Results
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£289.99
The Iron Ring (Concert Band - Score and Parts) - Doss, Thomas
Today, Voestalpine is a company specialising in technology and indusctial goods. Founded nearly 150 years ago, it has played an important role in the steel and iron industry throughout its history. Iron Ring refers to the company logo during that time. This work is a symphonic poem-like composition, describing different aspects of the company's history in four musical scenes. The piece features several impressive solos for a cello.Duration: 18.00
Estimated dispatch 7-14 working days
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£248.99
Visions (Alto Saxophone Solo with Concert Band - Score and Parts) - Appermont, Bert
With this piece, the composer wanted to create a dream-like experience for the listener. In each of the four movements (Absence, Caprice, Nocturne and The Return) a different dream state is evoked using multiple rhythmic patterns and extended playing techniques. This is a dazzling addition to any saxophone repertoire.Duration: 15.30
Estimated dispatch 7-14 working days
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£148.00
Ancalagon the Black (from Symphony No.5, Return to Middle Earth) (Concert Band - Score and Parts) - De Meij, Johan
After 30 years, Johan de Meij revisits Middle-Earth, the enchanting mythological world of J.R.R. Tolkien, with his spectacular Symphony No.5 Return to Middle Earth. Although there are thematic reminiscences of his monumental first Symphony The Lord of the Rings from 1988, De Meij is putting a completely different musical vibe into this symphony. This instrumental movement vividly describes the black dragon Ancalagon, the largest creature in Tolkiens mythological world.Duration: 6.00
Estimated dispatch 7-14 working days
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£615.50
Symphony No.5, Return to Middle Earth (Concert Band - Score and Parts) - De Meij, Johan
For Wind Orchestra, Soprano Solo and ChoirAfter 30 years, Johan de Meij revisits Middle-Earth, the enchanting mythological world of J.R.R. Tolkien, with his spectacular Symphony No. 5 Return to Middle Earth. Although there are thematic reminiscences of his monumental first Symphony The Lord of the Rings from 1988, De Meij is putting a completely different musical vibe into his new symphony. There is an important role for a solo soprano and mixed choir: they sing in Ilkorin, one of the Elvish languages of Middle-Earth. The Orcs and other thugs also take the stage, but they only use raw screams in their own language, also known as black speech.
Estimated dispatch 7-14 working days
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£59.00
A Merry Mariachi Christmas (Concert Band - Score and Parts) - Clark, Paul
Have a fiesta in December with "A Merry Mariachi Christmas," a creative Maricahi-style medley of "We Wish You A Merry Christmas" and "Jingle Bells." Break out the shaker instruments and keep all the drummers busy! The two trumpet parts are soli throughout, offering numerous opportunities for staging, and maybe even costuming. It's that "something different" for your holiday concerts that is guaranteed to be a hit with your band and audiences. "Ole!" Duration: 2.45
Estimated dispatch 7-14 working days
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£27.95
Light Music (Concert Band - Score only) - Wiffin, Rob
The title Light Music alludes to different things. Most of the music in the suite is light in nature, and is in the inherently British tradition of 'light music' - original pieces which are often descriptive but essentially melodic. In another sense the music depicts various aspects of light itself. The title itself is a trick of the light!The first movement, Lightscape, portrays shifting patterns and types of light, highlighting some details and obscuring others. It is sometimes vibrant, dancing and full of movement, and sometimes tranquil.The second movement, At the going down of the sun, considers the light of the sun as it sets. Because of the nature of his career, the composer has written a fair amount of ceremonial music and this movement is close to that genre once again. There is, in the title, a reference to the familiar Remembrance line 'At the going down of the sun and in the morning we will remember them' from the poem For the Fallen by Robert Laurence Binyon (1869-1943) written in September 1914, a few weeks after the outbreak of the First World War. While the music is not a setting of these words - or in any way referential - there is an echo of the words 'We will remember them'.The suite finishes with Set Alight which starts off with a few combustible bars as the flame catches and then the fire is under way.Duration: 11.30
Estimated dispatch 7-14 working days
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£137.95
Light Music (Concert Band - Score and Parts) - Wiffin, Rob
The title Light Music alludes to different things. Most of the music in the suite is light in nature, and is in the inherently British tradition of 'light music' - original pieces which are often descriptive but essentially melodic. In another sense the music depicts various aspects of light itself. The title itself is a trick of the light!The first movement, Lightscape, portrays shifting patterns and types of light, highlighting some details and obscuring others. It is sometimes vibrant, dancing and full of movement, and sometimes tranquil.The second movement, At the going down of the sun, considers the light of the sun as it sets. Because of the nature of his career, the composer has written a fair amount of ceremonial music and this movement is close to that genre once again. There is, in the title, a reference to the familiar Remembrance line 'At the going down of the sun and in the morning we will remember them' from the poem For the Fallen by Robert Laurence Binyon (1869-1943) written in September 1914, a few weeks after the outbreak of the First World War. While the music is not a setting of these words - or in any way referential - there is an echo of the words 'We will remember them'.The suite finishes with Set Alight which starts off with a few combustible bars as the flame catches and then the fire is under way.Duration: 11.30
Estimated dispatch 7-14 working days
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£59.00
The Codebreakers (Concert Band - Score and Parts) - Budiansky, Mollie
Music can at times feel as if it is a secret code. Cracking the code, be it notation on a page or a new set of vocabulary words, is cause for celebration, and "The Codebreakers" is a joyous look at music as a shared language. Scored generously to accommodate young bands both large and small, this concert work presents distinct melodies both independently and stacked on top of one another, meant to interlock like a solved puzzle. "The Codebreakers" serves as a teaching opportunity to discuss melodies and countermelodies; interpreting the same material in different styles; and listening across the band for shared lines. Every section gets a chance to be featured, and the low brass and woodwinds will especially love their moment in the spotlight. Duration: 3.15
Estimated dispatch 7-14 working days
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£59.00
Catapult! (Concert Band - Score and Parts) - Huckeby, Ed
The continuous rhythmic energy and drive of "Catapult!" is infectious! Using dramatically contrasting syncopated melodic lines and ultra-legato contemporary harmonic phrases, the composer creates a colorful palette of sound which is both incredibly appealing and uniquely mysterious. At mid-point, the effect of the catapult is felt through rather dissonant descending chords, leading to an exciting resolution and conclusion in a new key. Looking for something different...but very playable? Check out "Catapult!" Duration: 3.00
Estimated dispatch 7-14 working days
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£59.00
Spring's Awakening (Concert Band - Score and Parts) - Bell, Jeremy
Flowers bloom and the world stirs with life renewed in "Spring's Awakening!" The music begins with a driving ostinato in the clarinets, and staggered entrances that portray flowers opening for the first time. After the entire ensemble enters, two different melodic themes are passed throughout the ensemble, layered over driving 8th-note rhythms that propel the music forward. "Spring's Awakening" is an engaging and beautiful work that makes a perfect fit for any spring or end of the year concert. Duration: 2.15
Estimated dispatch 7-14 working days