Results
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£36.95First Concert March (Concert Band - Score and Parts) - Feldstein & O'Reilly
As the title implies, this march is perfect for your first concert. Using only 6 notes (concert B-flat and G), this original piece will make the youngest band sound like professionals. Easy to put together and fun to play---open or close your first concert with this one.
Estimated dispatch 7-14 working days
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£41.50First Concert March - Sandy Feldstein and John O'Reilly
As the title implies, this march is perfect for your first concert. Using only 6 notes (concert B-flat and G), this original piece will make the youngest band sound like professionals. Easy to put together and fun to play---open or close your first concert with this one. (Grade 1---Correlates with Book 1, Unit 6)
Estimated dispatch 3-5 working days
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£104.00Impresario (Concert Band - Score and Parts) - Schwarz, Otto M.
Impresario is a solemn concert march by Otto M. Schwarz, equally suitable as a work to open a concert or indeed as a finale. The main theme of the first section is processed in different harmonic and rhythmic variations and finally leads to a trio with numerous technical refinements and a catchy melody. This somewhat out-of-the-ordinary concert march in Otto M. Schwarz' well-known style ends with a frenzied finale.Duration: 3.45
Estimated dispatch 7-14 working days
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£122.20The Commander (Concert Band - Score and Parts)
The Commander was written for a concert performed by The Staff Band of the Norwegian Armed Forces on August 14th 2020 in Oslo. The occation for the concert was changing of Commanding Officer of Music at the Norwegian Armed Forces.This Concert March is dedicated to outgoing Commanding Officer of Music, Commander Senior Grade Arnstein Lund. Duration: 3.45
Estimated dispatch 7-14 working days
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£73.00Jonas Brothers in Concert (Concert Band - Score and Parts) - Story, Michael
Light up your concert hall with Jonas Brothers in Concert. This expertly scored arrangement by Michael Story features two hits from the talented siblings: "Leave Before You Love Me" (with Marshmello) and "Mercy" (from Space Jam: A New Legacy). Duration: 3.15
Estimated dispatch 7-14 working days
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£109.60Fields of Deliberation (Concert Band - Score and Parts) - Houben, Kevin
Fields of Deliberation was written by composer Kevin Houben for the 'Limburgs Fanfare Orkest'. The occasion was the concert cycle that appropriately commemorated the end of the Second World War. From the very first beginning till the end, speed, energy and 'drive' characterise this powerful composition. A magnificent lyrical melody is the common thread throughout the piece, without the rapid movement losing pace or intensity. Majestic, grand moments and energetic passages alternate culminating in an impressive highlight. This dynamic concert piece with a cinematic character is a challenge for all the different groups of instruments of the orchestra and is an added value for any concert program. Duration: 7.00
Estimated dispatch 7-14 working days
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£175.0060 Warm-Up Chorales (Concert Band - Score and Parts) - Cesarini, Franco
During his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages. After a long time, he has decided to compile a collection of chorales for warm-ups, which are organised according to the criteria that he considers most effective. While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure. He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless "punishing" exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself! Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging. Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications. Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted. The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations. The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major. With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians' awareness of phrasing, the right interpretation of cadences, rubato and agogic. Above all, never do anything without putting the musical aspect in the foreground. 60 Warm-up Chorales for Concert Band: A perfect collection to warm-up and improve tuning of a concert band!
Estimated dispatch 7-14 working days
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£52.95A Woodland Celebration (Concert Band - Score and Parts) - Sheldon, Robert
Perfect for opening or closing a concert for first-year band students, A Woodland Celebration by Robert Sheldon lends a light rhythmic style to a tuneful melody. As soon as young students can play a concert B-flat scale and learn the note concert A-flat, this piece is easily playable. Second clarinet does not go over the break, and second trumpet and horn have limited ranges as well. Duration: 1.45
Estimated dispatch 7-14 working days
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£156.00A Midsummer Night's Dream (Concert Band - Score and Parts) - Mendelssohn, Felix - De Meij, Johan
Suite from the Incidental Music. Felix Mendelssohn Bartholdy (1809 - 1847) composed the music for William Shakespeare's play A Midsummer Night's Dream at two different times. In 1826, at the age of 16, he wrote a concert overture (Op. 21). Sixteen years later, in 1842, he composed the incidental music (opus 61) for King Frederick William IV of Prussia, in which he incorporated the existing overture. The overture premiered in Stettin (then in Prussia, now Szczecin, Poland) on February 20, 1827, conducted by Carl Loewe. Mendelssohn had to travel 80 miles through a raging snowstorm to get to the concert, which became his first public appearance. The first British performance of the overture was conducted by Mendelssohn himself on June 24, 1829, at the Argyll Rooms in London. After the concert, Thomas Attwood was given the score of the overture for safekeeping, but left it in a taxi and was never found. Mendelssohn later rewrote the overture entirely from memory.Duration: 14.45
Estimated dispatch 7-14 working days
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£242.50Orpheus in Town, Dance Suite from (Concert Band - Score and Parts) - Rosenberg, Hilding - Johansson, Jerker
Dance Suite in Seven Movements. Op.75. Orpheus In Town. In 1936 the Stockholm Concert Hall was given its most distinguished artistic adornment, Carl Milles' Orpheus fountain. A Greek god lets his voice and the sounds of his lyre float over the rush and bustle of the big city far up in Ultima Thule. Two choreographers at the Stockholm Opera, Julian Algo and Vera Sager, had a brainwave. Why should Orpheus merely be a statue, a symbol of the beauty and inspiring power of music, why not give the myth about him its special Stockholm chapter as well? This is what happened: On the stage we see the columned facade of the Concert Hall and in front of it the statue group with Orpheus and the eight enraptured listeners. Suddenly the figures come to life, jump down from their pedestal and dance into the crowd at the marketplace. Orpheus, who is consumed by longing for Eurydice, begins looking for his beloved, first among other well-known sculptures in town, then in restaurants and nightclubs. At last he thinks he recognises her in a fashionable society woman and brings her to the Concert Hall. However, faced with the threat of having to spend her life in bronze at Orpheus' side, she runs away. She wasn't Eurydice after all. Or was she? For this ballet, which had its first performance at the Stockholm Opera in 1938, Hilding Rosenberg wrote vital and entertaining music in a style which is unusually to the point, and with a bright and strong orchestration. The music in the Dance Suite from Orpheus in Town is taken from the dance scenes at the nightclub: guests and a bartender perform, finally also Orpheus and his entourage. The suite consists of: 1. Rhythm of the Times (2.00); 2. Bartender's Dance (1.30); 3. Girl's Dance (1.00); 4. Dance of the Negress (2.30); 5. Trio Dance (1.30); 6. Tango (2.00); 7. Finale (1.30). Total duration: 14.00.
Estimated dispatch 7-14 working days
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