Results
-
£149.40Cradle Hymn - Kim AndrĂ© Arnesen
Cradle Hymn, a Christmas lullaby with imagery of Mary and her infant, was written for the Nidaros Cathedral Girl's Choir and conductor Anita Brevik in 2010, and later arranged for SATB and TTBB chorus. The Lyrics were written by Isaac Watts (1674-1748).This arrangement was written by Christian Aftreth Eriksen in 2021, commissioned by Bunberry High School, Australia. It is scored for large concert band, but is playable for smaller forces through clever cross cuing: Eb clarinet, Contrabass Clarinet, Baritone Saxophone, Contrabassson and Double Bass can all be considered ad lib. All Oboes, Bass Clarinet, Bassoons and all Horns are cross cued.A Soprano Saxophone part is provided to cover the Oboe solos, and should only be used if no Oboes are available.The choice of Vibraphone or Marimba is left up do the conductor. Vibraphone will provide more resonance in the ensemble, if needed.
Estimated dispatch 7-14 working days
-
£53.50Palladio - Karl Jenkins
Although this composition sounds like it came straight out of the Baroque period, it is actually the first movement of a suite written in 1996 by Karl Jenkins. Instantly recognized as the 'diamond commercial' theme, its relentless pulse and dramatic nature make it a natural for bands. Robert Longfield's skilled arrangement puts it within reach of most groups.score and parts - 4 Flute I, 4 Flute II, 2 Oboe, 4 Bb Clarinet I, 4 Bb Clarinet II, 4 Bb Clarinet III, 2 Bb Bass Clarinet, 2 Bassoon, 2 Eb Alto Saxophone I, 2 Eb Alto Saxophone II, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 2 F Horn I, 2 F Horn II, 3 Bb Trumpet I, 3 Bb Trumpet II, 3 Bb Trumpet III, , 3 Trombone I,3 Trombone II, 2 Baritone B.C., 2 Baritone T.C., 4 Tuba, I String Bass, I Timpani, 2 Percussion I, 2 Percussion II - wind/concert band
Estimated dispatch 7-14 working days
-
£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
-
£94.99
Clari-Fun-Key - Gilbert Tinner
Gilbert Tinner's Clari-Fun-Key is an exciting twomovement work for solo clarinet and concert band. The first movement is in a rock-like funk style with fast flowing melodic figures. The second movement is in a much slower lyrical bossa nova style with the clarinet showing off its warm, rich characteristic sound. A perfect piece for giving your clarinet soloist a bit of the limelight.
Estimated dispatch 7-14 working days
-
£54.99Blues Is My Favorite Color - Paul Clark
A tasty little swing tune that is perfect for teaching the swing style to young players. As part of the Barnhouse Jazz For Developing Concert Bands Series this arrangement includes parts for all of the regular Jazz Ensemble instruments plus Flute, Oboe, Clarinet, Bass Clarinet, F Horns, Baritone and Tuba. A great teaching tool and an enjoyable selection for your next concert. First rate in every respect!
Estimated dispatch 7-14 working days
-
£54.99Mucho Gusto - Larry Neeck
Part of the Barnhouse Jazz For Developing Concert Band Series, this very hip Latin-rock chart features a great vamp, memorable melodic lines, and solid ensemble scoring. Along with traditional big band, expanded instrumentation includes parts for flute, clarinet, bass clarinet, french horn, baritone, and tuba. The simple, two-chord, solo section is perfect for encouraging all of your students to improvise (suggested solos are included). This is a great chart for a young band, easy to put together, fun to play, and just right as a "change of pace" on your concert.
Estimated dispatch 7-14 working days
-
£22.50BEGINNING BAND BOOK No.1 (Score inc. CD) - Edmondson & McGinty
An affordable collection of concert repertoire for beginning bands; great sight reading material for more advanced bands! Features include: Grade 1 concert band music; Playable with only 1 flute, 2 clarinets, 1 alto saxophone, 2 cornets/trumpets and percussion, up to full instrumentation; Full, complete sound, even without bass clef instruments. The bass clef part in octaves is optional; Both clarinet parts stay below the break; Optional F Horn and Tenor Saxophone parts are written in their best ranges; Bell part for teaching melodic percussion. Contents: Anasazi; Bartok: Folk Song and Dance; The Buglers; Chant and Praise; Chorale and Recessional; Clarinet, Caprice; Echoes; Let's Take a Break; Manchester March; Old MacDonald's Band; Somerset Overture; Those Fabulous Flutes; Two Canadian Folk Songs; Westwind Overture; Yorktown March.
Estimated dispatch 7-14 working days
-
£22.50BEGINNING BAND BOOK No.3 (Score inc. CD) - Edmondson & McGinty
An affordable collection of concert repertoire for beginning bands; great sight reading material for more advanced bands! Features include: Grade 1 concert band music; Playable with only 1 flute, 2 clarinets, 1 alto saxophone, 2 cornets/trumpets and percussion, up to full instrumentation; Full, complete sound, even without bass clef instruments. The bass clef part in octaves is optional; Both clarinet parts stay below the break; Optional F Horn and Tenor Saxophone parts are written in their best ranges; Bell part for teaching melodic percussion. Contents: Aztec Sunrise; Cambridge Overture; Clarinet Caravan; Foxwood Overture; Kensington March; Magna Carta March; March of the Sentinels; Mystic Legend; Name Those Tunes; Overture in Bb; Stony Creek March; Tatum Square Festival; Those Wonderful Woodwinds; Tyrannosaurus Rocks; Windhaven Celebration.
Estimated dispatch 7-14 working days
-
£102.99
Dancing Ebony Wind Band Set (Score & Parts)
Dancing Ebony is a challenging work for solo clarinet, showcasing a virtuoso soloist in an expressive Celtic style. The piece opens with the lyrical sound of the clarinet telling a beautiful tale, before the entire concert band joins in to provide spirited support!The Clarinet Solo is grade 5. 03:45
Estimated dispatch 7-14 working days
-
£38.55A Joyful Noel - Wind Band (Andrew Wainwright)
Based on "Joy to the World" and 'The First Noel," this spectacular work opens with a majestic brass fanfare, before breaking in a Celtic-style dance which builds to a dramatic conclusion. Originally commissioned by the Elgin Symphony Orchestra to open their "Magical Holidays" concert series in 2017, this work is now available for wind band. PDF download includes score and full set of parts. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Medium Advanced Instrumentation: Piccolo Flute 1-2 Oboe Bassoon 1-2 Clarinet in Eb Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone 1-2 Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass Timpani Percussion 1-3
In stock: Estimated dispatch 1-3 days
View Music
Listen to MP3