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  • £39.60

    Storybrook Mountain (Concert Band - Score and Parts)

    A wonderful way to encourage and challenge your best young players is by featuring them on a solo with band accompaniment. Larry Neeck's "Solo Flight" is a delightful solo feature for virtually almost any instrument in the band(Bb, Eb, C & Bass Clef Solo Parts are included with the set). Light in nature, it will be a welcome addition to any concert. Playable and enjoyable, this piece can pay big dividends to your band program! Recorded on the CD "A Lantern In The Window" by The Washington Winds.

    Estimated dispatch 7-14 working days

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  • £42.60

    Two Gershwin Classics (Flexible Ensemble - Score and Parts) - Gershwin, George - Hume, Rob J.

    8 Part Flexible Ensemble and PercussionIncludes:But Not for Me (for Bb, C or Eb Solo and Ensemble)Summertime

    Estimated dispatch 7-14 working days

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  • £19.95

    Amazing Grace (Bagpipes with Concert Band - Score and Parts) - Walker, Desmond

    This traditional song has been arranged for Concert Band with Bagpipes in the key of Eb Major

    Estimated dispatch 7-14 working days
  • £64.95

    Fame and Glory (Concert Band - Score and Parts) - Matt, Albert - Godfrey, Charles

    The march Fame and Glory, which was first published in 1924, is Albert Matt's best known work. Please note that this set does not contain F Horn parts (only Eb Horns) and only contains 2 saxophone parts - Alto & Tenor.

    Estimated dispatch 7-14 working days
  • £201.50

    Karneval i Paris - Johan S. Svendsen

    Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -

    Estimated dispatch 7-14 working days

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  • £165.60

    Atlantis - Kelly Bennette

    Atlantis: A Lost Empire tells the story of the people of Atlantis, their culture, their amazing architecture and their incredible technology. Sadly, as time goes on, Atlantis becomes increasingly militaristic and aggressive towards Europe and Africa. Atlantis eventually invades Europe with many successful victories, but are soon defeated by Athens. When the defeated Atlantean forces return to Atlantis, their land quickly sinks into the sea, killing all of the citizens and eliminating all of their art, music and culture. Download Horn in Eb and Trombones in BbDownload the parts here: download

    Estimated dispatch 7-14 working days

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  • £132.50

    Cradle Hymn - Kim André Arnesen

    Cradle Hymn, a Christmas lullaby with imagery of Mary and her infant, was written for the Nidaros Cathedral Girl's Choir and conductor Anita Brevik in 2010, and later arranged for SATB and TTBB chorus. The Lyrics were written by Isaac Watts (1674-1748).This arrangement was written by Christian Aftreth Eriksen in 2021, commissioned by Bunberry High School, Australia. It is scored for large concert band, but is playable for smaller forces through clever cross cuing: Eb clarinet, Contrabass Clarinet, Baritone Saxophone, Contrabassson and Double Bass can all be considered ad lib. All Oboes, Bass Clarinet, Bassoons and all Horns are cross cued.A Soprano Saxophone part is provided to cover the Oboe solos, and should only be used if no Oboes are available.The choice of Vibraphone or Marimba is left up do the conductor. Vibraphone will provide more resonance in the ensemble, if needed.

    Estimated dispatch 7-14 working days

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  • £71.99

    Solo Para Ti - Thomas Doss

    Solo Para Ti is a calm and expressive composition for Bb Flugel Horn solo, which can optional be played with English Horn, Eb Alto Saxophone or Bb Trumpet. This work was commissioned by the Blservereinigung Albachten 1921 in honor of its conductor Philip Watts.

    Estimated dispatch 7-14 working days

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  • £68.80

    Adagio - Kevin Houben

    Johannes Brahms can be considered to be one of the top composers of the nineteenth century chamber music. He was a giant in this field and an eminent successor of Beethoven and Haydn. A masterpiece from his chamber music oeuvre is the trio in Eb opus 40 for piano, violin and natural French horn.In 1865, the year of his Horn trio, Brahms's mother Christiane died. It's well known that he fostered deep feelings for her. The slow part of the Horn trio with the tempo indication Adagio Mesto (sad) can be considered as a lamentation for his mother.The first performance of the piece took place in Zrich on 28th November 1865 and it was published a year later in November 1866.In this version for Wind Band Kevin Houben stays as true as possible to the original. The result is a deep and dark orchestration of the wonderful Adagio Mesto. A challenge for any orchestra and extremely suitable as concert piece.

    Estimated dispatch 7-14 working days

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  • £123.40

    Tuba Tornado - Hans Offerdal

    This piece explores the life span of a tornado and which instrument is better suited for that than just the tuba? The piece has three movements: I - Impatient Storm Cell II - Cumulus Clouds III - Multiple Vortex Tornado This piece presents challenges in dynamics and articulation, as well as in the interplay with the soloist. The piece is based on a scale of seven pitches (as 'Tornado' has seven letters) and is notated as a concert Eb major scale with three accidentals. Only these seven notes are played throughout the piece. Playing time appx. 10 minutes.

    Estimated dispatch 7-14 working days

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