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  • £65.00

    Entrance of the Gladiators (Concert Band - Score and Parts) - Fucik, Julius - Glover, Andrew

    This march masterpiece, famous for generations to children of all ages is at last available in this concert edition arranged by Andrew Glover. This delightful, entertaining, and familiar march will be a hit at any concert performance. An excellent choice also for contest and festival performances.Duration: 3.00

    Estimated dispatch 7-14 working days

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  • £102.99

    All the Best (Concert Band - Score and Parts) - Schwarz, Otto M.

    All the Best is a happy, upbeat piece by Otto M. Schwarz. He has already composed several pieces in this genre, including Fire and Ice, Last Call, and Funky Brass, and is constantly looking for ways to adapt new and interesting sounds and rhythms for concert band. All the Best will be a huge success with musicians and audiences alike, whether as a congratulatory piece, a concert-opener or as a rousing encore at the end of your concert.Duration: 4:00

    Estimated dispatch 7-14 working days

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  • £77.50

    Proclamations (A Symphonic Celebration for Band) (Concert Band - Score and Parts) - Romeyn, Rob

    Proclamations is a shimmering way to begin your next concert featuring a spectacular opening fanfare followed by a memorable melodic theme. A second celebratory fanfare introduces a variation on the first theme. Powerful scoring, varied textures, and contrasting styles make this the perfect choice for a concert. A very impressive Symphonic Celebration for band!Duration: 6.15

    Estimated dispatch 7-14 working days

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  • £58.50

    Belwin Very Beginning Band Kit No.7 (Concert Band - Score and Parts) - Bullock, Jack

    Great for the music budget, Jack Bullock's latest 'kit' has four contrasting grade one-half works and serves as a complete concert for your very beginning band. Titles: "With Honor and Praise," a lush ballad; a familiar tune simply named "Sea Chanty"; "The Carnival of Venice," featuring your trumpets; and an original march entitled "Grandioso March." Use them all in one concert or save them for performances through the year.

    Estimated dispatch 7-14 working days

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  • £62.95

    Festival Procession (Concert Band - Score and Parts) - Strauss, Richard - Wagner, Douglas E.

    Originally composed in 1909 to be included in one of the ceremonies of the Knights of St. John with a bold outside instrumentation, Strauss later scored the work for full orchestra. As the title implies, Douglas Wagner's condensed arrangement presents major themes in a concert setting for the first time for concert band that may also appropriately be used during a commencement ceremony or any occasion that involves a procession.Duration: 4.00

    Estimated dispatch 7-14 working days

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  • £375.00

    Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul

    This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.

    Estimated dispatch 7-14 working days

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  • £110.00

    Investiture Dances (Concert Band - Score and Parts) - Hoddinott, Alun - Noble, Paul

    These dances were written to commemorate the Investiture of Prince Charles as Prince of Wales, at Caernarfon Castle, in July 1969. Written to a commission from the Royal Philharmonic Orchestra (who premiered this work on 22 June 1969), the Investiture Dances are based on characteristics of Welsh folk music rather than specific pre-existing tunes. Band directors will find the Investiture Dances to be completely idiomatic of the Concert Band, with the music appropriate for concert and festival performance. The arrangement offers consistent performance requirements for all sections of the band, with exciting percussion interest. Each movement is based on the mixolydian mode, and are in a key compatible to wind instruments.

    Estimated dispatch 7-14 working days

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  • £145.00

    The First Shoot (Concert Band - Score and Parts) - Walton, William - Noble, Paul

    The First Shoot was written and first performed in 1935 for the ballet Follow the Sun. The original music was lost, but reconstructed for brass band, and later for orchestra by Christopher Palmer. This Concert Band arrangement is based on that orchestra score. It is a charming look back (one can imagine the music that might have accompanied a Charlie Chaplin movie!) Concert bands will experience a worthwhile challenge in bringing this wonderfully tuneful music to their audiences, as well as the broadening of their own musical experience.

    Estimated dispatch 7-14 working days

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  • £57.50

    Groovee! (Concert Band - Score and Parts) - Saucedo, Richard L.

    A G minor Groove for Concert BandWritten entirely in 4/4 and using a single tempo throughout, Richard has created a marvellous work for young players that features logical pacing and variety along with a keen sense of rhythmic momentum. Using a recurring interlude for percussion and bluesy elements in the melody, this is effective as a concert piece and also just plain fun to play!Duration: 3.00

    Estimated dispatch 7-14 working days
  • £139.99

    La Gazza Ladra (The Thieving Magpie) (Concert Band - Score and Parts) - Rossini, Gioachino - Cesarini, Franco

    In the monumental overture to the opera La Gazza Ladra (The Thieving Magpie) Gioachino Rossini employs themes from the opera itself in order to prepare the audience for the material to come. The overture contains themes that stay long in the memory of the listener, as well as spectacular use of the famous Rossini crescendo. This wonderful arrangement for concert band from Franco Cesarini retains all of La Gazza Ladra's original charm, and is ideal as a concert opener.Duration: 10:00

    Estimated dispatch 7-14 working days

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