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  • £74.95

    Celebration Prelude (Concert Band - Score and Parts) - Johnson, Stuart

    Celebration Prelude opens with a 30 bar fanfare for brass and percussion and makes this Prelude ideal for a ceremonial or formal occasion, but the piece is equally suitable as a concert-opener. The fanfare theme is then developed in the woodwinds and taken up by the whole wind band, appearing in different guises and with different counter-melodies. Finally, the opening is restated in a much shorter form by the whole band playing fortissimo.

    Estimated dispatch 7-14 working days
  • £14.95

    Celebration Prelude (Concert Band - Score Only) - Johnson, Stuart

    Celebration Prelude opens with a 30 bar fanfare for brass and percussion and makes this Prelude ideal for a ceremonial or formal occasion, but the piece is equally suitable as a concert-opener. The fanfare theme is then developed in the woodwinds and taken up by the whole wind band, appearing in different guises and with different counter-melodies. Finally, the opening is restated in a much shorter form by the whole band playing fortissimo.

    Estimated dispatch 7-14 working days
  • £201.50

    Karneval i Paris - Johan S. Svendsen

    Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -

    Estimated dispatch 7-14 working days

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  • £137.70

    La banda de los guajiros - Sverre Indris Joner

    Guajira is both a term for a song form, where most people will recognize the song "Guajira Guantanamera," but also a Cuban word for farmer or fieldworker, as there are many of in the eastern Oriente province of Cuba where this rhythm originated. "La Banda de los guajiros" translates directly to "The Guajira Band."It is composed for wind orchestra by Sverre Indris Joner, who already in 1985 traveled to Cuba to learn the secrets of Caribbean music. The rhythms used in this piece are thoroughly explained in the textbook "Latinmusikkens ABC," which is also published by Noteservice/Norsk Musikkforlag.The piece uses traditional elements from Cuban music such as Guajira, Son Montuno, and Danzn, all falling under the genre of salsa.It is recommended that both conductor and percussionists familiarize themselves with the execution of the different rhythm patterns. Instruments like congas and timbales particularly have a range of different rhythm patterns. The role of the guiro instrument cannot be underestimated. Despite its seemingly simple content, it is the glue that holds everything together!

    Estimated dispatch 7-14 working days

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  • £113.00

    At the Zoo - Hilde Høyvik Dahl

    "At the Zoo" is a light and playful piece for the beginning musicians.Different animals and their characteristics are the theme of each movement, and the melody alternates between the different sections of the band to emphasize this. Trombones play glissandos and the percussionists are featured on percussion instruments, making the piece a fun to perform at any concert!

    Estimated dispatch 7-14 working days

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  • £102.99

    Evening Rise - Bert Appermont

    This work is based on five folk songs from different cultures. Each song brings its own atmosphere and character, giving rise to a musical journey across the world in one continuous whole. Featuring Evening Rise (America), Lo Yisa Goy (Israel), Sakura (Japan), Finnegans Wake (Ireland) and Siyahamba (South Africa). The Native American song Evening Rise functions as a sort of chorus and thus creates a certain unity; each time the melody is arranged in a different way.

    Estimated dispatch 7-14 working days

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  • £74.99

    Freedom Forever - Günther Fiala

    The fanfare-like piece Freedom Forever deals with the chances and possibilities that arise with freedom and is uses two famous quotes from the 1948 Universal Declaration of Human Rights and from Jean-Jacques Rousseau as a basic idea. The piece alters two themes in different styles representing the different faces of freedom as such. A fantastic and reflective opener or closing piece for your concerts!

    Estimated dispatch 7-14 working days

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  • £183.20

    Mitt hjerte alltid vanker - Fantasi - Hans Adolph Brorson

    This arrangement was commissioned by B3 (The Bergen Woodwind Ensemble). B3 is a large woodwind ensemble located in Bergen with a mix of professional and amateur players. My Heart Remains in Wonder is a well-known Christmas hymn in Scandinavia. I wanted my version to be different to the traditional hymn tune style in which it is normally performed. One day I was outside walking and this idea came to me: an ostinato-like, mechanical skeleton of arpeggio semiquavers on which I could 'hang' the melody. However, I also wanted to do the melody line a bit different. The inspiration for this comes from folk music and the way fiddlers hardly ever lift their bow off the strings when they play. Because of this, it is important that the melody is played in a very sostenuto style in this arrangement. The harmonies lie somewhere between jazz and folk music with a little nod towards Grieg (himself heavily influenced by folk music) in the slow middle section.

    Estimated dispatch 7-14 working days
  • £104.99

    Seatbelts Fastened! - Jan Van der Roost

    Right from the outset until the very end, the speed, energy and "drive" of the tuneful music is palpable. It's abundantly clear why the title "Seatbelts Fastened!" was chosen: just like an airplane, this music takes off and neither tempo nor intensity are lost throughout the flight. Descending and ascending scales characterise the most important thematic material and the music explores a variety of different registers through Van der Roost utilising a great deal of different tonalities and metres. Please keep your seatbelts fastened and enjoy the flight!

    Estimated dispatch 7-14 working days

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  • £169.99

    The Mystery of Light - Otto M. Schwarz

    Light, sun, moon, stars: there has always been a connection to faith, the occult and mysticism. Different constellations were supposed to predict the future, and some phenomena have been interpreted as punishment by different Gods. From sunrises and solar eclipses, through rainbows, the scattering of light, sunset in the daytime, moonrises, the northern lights, the new moon, crescent moons and stellar constellations, to shooting stars... our observations encompass all this and much more. The Mystery of Light is the first of a series of pieces with the same theme. 'NIGHTLIGHTS' deals with lights of the night: created partly by nature and partly by man himself and consists ofthree movements: Opener and Star Shower, Lunar Eclipse and Aurora and Fireworks.

    Estimated dispatch 7-14 working days

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