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£104.50Second Connecticut Regiment - D. D. Reeves
David W. Reeves (1838-1900) was a skilled cornet soloist and band leader. He was called the "Father of Band Music in the U.S.A." He wrote over 150 marches, galops and polkas. In 1981, The Second Connecticut Regiment was named one of the three "most worthy marches" by Col. William Santelmann, Director of the United States Marine Band. This new edition, by another former conductor of the Marine Band, brings the work up to the standards of his former bands library.
Estimated dispatch 7-14 working days
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£149.40En bitte liten funklende stjerne - Numme
This song written by Yngvar Numme and Benny Borg was made popular by Norwegian group Dizzie Tunes on one of their Christmas-albums. This arrangement is based on the Dizzie Tunes version and features the original solo for trumpet or cornet. The Drum Set part is optional so one can perform the arrangement without this part.
Estimated dispatch 7-14 working days
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£229.99Extreme Make-Over - Johan de Meij
Extreme Make-Over was inspired by a theme from the second movement of Tchaikovsky?s String Quartet No.1 (Andante Cantabile). It consists of a number of musical metamorphoses on the theme and includes several excerpts from Tchaikovsky?s Fourth and Sixth Symphonies and Romeo and Juliet. The most unconventional element of the work is instrumentation for ten tuned bottles to be played by members of the cornet section. This gives the piece an Indonesian Gamelan effect. Why not give your players something to get their teeth into with this impressive major new work.
Estimated dispatch 7-14 working days
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£168.50Manhattan - Philip Sparke
Version for Concert BandManhattan was commissioned by the United States Army Band for their solo cornet player Woodrow English and first performed by them in Carnegie Hall, New York, in November 2003. The two-movement work demonstrates both the lyrical and technical abilities of this outstanding player. The 'theme' is a weekend in New York and the opening bluesy movement, Saturday Serenade, describes the city on a Saturday night. While writing the second movement, Sunday Scherzo, the composer pictured an early morning jog in Central Park. This vivaciously rhythmic second movement ends with an even quicker coda bringing the work to a brilliant close. Eachmovement can also be played individually when a shorter solo is required.
Estimated dispatch 7-14 working days
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£74.99The Legend of Danny Boy
A beautiful setting of "Danny Boy" which will be a perfect change of pace on any concert program. Features a short trumpet or cornet solo and it's an excellent tool for teaching your band the art of phrasing and legato style. Will be the hit of your next concert!
Estimated dispatch 7-14 working days
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£54.99
Barbarossa - Charles L. Barnhouse
Note: This is a reprint from a vintage publication of 1897. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide.Due to the era of this work, saxophone and double-reed parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
Estimated dispatch 7-14 working days
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£71.50
Grand Russian Fantasia - Levy
Cornet solo with band accompaniment
Estimated dispatch 7-14 working days
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£60.50
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£137.99El Cid - Bert Appermont
El Cid was the name of the legendary knight and folk hero Rodrigo D az de Vivar Cameador, the man who never lost a duel. After a typically Spanish opening, a slower section follows in which the composer makes reference to Albinoni'sAdagio and to the slow movement from Joaqu n Rodrigo's Concierto d'Aranjuez. The music is whipped up with Spanish passion at the close, and castanets are a must! The solo part can be played by trumpet, flugelhorn, cornet oralto saxophone and is also available in a simplified version.
Estimated dispatch 7-14 working days
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£139.99Inspiration - Jan de Haan
Inspiration was commissioned by the Solothurnischer Kanotonal Musikverband in Switzerland in 1993. The composition begins with an A-theme written in a Phrygian tonality and, after an enormous climax, moves on into a quicker B-section, characterized by the use of wide interval jumps. Then follows the development in which both themes return individually and together. Peace and quiet is restored in the slow middle movement, based on the B-theme. The movement comes to a close with a tutti B-theme, brutally interrupted by fragments from the A-theme. Without a break, the final movement of this contrastive piece develops from these fragments. The theme of this extremelyrhythmical closing movement is built up of elements from the A-theme, whilst the B-theme (from the slow middle movement) returns in full once more. Before the piece comes to a close in a resounding fortissimo, the cornet soloist performs the A-theme from the back of the auditorium, to special effect.
Estimated dispatch 7-14 working days
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