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  • £37.95

    Roman Trilogy (Prestige Concert Band - Score only) - Ellerby, Martin

    This work falls into three movements, all concerned with the subject of the Italian capital city of Rome, rather like previous tributes to other European citites in Paris Sketches, Venetian Spells and The Cries of London. The emphasis is on atmosphere and drama, be they respectful or joyful! It is acknowledged that Ottorino Respighi has influenced this work though his own eternal Rome tributes are not challenged here, rather saluted and celebrated.The three movements are: 1. Collosea di Romaan evergrowing march mood, builds in intensity and density as we approach the mighty Colosseum, the amphitehatre of Classical Rome, where deadly spectacles were once played out. We should not forget that countless thousands died here whilst even more laughed in the name of entertainment: their memory is reflected in the coda. In its unique way this icon of Rome is one of the most tragic historical places.2. Capella Sistinathe Sistine Chapel of the Vatican City is observed in a series of chorales and interludes. The visitor can look 360o around and be presented with a series of Biblical representations and commentaries. The music attempts to reflect these contrasting panels whilst ultimately bowing to the glory of this magnificent artistic creation. The coda is enigmatic, inconclusive - a single viewing cannot reveal all the mysteries and beauties within. 3. Fonatani di Trevitime for laughter and fun! The Trevi Fountain is one of Rome's finest and visually overboard locations! This is indicated as a Burletta: 'a la dolce vita' which means 'the sweet life'. This burletta (meaning 'little joke') makes use of tarantella and saltarello rhythms and features a pair of tambourines which are associated with these forms. La Dolce Vita was also a film by the renowned Italian director Federico Fellini featuring a memorable scene in the Trevi with a wet Enita Ekberg: something modern day visitors are discouraged from emulating!Duration: 11:15Recorded on Polyphonic QPRM161D ROMAN TRILOGY (TheRoyal Northern College of Music Wind Orchestra)

    Estimated dispatch 7-14 working days

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  • £159.99

    Selections from Boris Godunov Wind Band Set (Score & Parts) - Takahashi, Tohru

    Composer Modest Moussorgsky (1839-1881) came from the prosperous environment of Russian nobility. In 1865, after his officer's education, he joined the guard's regiment in St. Petersburg. Here he met a number of well-known colleague-composers, including Balakirev, Cui, Rimsky- Korsakov and Borodin. They strived to develop a "classical style" of composing while at the same time retaining a strong Russian influence. His opera Boris Godunov tells the tale of Boris, who with the support of the people, declared himself Tsar, but totally fell short of the role. The opera became popular in the re-orchestrated version produced by Rimsky-Korsakov in 1896. Tohru Takahashi has used the beautiful musical themes of this opera in Selections from Boris Godunov - a captivating work for concert band. 0:11:40

    Estimated dispatch 7-14 working days

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  • £118.99

    Showdown for Band (Concert Band - Score and Parts)

    Showdown for Band was written as a compulsory exercise for the Third International Light Music Competition at St. Gallen, Switzerland in 1998. The intention of the composer was to write a piece in a light music style that would at the same time challenge the various bands, particularly in the area of rhythm. The work is divided into four parts: Opening, Ballad, Finale and Ending. Using melodies that are easy on the ear and varied instrumentation, many facets of the entire band are displayed. The solo in the middle part can be played by either soprano or alto saxophone, or even by a flugel horn. The impressive composition contains many musical elements, which makes the work an especially suitable piece with which to open a light classical concert 0:07:36

    Estimated dispatch 7-14 working days

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  • £59.99

    Slavonic Rock March Wind Band Set (Score & Parts)

    According to his teachers, Pyotr Ilyich Tchaikovsky (1840-1893), was not particularly gifted. His special talents were acknowledged only in 1865 when he had been working for the Ministry of Finances for some years. In 1866 he was appointed teacher at the Conservatory and applied himself to composing. His oeuvre is fairly extensive and many of his compositions receive a high ranking on the international list of classical music, including his six symphonies, solo concertos (violin concerto and piano concertos), ballets (The Nut Cracker, Swan Lake), and his overtures (1812 and Romeo and Juliette). In 1893 Tchaikovsky died of Cholera after drinking a glass of infected water. His Slavonic March is a popular concert piece for symphonic orchestra that is still frequently performed in concert halls. David Well arranged the theme and created a contemporary march in rock style. Tchaikovsky once said to an unsatisfied teacher: 'I will be a great composer within 10 years time.' 02:30

