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£94.99Liberty (Concert Band - Score and Parts) - Blanken, John
John Blanken composed his traditional style concert march Liberty was composed in 2004. The first performance took place during a concert in which the theme was the struggle for independence and during the concert the audience sang the song of independence from large banners situated on both sides of the both. This grandiose yet lyrical march will open your concert in a truly liberating manner.Duration: 4:00
Estimated delivery 7-14 working days
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£36.95First Concert March (Concert Band - Score and Parts) - Feldstein & O'Reilly
As the title implies, this march is perfect for your first concert. Using only 6 notes (concert B-flat and G), this original piece will make the youngest band sound like professionals. Easy to put together and fun to play---open or close your first concert with this one.
Estimated delivery 7-14 working days
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£58.50Sound Innovations for Concert Band: Ensemble Development for Intermediate Concert Band - By Peter Boonshaft and Chris Bernotas
Sound Innovations: Ensemble Development for Intermediate Concert Band is a valuable resource for helping your students grow in their understanding and abilities as ensemble musicians. It contains 412 exercises, including more than 70 chorales by some of today's most renowned concert band composers. An assortment of exercises is grouped by key and presented in a variety of intermediate difficulty levels. Where possible, several exercises in the same category are provided to allow variety, while still accomplishing the goals of that specific type of exercise. You will notice that many exercises and chorales are clearly marked with dynamics, articulations, style, and tempo for students to practice those aspects of performance. Other exercises are intentionally left flexible for the teacher to determine how best to use them in facilitating and addressing the needs and goals of their ensemble. Whether your students are progressing through exercises to better their technical facility, or challenging their musicianship with beautiful chorales, this book can be used after any band method or as a supplement to performance music. Contains chorales composed by Roland Barrett, Andrew Boysen, Ralph Ford, Rossano Galante, Robert Sheldon, Todd Stalter, Randall Standridge, and Michael Story. The Ensemble Development Series is also available for Young Band and Advanced Band. Learn more at www.alfred.com/SIED. This title is available in MakeMusic Cloud.
Estimated delivery 3-5 days
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£104.00Impresario (Concert Band - Score and Parts) - Schwarz, Otto M.
Impresario is a solemn concert march by Otto M. Schwarz, equally suitable as a work to open a concert or indeed as a finale. The main theme of the first section is processed in different harmonic and rhythmic variations and finally leads to a trio with numerous technical refinements and a catchy melody. This somewhat out-of-the-ordinary concert march in Otto M. Schwarz' well-known style ends with a frenzied finale.Duration: 3.45
Estimated delivery 7-14 working days
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£122.20The Commander (Concert Band - Score and Parts)
The Commander was written for a concert performed by The Staff Band of the Norwegian Armed Forces on August 14th 2020 in Oslo. The occation for the concert was changing of Commanding Officer of Music at the Norwegian Armed Forces.This Concert March is dedicated to outgoing Commanding Officer of Music, Commander Senior Grade Arnstein Lund. Duration: 3.45
Estimated delivery 7-14 working days
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£73.00Jonas Brothers in Concert (Concert Band - Score and Parts) - Story, Michael
Light up your concert hall with Jonas Brothers in Concert. This expertly scored arrangement by Michael Story features two hits from the talented siblings: "Leave Before You Love Me" (with Marshmello) and "Mercy" (from Space Jam: A New Legacy). Duration: 3.15
Estimated delivery 7-14 working days
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£109.60Fields of Deliberation (Concert Band - Score and Parts) - Houben, Kevin
Fields of Deliberation was written by composer Kevin Houben for the 'Limburgs Fanfare Orkest'. The occasion was the concert cycle that appropriately commemorated the end of the Second World War. From the very first beginning till the end, speed, energy and 'drive' characterise this powerful composition. A magnificent lyrical melody is the common thread throughout the piece, without the rapid movement losing pace or intensity. Majestic, grand moments and energetic passages alternate culminating in an impressive highlight. This dynamic concert piece with a cinematic character is a challenge for all the different groups of instruments of the orchestra and is an added value for any concert program. Duration: 7.00
Estimated delivery 7-14 working days
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£175.0060 Warm-Up Chorales (Concert Band - Score and Parts) - Cesarini, Franco
During his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages. After a long time, he has decided to compile a collection of chorales for warm-ups, which are organised according to the criteria that he considers most effective. While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure. He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless "punishing" exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself! Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging. Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications. Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted. The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations. The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major. With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians' awareness of phrasing, the right interpretation of cadences, rubato and agogic. Above all, never do anything without putting the musical aspect in the foreground. 60 Warm-up Chorales for Concert Band: A perfect collection to warm-up and improve tuning of a concert band!
Estimated delivery 7-14 working days
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£52.95A Woodland Celebration (Concert Band - Score and Parts) - Sheldon, Robert
Perfect for opening or closing a concert for first-year band students, A Woodland Celebration by Robert Sheldon lends a light rhythmic style to a tuneful melody. As soon as young students can play a concert B-flat scale and learn the note concert A-flat, this piece is easily playable. Second clarinet does not go over the break, and second trumpet and horn have limited ranges as well. Duration: 1.45
Estimated delivery 7-14 working days
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£156.00A Midsummer Night's Dream (Concert Band - Score and Parts) - Mendelssohn, Felix - De Meij, Johan
Suite from the Incidental Music. Felix Mendelssohn Bartholdy (1809 - 1847) composed the music for William Shakespeare's play A Midsummer Night's Dream at two different times. In 1826, at the age of 16, he wrote a concert overture (Op. 21). Sixteen years later, in 1842, he composed the incidental music (opus 61) for King Frederick William IV of Prussia, in which he incorporated the existing overture. The overture premiered in Stettin (then in Prussia, now Szczecin, Poland) on February 20, 1827, conducted by Carl Loewe. Mendelssohn had to travel 80 miles through a raging snowstorm to get to the concert, which became his first public appearance. The first British performance of the overture was conducted by Mendelssohn himself on June 24, 1829, at the Argyll Rooms in London. After the concert, Thomas Attwood was given the score of the overture for safekeeping, but left it in a taxi and was never found. Mendelssohn later rewrote the overture entirely from memory.Duration: 14.45
Estimated delivery 7-14 working days
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