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  • £45.95

    Affirmation - William Owens

    Sweeping melodic lines and rich colors radiate limitless energy and excitement in this powerful overture. With interesting parts for everyone, this work also features colorful percussion writing, which includes an easy or advanced snare drum part for performance flexibility. Very compelling!

    Estimated dispatch 3-5 working days

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  • £45.95

    Rocky Mountain Romp - Brian Balmages

    This symphonic hoedown is reminiscent of Aaron Copland and salutes the rich traditions of the Rocky Mountains. Spirited melodies intertwine with engaging, easily achievable rhythms as the work evokes images of the West. Ideal for contest or festival, this piece will also work well for the lighter portion of your program. An optional advanced snare drum part is included for your developing percussionists.

    Estimated dispatch 3-5 working days

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  • £45.95

    March Supreme - John O'Reilly

    Treat your beginners to a fresh sounding original march that will make them shine on their very first concert. All winds play their first six notes taught except for the clarinets who also play their low B. Eighth-notes are carefully presented as pairs of repeating pitches, and the snare drum part is all single strokes playing interesting eighth-note patterns. (1:50) Correlated with This title is available in MakeMusic Cloud.

    Estimated dispatch 3-5 working days

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  • £50.50

    Funtango - Chris Sharp

    This tongue-in-cheek approach to the classic tango will keep your percussion section busy with lots of Spike Jones-type comic effects, including siren whistle, bulb horn, slapstick, vibraslap, guiro, and clapping. To aid with performance flexibility, an alternate optional snare drum part is provided for more accomplished players. This is one "fun tango" that literally has all the bells and whistles!

    Estimated dispatch 3-5 working days

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  • £48.95

    Wingate March - John O'Reilly

    This bright and bold march is perfect for your first year band. The melodic range is limited and simple quarter and eighth note patterns dominate. The effective snare drum part includes flams and paradiddles but no rolls. Correlates to , page 15. This title is available in MakeMusic Cloud.

    Estimated dispatch 3-5 working days

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  • £309.99

    Vulcan - Michael Daugherty

    (2014) Vulcan for Concert Band is Grammy award winning composer Michael Daugherty's first work for the high school and intermediate level college band. The work is a colorful homage to Gene Roddenberry's interstellar universe as depicted in the classic American television series Star Trek (1966-69). The title refers to the fiery planet Vulcan, home world of half-human, half-Vulcan Mr. Spock. As the rational-minded science officer aboard the starship Enterprise (commanded by the hot-blooded Captain James T. Kirk), Mr. Spock grapples with the fascinating predicament of making decisions predicated on human emotion versus Vulcan logic. Daugherty has composed stirring, yet highly structured music that alludes to the Vulcan Pon Farr ritual, Vulcan telepathic mind-melds, and the volcanic planet itself. At the the Ann Arbor, Michigan world premiere (utilizing the combined forces of the Pioneer, Huron and Skyline High School bands), Vulcan was an immediate hit and will surely become one of Daugherty's most performed works. Instrumentation The number of players doubling each part is at the conductor's discretion, but should be in keeping with a balanced sound. Piccolo 2 Flutes 2 Oboes English Horn (optional but recommended) 3 Bb Clarinets (minimum 2 players per part) 2 Bb Bass Clarinets Eb Contralto Clarinet or Bb Contrabass Clarinet and Bb Bass Saxophone (optional but recommended) 2 Bassoons 2 Eb Alto Saxophones Bb Tenor Saxophone Eb Baritone Saxophone 3 Bb Trumpets (straight metal mutes, harmon mutes-stem out) 2 F Horns 2 Trombones (straight metal mutes) Euphonium 2 Tubas Contrabass or Electric Bass (optional but recommended) Timpani (4 drums recommended) Percussion (instruments are not shared): 1. Glockenspiel, Xylophone 2. Vibraphone, Small Anvil (metal beater) 3. Shakaray, Marimba, Chimes, Suspended Cymbal (yarn mallets) 4. Two Tam-Tams (small, medium), Tambourine, Mark Tree, Finger Cymbals, Vibraslap, Piccolo Snare Drum 5. Tenor Drum, Maracas, Snare Drum 6. Large Bass Drum Movement I (YouTube) Movement II (YouTube) Movement III (YouTube)

    Estimated dispatch 7-14 working days
  • £184.99

    Rubicon - Bert Appermont

    The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.

    Estimated dispatch 7-14 working days

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  • £49.50

    What Happens In Band, Stays In Band!

    A funky little rock tune that your students and audiences will love that will add the perfect lighter touch to any performance. The ranges are very reasonable for all instruments, and every section of your developing concert band has a chance to shine. Both a drum section part and a drum set part are included so you can pick the part which works best in your situation. Also includes an optional electric bass part. You won't have any problem getting your band to practice this fun tune!

    Estimated dispatch 7-14 working days

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  • £54.99

    What Happens In Band, Stays In Band! - Andy Clark

    A funky little rock tune that your students and audiences will love that will add the perfect lighter touch to any performance. The ranges are very reasonable for all instruments, and every section of your developing concert band has a chance to shine. Both a drum section part and a drum set part are included so you can pick the part which works best in your situation. Also includes an optional electric bass part. You won't have any problem getting your band to practice this fun tune!

    Estimated dispatch 7-14 working days

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  • £132.50

    Diplodocus - Ingebjørg Vilhelmsen

    Diplodocus is said to be one of the largest dinosaus to ever have lived. This plant munching beast weighted approximately 20 tons, and could measure up to 30 metres from head to tail. The dinosaur lived in North America during the Jurassic period.This piece describes the carefree nature of a Diplodocus.A life with no natural enemies, and with an exceptionally small brain.To the conductor:The drum set part (Perc. 1) can be played as written, or ad lib. There is also a simplified drum set part that can replace Perc 1. if needed.Perc 2. is optional, and can be omitted.

    Estimated dispatch 7-14 working days

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