Searching for Brass Band Music? Visit the Brass Band Music Shop
We've found 435 matches for your search

Results

  • £144.99

    Ross Roy - Jacob de Haan

    Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". Thismovement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £144.99

    Ross Roy (Concert Band - Score and Parts) - De Haan, Jacob

    Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". This movement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.Duration: 9:20

    Estimated dispatch 7-14 working days

     PDF View Music

  • £332.99

    Cantica de Sancto Benedicto - Jacob de Haan

    Cantica de Sancto Benedicto is a three-movement work for mixed choir, soprano solo, concert band and organ ad libitum - on Latin lyrics that relate to the life of Saint Benedict. It was commissioned by the city of Norcia in Italy, whereBenedict was born. The holy Benedict (480-547) is considered the founder of monastic life within the Roman Catholic Church. His enormous influence is especially owing to his monastic rule, the Regula Benedicti.Jacob de Haan has named the movements ofCantica de Sancto Benedicto after the Holy Trinity: the Father (Gloria Patri), the Son (Gloria Filio) and the Holy Spirit (Gloria Spiritui Sancto). The lyrics of thehymn Gemma Caelestis, (which, like the othertexts, were originally used in Gregorian chant) are voiced by the choir. To this purpose, Jacob de Haan composed new, choral-like, homophone music. The sequence Laeta Quies is rendered by the soprano; the verses (divided over the threemovements) are alternated with those of Gemma Caelestis. The work closes with an impressive grand finale, in which texts are used from the proprium of the mass in honor of the saint's day of the holy Benedict (11 July). Notes to the conductor:For this cantata, there are various possibilities for the performance. The first involves a performance in which the choir and soprano parts are only accompanied by organ. Such a performance has several advantages: since the band never soundstogether with the choir and the soprano, no balance problems occur, and even a performance with a large concert band and a small cantata choir is conceivable. A special layout is also possible - with which you can set up a three-dimensionalperformance in a church. For example, the choir can sing in the chancel, accompanied by the choir organ; the soprano can stand on the gallery, accompanied by the main organ; and the band can be seated in another part of the church. The choir couldalso sing from a gallery. With layouts like this, working with two conductors is advisable. Choral parts available separately.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £84.99

    Cornfield Rock - Jacob de Haan

    Originally Cornfield Rock was written by Jacob de Haan as a version for male choir. It was based on a text by William Shakespeare on a melody of Thomas Morley (It was a lover and his lass). The original melody however was abandoned completely and in its place Jacob de Haan created a new one in rock style. The title refers to the text: That o're the green corne fields did passe.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £159.99

    Overture to a New Age - Jan de Haan

    A new era dawns-heralded by solemn brass fanfares. What does the future hold? In his work Overture to a New Age, Jan de Haan expresses on the one hand anticipation, on the other also an awareness that things won't always be as rosy as theysometimes appear. Ultimately, however, confidence and hope win through, represented by Jan de Haan in a brilliant coda. The new age can begin!

    Estimated dispatch 7-14 working days

     PDF View Music

  • £104.99

    Choral Music - Jacob de Haan

    Jacob de Haan was commissioned to write Choral Music a concert band from Dinxperlo (Netherlands). This band gave the work its premiere in 1997 during the World Music Contest in Kerkrade. Choral Music is based on the chorale Sollt ich meinem Gott nicht singen by the seventeenth century German composer Johann Schop. Contrary to the title, Choral Music has nothing in common with a traditional choral arrangement. This contrasting work has a flashing beginning and only much later following on several thematic changes does Jacob de Haan allow the chorale melody to develop into its original form. Following this episode the chorale becomes a toccata developing into a whirlwind finish.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £84.99

    Yellow Mountains - Jacob de Haan

    In October 1997, Jacob de Haan visited the Swiss village of St. Moritz, where he worked as a conductor with a symphonic wind band. The Mountains around St. Moritz were covered in marvelous autumn colors. The Colors, the quietness and nature itself inspired Jacob de Haan to compose this lyrical composition.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £89.99

    Christmas Joy - Jan de Haan

    In this festive medley Jan de Haan brings together a selection of the most famous Christmas songs from around the world. It features: O Come, O Come Emmanuel, God Rest Ye Merry, Gentlemen, Deck the Halls, and Praise God, Ye Christians Everywhere. Jan de Haan has created a work that will bring all the joy and happiness of the season to your Christmas concert.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £144.99

    Ministry of Winds - Jacob de Haan

    Ministry of Winds provides some interesting food for thought that Jacob de Haan translates into music. What if there was a Ministry of Winds? It would be in charge of the advancement and dissemination of music throughout the nation, as well as strengthening the state through music and providing its citizens with entertainment, support, comfort and joy. All these aspects are mirrored in Jacob de Haan's composition, culminating in all the joy and happiness the creation of this ministry has provided to the people.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £144.99

    Dances & Sonnets - Jacob de Haan

    Dances & Sonnets is a piece by Jacob de Haan, inspired by the dance and poetry of the 19th Century Europe. Lively instrumental dances alternate with spoken sonnets that are recited by one or more readers, accompanied by quiet, solemn music to provide contrast. De Haan has compiled a list of suggested poems to be read, but other poems may be selected that better fit the occasion. Dances & Sonnets is a dramatic and truly special piece!

    Estimated dispatch 7-14 working days