    Estimated dispatch 7-14 working days

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  • £104.99

    The Great Gate of Kiev Wind Band Set (Score & Parts)

    The Russian composer Modest Mussorgsky (1839-1881) was self-educated to a large extent but went on to become one of the ?Mighty Five? which also included Balakirev, Cui, Borodin and Rimsky-Korsakov. Today he is considered the innovator of Russian music par excellence. He composed Pictures at an Exhibition in 1874, inspired by ten pictures produced by his then recently deceased friend, the Russian architect and artist Victor Hartmann. The French composer Maurice Ravel made an orchestration of Mussorgsky?s composition in 1922 which is now more well-known and more performed than the original piano suite. For his transcription of Pictures at an Exhibition, Tohru Takahashi made use of the original piano composition by Mussorgsky. The Great Gate of Kiev, issued here separately, is probably the best known melody from this classical masterpiece. 0:05:45

    Estimated dispatch 7-14 working days

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  • £59.40

    The Sounds of Christmas Joy

    Opening with a fanfare based on "Joy To The World" featuring prominent bells and chimes, Swearingen then seques into an expressive, "classical" setting of Beethoven's famous "Ode to Joy". After a tasty modulation into a new setting of "Ode to Joy" with modern harmonies and tone colors, the final section presents a traditional rendition of "Joy to the World". Concludes with a "classically" based presto! Exceptional!

    Estimated dispatch 7-14 working days

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  • £118.99

    TRANZENDENTAL DANSE OF JOI (Concert Band) - Bonney, James

    This energetic new work fuses the percussion of street musicians, the wind and brass colours of modern jazz, and the form and structure of classical music. Percussionists play everything from plastic buckets to clay flowerpots while laying down a heavily syncopated groove. There is an open section that allows any instrument you desire the unique opportunity to show off their improvisational skills in a wind ensemble setting. This piece is as rhythmically and melodically infectious as it is soulfully uplifting - a guaranteed crowd-pleaser. American Grade 4

    Estimated dispatch 7-14 working days
  • £199.95

    TUBA CONCERTO (Horovitz) (Prestige Concert Band - Score and Parts) - Horovitz, Joseph - Gourlay, James

    Parts only. This work was commissioned by the Besses O' Th' Barn Band for soloist James Gourlay, with funds from the Musicians' Union. The melodic patterns of the concerto are based on traditional, often classical modes. A three-note motif forms the basis of the first and third movements whilst the second begins with a slower version of the main theme. Near the end there is an elaborate and technically demanding cadenza. The wind band orchestration is by James Gourlay. (Grade 5 - Soloist 6) Performance time 19'44" (Recorded on QPRM138D BREAKING THE CENTURY, Central Band of the Royal Air Force)

    Estimated dispatch 7-14 working days

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  • £49.95

    TUBA CONCERTO (Horovitz) (Prestige Concert Band - Score only) - Horovitz, Joseph - Gourlay, James

    Score only. This work was commissioned by the Besses O' Th' Barn Band for soloist James Gourlay, with funds from the Musicians' Union. The melodic patterns of the concerto are based on traditional, often classical modes. A three-note motif forms the basis of the first and third movements whilst the second begins with a slower version of the main theme. Near the end there is an elaborate and technically demanding cadenza. The wind band orchestration is by James Gourlay. (Grade 5 - Soloist 6) Performance time 19'44" (Recorded on QPRM138D BREAKING THE CENTURY, Central Band of the Royal Air Force)

    Estimated dispatch 7-14 working days

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  • £19.95

    Over to the Overtures (Concert Band - Score and Parts) - Howe, James

    A selection of highlights from classical overtures arranged for concert band by J Howe. March Card size parts.

    Estimated dispatch 7-14 working days