hunt/LaidlerEmer McParland with The Massed Bands of the Royal Air Force8.339Clarinet ConcertoMozart arr. CasteelJnr Tech Gayle Williams (Clarinet) with The Massed Bands of the Royal Air Force5.3110On the Street Where You LiveLerner & LoeweCorporal Matthew Little with The Massed Bands of the Royal Air Force3.4811CartoonPaul HartThe Massed Bands of the Royal Air Force10.1212I've Got a Gal in KalamazooWarren & GordonThe Massed Bands of the Royal Air Force4.3713Songs of World War Iarr. RichardsonThe Massed Bands of the Royal Air Force4.2714Royal Air Force March PastDavies & DysonThe Massed Bands of the Royal Air Force1.56
Estimated dispatch 7-14 working days
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£65.00
Stephenson's Rocket - Nigel Hess
This seven-minute concert overture recalls the early days of the railways, and one of the most famous engines of all time, 'The Rocket'. It was commissioned by the Director of the North Hertfordshire Wind Band, Phillip Ellis, who is the great-great-great-grandson of Stephenson, and depicts the Victorian carnival atmosphere on the day of the engine's inauguration. An ideal work for a good school, youth or county level band.
In stock: Estimated delivery 1-3 days
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