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  • £17.95

    A Little Latin (Concert Band - Score only) - Stubbs, Duncan

    Music and dance have been intrinsically linked in nearly all human cultures since the beginnings of our history. Latin American dance music has a particularly rich cultural heritage. During the 16th Century, Spanish and Portuguese settlers brought their music from overseas. The percussion instruments of the indigenous South American peoples brought their own distinctive flavour; local drums, guiros, maracas, turtle shells and unique wind instruments such as the zampona (pan pipes). The contribution from Africa brought rhythmic enrichment to the mix, resulting in the variety of Latin American dances we enjoy today. A Little Latin introduces this richly rewarding area of music and should encourage further exploration of this exciting genre.

    Estimated dispatch 7-14 working days

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  • £87.95

    A Little Latin (Concert Band - Score and Parts) - Stubbs, Duncan

    Music and dance have been intrinsically linked in nearly all human cultures since the beginnings of our history. Latin American dance music has a particularly rich cultural heritage. During the 16th Century, Spanish and Portuguese settlers brought their music from overseas. The percussion instruments of the indigenous South American peoples brought their own distinctive flavour; local drums, guiros, maracas, turtle shells and unique wind instruments such as the zampona (pan pipes). The contribution from Africa brought rhythmic enrichment to the mix, resulting in the variety of Latin American dances we enjoy today. A Little Latin introduces this richly rewarding area of music and should encourage further exploration of this exciting genre.

    Estimated dispatch 7-14 working days

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  • £64.99

    Siciliano and Tarantella (Concert Band - Score and Parts) - Oare, Michael

    This distinctive work by Michael Oare is based on two Italian dance forms dating back to the Baroque period. Siciliano opens with a delicate 6/8 melody in the flutes which is developed and passed around to various sections of the band. In contrast, Tarantella is a brash and uptempo dance featuring a rhythmic pulse accompanying the flowing melodic lines. Quite a nice pairing of tunes with historical importance. Duration: 4.30

    Estimated dispatch 7-14 working days
  • £36.95

    The Lark in the Morning (Concert Band - Score and Parts) - Wiffin, Rob

    A vibrant folk dance set for full band. This is one of several folk tunes associated with this title. It's a jig in a minor key with suitable drumming which plays with and across (in hemiola style) the 6/8 rhythm. The setting is dramatic and intense while maintaining the feel of the jig. The outer sections are balanced by a quieter section which momentarily takes the heat out of the music before the dance takes over again and builds to a conclusion.Duration: 3.15

    Estimated dispatch 7-14 working days

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  • £58.50

    Galliard (Concert Band - Score and Parts) - Watson, Scott

    This iconic dance form employs 3/4 meter and the Mixolydian mode. The bold ensemble statements are juxtaposed against more lightly scored sections that bring the atmosphere of a lively Renaissance dance to your intermediate band!

