Results
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£56.50Air and Variations (Concert Band - Score and Parts) - Kreines, Joseph
Air and Variations is designed to expose students to the variation form through the use of contrasting styles, tempi and meters. The work opens with a statement of the theme presented by flute, clarinet and trumpet in legato, lyric style. Variation 1 is a toccata featuring marcato eighth notes, providing a rhythmic version of the theme. Variation 2 is a romance with the theme presented in a slow, expressive setting. Variation 3 is a gently lilting waltz with the theme appearing in flutes and trumpets. Variation 4 is a stately, triumphant processional-style march which provides the conclusion of the work. Duration: 3.15
Estimated dispatch 7-14 working days
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£50.50Glacier Bay (Concert Band - Score and Parts) - Hodges, Steve
Inspired by the majestic Alaskan landscape, Glacier Bay provides plenty of opportunities for dynamic and expressive playing by the young musicians. Following a brief introduction, the main theme is presented first by the trumpets and then by the low brass and trumpets in a lively and flowing manner. The active syncopated accompaniment patterns in the low brass and woodwinds provide an effective contrast to the melody. The B section of the piece moves smoothly into a stately, alla breve tempo with a clarinet choir making the first presentation of the melody. Following a very peaceful conclusion to the B section, an abbreviated restatement of the A section melody leads to the dynamic ending. Duration: 3.30
Estimated dispatch 7-14 working days
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£84.99Klezmania (Concert Band - Score and Parts) - De Haan, Jacob
Klezmer was originally the name given to the music of the Yiddish speaking Jews in Eastern Europe. The klezmer musicians played dance music, mainly at weddings. Historically string instruments such as the violin were predominantly used, but later (after ca. 1900) other instruments and in particular the clarinet were added as melodic instruments. In klezmer music in addition to Balkan influences oriental and gipsy influences can also be found. Jacob de Haan composed Klezmania in this style, based on the well-known Hebrew song Hava Nagila.Duration: 2:50
Estimated dispatch 7-14 working days
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£60.99And the Fire Raged! (Concert Band - Score and Parts) - Ricketts, Ted
Displaying a variety of colours and musical styles, here is an impressive offering from Ted Ricketts. The calm setting in the beginning gradually gives way to a faster, emotionally-charged section featuring the trumpet section with rhythmic answers from the rest of the ensemble. Also featured is a contrasting section for woodwinds and brief solos for clarinet and flute before returning to the powerful faster strains and exciting ending.Duration: 4.00
Estimated dispatch 7-14 working days
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£44.95Two Susato Dances (Concert Band - Score and Parts) - Susato, Tielman - Ellerby, Martin
Around 1540 Tielman Susato, the Belgium trumpet player and composer, established himself in Antwerp as a printer of music. In 1551 he brought out The Third Little Music Book, a collection of instrumental dances. Most of these are arrangements, possible by Susato himself, of popular dance tunes. In keeping with sixteenth-century practice, this book details no specific instrumentation; something to be worked out by the players with whatever available means. Doubtless many of the dances were performed on wind instruments at festive outdoor events. The date of Susato's birth is unknown but estimated to be around 1500. The same applied to his death, which is thought to be somewhere between 1561-64.The third Little Music Book gives several examples of the traditional sixteenth-century genre, the dance pair, a predecessor of the Baroque suite. In such a pair the first dance was often in slow or moderate duple time, the second in quick triple time. This is the case in the pair presented here, which consists of a lively round dance followed by a Hop Up or saltarello.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 2.00
Estimated dispatch 7-14 working days
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£62.95I Heard a March on Christmas Day (Concert Band - Score and Parts) - Hodges, Steve
This festive piece presents three holiday favorites in a march medley. O Tannenbaum is treated with energetic countermelodies in the trombones and baritone. A short transition leads to a light presentation of the countermelody to Good King Wenceslas by a solo flute, clarinet and drum. Another transition and modulation leads to the trio-type section of I Heard the Bells on Christmas Day. An accelerando is followed by a dynamic closing section with the active woodwind countermelodies highlighting the exciting finish. Duration: 3.15
Estimated dispatch 7-14 working days
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£267.99Hymn of the Highlands, Suite from (Concert Band - Score and Parts) - Sparke, Philip
Suite from Hymn of the Highlands draws three expressive musical pictures of the Scottish highlands.The first movement, Ardross Castle, features solo passages for clarinet and bassoon and features a fascinating bagpipe melody.The second movement, Alladale, is a saxophone trio with an accompaniment featuring the percussion section.The final movement, Dundonnell, features two highly contrasting melodies, a wild presto and the bagpipe melody first heard in the first movement.Duration: 17:00
Estimated dispatch 7-14 working days
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£62.95Gigue Francaise (Concert Band - Score and Parts) - Strommen, Carl
Cast in triple meter, this original composition begins with a delightful melody in the clarinet section. Although the tune sounds intricate, it falls well in the fingers - once mastered it will delight your students. A serious composition that is enjoyable to rehearse. Dance-like in nature, this composition brings the essence of France into your ensemble. A delight to rehearse and perform. Your audience will be dancing in the aisles. Duration: 3.30
Estimated dispatch 7-14 working days
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£44.95Three Folk Miniatures (Concert Band - Score and Parts) - Fraser, Bruce
Three Folk Miniatures (Good Mornin' to Ye; Shepherd Song; When the Sun Shines) reflect the style of old English folk songs offering young players the opportunity to show off several acquired skills in performance.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 2:20
Estimated dispatch 7-14 working days
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£44.95Ye Olde Dance Musicke (Concert Band - Score and Parts) - Fraser, Bruce
This piece reflects the style of Elizabethan dance music. The opening tempo should be quite steady, though played with energy. Good balance is required to achieve the contrasts. The change of tempo should be easily achieved, again taking care with the balance, dynamics and accents to produce an energetic performance.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 1:45
Estimated dispatch 7-14 working days
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