Results
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£36.95Femme Fatale (Movement 1 from Dance Suite) (Concert Band - Score and Parts) - Wiffin, Rob
Femme Fatale, a tango, is the first movement from Wiffin's Dance Suite.Duration: 3.30
Estimated dispatch 7-14 working days
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£33.95Midnight Wish (Movement 2 from Dance Suite) (Concert Band - Score and Parts) - Wiffin, Rob
Midnight Wish, a rumba, is the second movement from Wiffin's Dance Suite.Duration: 3.30
Estimated dispatch 7-14 working days
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£36.95Wherever I Look (Movement 3 from Dance Suite) (Concert Band - Score and Parts) - Wiffin, Rob
Wherever I Look, a mambo, is the first movement from Wiffin's Dance Suite.Duration: 4.00
Estimated dispatch 7-14 working days
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£164.95SCOTTISH DANCE SUITE (Chester Wind Band) - Musgrave, Thea
Score & Parts. The Scottish Dance Suite is based on traditional Scottish folk songs and dances, though several less well-known tunes are used. For instance in the second of the four movements, one can hear the older tune of The bonnie Earl of Moray, and in the first movement, the tune is the one to which Burns wrote his famous poem Robin shure in hairst. In the last movement, two well-known tunes alternate, but at the end several of the tunes used in the work all combine together to make an exciting climax. Duration: 8mins.
Estimated dispatch 7-14 working days
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£32.95
SCOTTISH DANCE SUITE (Chester Wind Band) Extra Score - Musgrave, Thea
Extra score only. The Scottish Dance Suite is based on traditional Scottish folk songs and dances, though several less well-known tunes are used. For instance in the second of the four movements, one can hear the older tune of The bonnie Earl of Moray, and in the first movement, the tune is the one to which Burns wrote his famous poem Robin shure in hairst. In the last movement, two well-known tunes alternate, but at the end several of the tunes used in the work all combine together to make an exciting climax. Duration: 8mins.
Estimated dispatch 7-14 working days
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£160.00DANCE SUITE (Concert Band) - Muldowney, Dominic
Includes:1. Hey2. Pavane/Waltz3. Polka4. Waltz/Galliard5. Tangos6. Break-DanceDance Suite displays a variety of historical dance forms from a twentieth century viewpoint. The six dances move forward historically from the ancient Hey, through Waltz and Polka, to the sophisticated Tango and the jazz tradition. The rhythm that typifies each dance is constantly under attack, sometimes from a different dance style altogether. These intrusive elements are most obvious in the final dance and prompts the double meaning of the title.I. HEYHey is constructed like a mediaeval motet, where the main blocks of material are rhythmically unconnected to one another. The percussion is the most disconnected of all and seems to have arrived from a Chinese carnival. The scoring alludes to the eight, four and two foot pipes of a baroque organ.I. PAVANE/WALTZAfter a nod in the direction of Dowland's Lachrimae Pavan, the piece seems to wander to and fro between the 16th century and the 19th century world of the Lehr waltz.I. POLKAThe Polka is derived from a four bar fragment found in Stravinsky's sketchbook for The Rite of Spring above which is written: "Dieppe Polka".I. WALTZ/GALLIARDThis is a reversal of the date-shift process in the second movement, in that the wandering goes backwards rather than forwards, particularly to the William Byrd of the Fitzwilliam Virginal Book.I. TANGOSA slow sentimental tango is sandwiched between an abstract deconstructed one, both of which are developed in Dominic Muldowney's opera The Voluptuous Tango.I. BREAK-DANCEBreak-Dance is the fastest, hardest and strangest movement. Its exuberance fractures the texture, which slowly crumbles midway through the movement, only to be resurrected mirror fashion. The piece is a species of palindrome with no true centre, hence: "Break-Dance".Conductors are free to make a selection from these dances for festival or competition programmes, when limited performance time is available.
Estimated dispatch 7-14 working days
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£59.95
Brazilian Folk Dance Suite
This suite consists of three songs adapted for concert band and set in rhythmic dance forms native to Brazil: Bossa Nova, Beguine and the Brazilian Quickstep. A real concert favorite!
Estimated dispatch 7-14 working days
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£95.00Gayenah Dance Suite No.1 (Concert Band - Score and Parts) - Khachaturian, Aram - Snoeck, Kenneth
Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very Slavic Ukranian "Gopak" (Hopak) to the Armenian "Dance of the Maidens" and the Kurdish "Mountaineers' Dance." They vary in instrumental color and tension from festive and party-like, through sultry and romantic, to tense and almost angry. These may be performed in any combination - a single stand-alone dance movement, a contrasting pair, or all three in a complete set. A culturally rich and unique experience for players and audience alike. Duration: 7:45
Estimated dispatch 7-14 working days
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£73.50Aragon 1945-1952 (Dance Suite): V. Accentuate - Ira Hearshen
"Ac-Cent-Tchu-Ate the Positive" by Johnny Mercer and Harold Arlen was nominated for an Academy Award for Best Original Song in 1945. (The movie was "Here Come the Waves.") The concluding movement of Ira Hearshen's ARAGON suite brilliantly evokes the unique style of this song.
Estimated dispatch 3-5 working days
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£62.95Aragon 1945-1952 (Dance Suite): IV. Enchanted - Ira Hearshen
The fourth movement of Ira Hearshen's suite of ballroom music is inspired by "Some Enchanted Evening," the most popular song by Rodgers and Hammerstein, which they wrote for the musical "South Pacific." It was recorded by many artists, most notably (during the Aragon era) Ezio Pinza, Perry Como, Frank Sinatra, Bing Crosby, Al Jolson, Jo Stafford, and Eddie Calvert.
Estimated dispatch 3-5 working days
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