    Estimated dispatch 7-14 working days

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  • £69.95

    Aylesbury Dances (Concert Band - Score and Parts) - Wiffin, Rob

    The suite Aylesbury Dances was commissioned by the Aylesbury Concert Band to mark the occasion of their 25th Anniversary in 2019. Its three movements depict different aspects of Aylesbury: I. Pavane: The Town - Having read something of the town's history and its architecture I decided I wanted to write something ceremonial with the feel of music from Tudor times. Aylesbury was given its charter and borough status in 1554 by Mary Tudor so I took that as my starting point but then added some harmony that moves forward in time. This fits with the town's motto: Semper Prorsum (Always forward) and also with the Band's evolution from Aylesbury Town Band to Aylesbury Community Concert Band to Aylesbury Concert Band. The music can be defined as a pavane, or a cortege. The sense of procession is slightly disturbed by a 'Blue Leanie' moment. The Blue Leanie is an iconic Aylesbury building, an oblique rhombic prism which stands at an angle of 17% inclination. I took a quaver out of the time signature (I know the maths don't work!) to reflect this and added some bluer harmony at that point. This opening movement gives a sense of the grandeur and heritage of Aylesbury town and a chance for my friends from the brass section to warm up! II. Siciliana: Waterside - To balance the outer two movements, the middle movement of the suite has a slow lilting 6/8 rhythm. It is in the style of a Siciliana, a dance form originating in the baroque era. It is a graceful, tender and melancholic dance, cast here in a minor key and featuring the dark voice of the cor anglais. The Siciliana was often linked with pastoral scenes and Aylesbury itself sits amid some beautiful countryside. It may, therefore, seem a bit of a stretch to call this movement 'Waterside', especially as Aylesbury is so far from the sea, but the town has a theatre of that name and that was the genesis for this particular music. There is a statue of Ronnie Barker in the grounds of the Waterside theatre as he started his career in repertory theatre in Aylesbury, so I included a fleeting reference to the theme music of the comedy programme 'Open all Hours'. III. Frolic: Ducks in a Row - It was impossible to write a piece connected with Aylesbury without considering the famous Aylesbury ducks. Duck rearing was a major industry in the town in the 19th century. The white Aylesbury Duck is a symbol of the town, appearing on its coat of arms and in the logo of the Aylesbury Concert Band! This movement is all about trying to get the little darlings in a row so they can sing their 'Duck Chorus' together but they keep on scattering, flying off or swimming away as quickly as they can manage. It's a bit like watching ducks disperse when my dog jumps into the stream after them. Eventually we get more of them in a row - even though they protest. Hidden amongst the ducks is a reference to Erica Miller, saxophonist and chairman of the band, and there's even a veiled reference to a shark in the hope of getting them out of the water. Ducks in a Row is a fun romp bringing this suite of Aylesbury Dances to a suitably celebratory conclusion.- Rob Wiffin.Duration: 9.15

    Estimated dispatch 7-14 working days

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  • £66.95

    Balkan Seven (Concert Band - Score and Parts) - Watson, Scott

    Balkan Seven gets its inspiration from the lively dances of the Balkan region of Southeastern Europe encompassing Greece, Bulgaria, Macedonia, Serbia, and Croatia. 7/8 is the most popular uneven dance rhythm in all of Balkan music, especially in Macedonia, where a line dance with a 3+2+2 subdivision is prevalent.

    Estimated dispatch 7-14 working days

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  • £75.00

    In Dulci Jubilo (Concert Band with Optional Choir - Score and Parts) - Noble & Rutter

    One night in 1328, the German mystic and Dominican monk Henrich Suso (or Seuse) had a vision in which he joined angels dancing as the angels sang to him Nun singet und seid froh or In Dulci Jubilo. In Suso's biography (or perhaps autobiography), it was written: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: 'In dulci jubilo', etc. In Dulci Jubilo is among the oldest and most famous of the macaronic songs, one which combines Latin and a vernacular language such as English or German. Five hundred years later, this carol became the inspiration for the 1853 English paraphrase by John Mason Neale, Good Christian Men, Rejoice. Perhaps the earliest English version appeared c.1540. That popularity has endured for nearly 700 years. It's the rare contemporary collection of Christmas carols that doesn't contain a carol based on this ancient jewel.

    Estimated dispatch 7-14 working days

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  • £84.00

    Sunscapes (Concert Band - Score and Parts) - Wilson, Chandler L.

    This exciting work depicts the lively and sunny nature of the state of Florida. Opening with a brilliant and majestic section highlighting the state's bright and vibrant culture, a flowing melody follows, representing the calming winds and consistent breeze of the state. Dance is a large part of Florida's culture, especially in its southern region, and the 7/8 rhythm captures an Afro-Latin style dance movement. The chorale/hymn section is based on the "Florida Song," which is a traditional school song of many schools, including Florida A&M in Tallahassee. The work then recapitulates and moves toward a driving and joyful conclusion. An excellent contest/festival work! Duration: 4.45

    Estimated dispatch 7-14 working days

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  • £64.99

    Three English Folk Dances (Concert Band - Score and Parts) - Curnow, James

    This nicely paced and skilfully orchestrated suite characterises the three main categories of ancient English folk dances. The opening Sword Dance is lively in nature and contrasts with the WaltzSong style of the second movement. The concluding movement is a Morris Dance, typified by a rustic nature and dancers with pads of bells to accentuate the rhythm. The result is an elegant work for band with vibrancy and energy.Duration: 4:30

    Estimated dispatch 7-14 working days