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£72.95Ceremony of the Stones - Amy Webb
Ceremony of the Stones, a work written in d minor, pays homage to the celebrations that have become synonymous with the arrival of the summer solstice, which attracts thousands of people to watch the sunrise over the Stonehenge every year. The summer solstice takes place on the longest day of the year, marking the only day on the calendar that the sun rises perfectly in the center of the stones at Stonehenge. Only the first clarinet crosses the break. 1st trumpet's highest note is E.
Estimated dispatch 7-14 working days
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£149.40
Lullaby from Four Watercolours - Tor Aulin
Few composers have had such an impact on Swedish music life as Tor Aulin (1866 1914). He studied violin and music theory in Stockholm 1877 83, and in Berlin 1884 86. In 1887 he founded the Aulin Quartet, which for more than 20 years played animportant role in broadening Swedish interest in chamber music. The quartet was often on tour with the composer Wilhelm Stenhammar at the piano.1889 1902 Aulin was the leader of the orchestra at the Royal Opera in Stockholm.At Aulinsinstigation the Concert Association in Stockholm (later The Royal Philharmonic Orchestra) was founded in 1902, and he was its conductor until 1909. From then on he was the conductor of the Gothenburg ConcertAssociation (nowadays The GothenburgSymphony Orchestra).Besides being a first class violinist, Tor Aulin was also an accomplished pianist, and Edvard Grieg was deeply impressed by Aulin's rendering of his piano concerto.Aulins list of works is dominated by his musicfor violin. He wrote three violin concertos, the third of which still has a place in the repertoire.Four Aquarelles for violin and piano from 1899 is his most beloved composition. In 1996 Jerker Johansson arranged this work for soloinstruments, one for each of the four movements, and concert band. The solo instruments being clarinet, trumpet, flute and alto saxophone.
Estimated dispatch 7-14 working days
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£149.40Minnen frn Holmen - Jerker Johansson
The first theme played by the solo clarinet was written by Jerker Johansson the summer 1997, when he was composing in Swedish folk music style for an intended radio programme in which his father should participate reading poems in local dialect. Unfortunately, the project was discontinued. In the spring 2015 Mr. Johansson however started to work on the theme again, this time adding a song theme of broader character. Holmen is the name of the homestead where Mr. Johansson's father Arne grew up. It is beautifully located in the parish of Skrv, situated east of Skara, one of the oldest towns in Sweden. At Holmen, the composer spent his childhood summers and his recollections are filledwith many bright moments and happy memories. The piece was premiered May 22, 2015 by the Gteborg Wind Orchestra conducted by the composer.
Estimated dispatch 7-14 working days
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£113.30Moderate Dances - Angelo Sormani
This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.
Estimated dispatch 7-14 working days
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£39.95Music for Junior Wind Band Vol. 3
Another fabulous arrangement from Adrian Taylor of popular tunes for Junior Wind Ensemble. It is not necessary to have all parts being played for these arrangements. Most will work fine with just the two Trumpet/Clarinet parts and a bass line from trombones, tubas or bassoons. With the exception of the bassoon part, all instruments have a part 1 (more advanced and with key signatures) and a part 2 (easier music, lower notes, rarely crossing the break for woodwind players, and without key signatures for treble clef instruments). A piano part is included to help fill out the harmonies for smaller groups.
Estimated dispatch 7-14 working days
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£39.95Music for Junior Wind Band Vol. 4 Christmas - Gustav Holst
It is not necessary to have all parts being played for these arrangements. Most will work fine with just the two Trumpet/Clarinet parts and a bass line from trombones, tubas or bassoons. With the exception of the bassoon part, all instruments have a part 1 (more advanced and with key signatures) and a part 2 (easier music, lower notes, rarely crossing the break for woodwind players, and without key signatures for treble clef instruments). A piano part is included to help fill out the harmonies for smaller groups.
Estimated dispatch 7-14 working days
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£104.50Cantique and Festival - Jared Spears
From the subtle opening statement by flute and clarinet, this work becomes highly expressive in the 1st movement. Rich harmonies and delicate percussion serve to introduce the Festival section, which opens with an Allegro Energico using the main theme for developmental writing. Strong percussion characteristic of this composer, is quite evident and is used creatively to the finale. A useful selection for contest or festival. (7 minutes )
Estimated dispatch 7-14 working days
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£82.50Compton Ridge Overture - David Gorham
Another outstanding festival/concert selection, this exciting and highly playable work opens with strong rhythmic brass joined by contrasting woodwinds as the work develops. The cantabile section features melodic solos for flute and clarinet and later woodwind choir before combining with the brass for a beautiful slow section. This work concludes with a recapitulation and a driving rhythmic ending.
Estimated dispatch 7-14 working days
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£104.50Dance Of The Comedians - Bedrick Smetana
This new arrangement provides a spectacular opportunity to feature a strong clarinet section with one of the most tuneful and enjoyable works from the orchestral repertoire.
Estimated dispatch 7-14 working days
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£54.99Humming Tune and Frolic - Nancy H. Seward
Following a quiet introduction the flowing theme is stated by the flutes with the alto sax countermelody, then repeated tutti with flute and clarinet obbligato. The Frolic section features scale and arpeggio patterns designed to develop technique and hold interest.
Estimated dispatch 7-14 working days
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