Results
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£118.99North Hills Fantasy (Concert Band - Score and Parts) - Sparke, Philip
North Hills Fantasy was commissioned by the North Hills High School Bands, Pittsburgh, Pennsylvania (director: Len Lavelle) as part of a commissioning programme that has run since 1965 - the longest of its kind in the USA. The work opens with a reflective, unaccompanied solo for alto saxophone which develops into a chorale for horns and saxes. This is taken up by the trumpets and subsides to a change of key and mood, with highly decorated folk-like solos for clarinet, bassoon and saxes. These solos build to a climax for full band, which heralds a triumphant return of the horn chorale, accompanied by florid woodwind figuration. But the mood soon winds down; fragments of earlier melodies return calmly to peacefully close the work. Duration: 5.30
Estimated dispatch 7-14 working days
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£52.95A Woodland Celebration (Concert Band - Score and Parts) - Sheldon, Robert
Perfect for opening or closing a concert for first-year band students, A Woodland Celebration by Robert Sheldon lends a light rhythmic style to a tuneful melody. As soon as young students can play a concert B-flat scale and learn the note concert A-flat, this piece is easily playable. Second clarinet does not go over the break, and second trumpet and horn have limited ranges as well. Duration: 1.45
Estimated dispatch 7-14 working days
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£399.00Symphony No.3 (Urban Landscapes) (Concert Band - Score and Parts) - Cesarini, Franco
Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 "Urban Landscapes" Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 "Urban Landscapes" Op. 55: a sumptuous musical portrait of the "Windy City". Duration: 27.00
Estimated dispatch 7-14 working days
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£47.50You'll Never Walk Alone (from Carousel) (Concert Band - Score and Parts) - Hammerstein & Rodgers - Sweeney, Michael
Young players sometimes need a lyric piece with built-in emotional points and dynamic variety. This easy arrangement starts softly with just clarinets and F horn on the melody, then gradually builds to a powerful climax.
Estimated dispatch 7-14 working days
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£295.00Enduring City (Concert Band - Score and Parts) - Glyn, Gareth - Noble, Paul
Enduring City was composed to celebrate the 300th anniversary of the founding of New Bern, the first permanent seat of the colonial government of the state of North Carolina. It was first settled in 1710 by Swiss and German immigrants under the leadership of Christoph von Graffenried and and John Lawson. The 2010 composition was commissioned by the New Bern 300th Anniversary Committee and the City of New Bern, to portray the city in terms of its history, its present and its optimism for the future; the North Carolina Symphony gave its first performances, in venues throughout the state. Its one continuous movement is in well-defined sections. Most of the musical themes derive from names of people and places connected with New Bern, using letters that are also note-names, omitting those which are not. For example, the opening trumpets spell out E-B-E-D for New Bern ('R' standing for Re, which is D in fixed-doh sol-fa notation) and B-C-G for Baron Christoph von Graffenried. They are answered by the orchestra's "John Lawson, Gent.", the name on the cover of the co-founder's A New Voyage to Carolina. Lawson's questing and adventurous character is then suggested, accompanied by a "Carolina" note-name theme; and, after the Graffenried theme on solo horn, the music of both men combines for their voyage, culminating (on trumpets and trombones) in the founding of New Bern. The story of Tryon Palace, central to the city's history, is represented by echoes of the various kinds of music heard at the Governor's residence - fife and drum bands, minuets and the slaves' "Jonkonnu" festivals from Africa, celebratory fanfares and fireworks; the section reaches a climactic ending when all are combined. After a peremptory interruption by the snare drum, the perky fife theme is transformed to portray the conflicts that visited New Bern over the centuries, alternating with a new "grief" theme, which - when sounded by strings alone - leads to music of reconciliation and then of the natural beauty of the city's surroundings. A steady, lively rhythm underpins the final section, confidence - in the present and for the future. Echoes of previous themes are heard, but the closing peroration is reserved for a majestic and joyous statement of the name of New Bern itself.
Estimated dispatch 7-14 working days
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£79.00Jubilee 150 (Concert Band - Score and Parts) - Chattaway, Jay
Here's a dynamic and electrifying concert opener from the pen of Emmy-award winning composer Jay Chattaway! "Jubilee 150" commands immediate attention, and will engage your audience completely. Pulsating rhythms, driving percussion, and soaring horn and trumpet lines combine to showcase your mature ensemble in this astonishing "tour-de-force." Powerful music to open your concert! Duration: 2.00
Estimated dispatch 7-14 working days
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£84.00Quintescent Journey (Concert Band - Score and Parts) - Galvin, Lisa
Quintescent Journey is an outstanding work honoring a life well-lived. The rhythmic ostinato and interesting time signatures provide challenging opportunities across the developing ensemble, and the peaceful and serene middle section will give your students a chance to display their musical maturity. Featuring expressive solos for flute, trumpet and horn, the tranquility of the middle section provides an emotional and lyrical contrast to the opposing rhythmic themes. A celebratory finish makes a definitive statement, and Lisa Galvin's exciting work is sure to inspire students and listeners alike! This energetic work will be the perfect addition to any performance! Duration: 5.15
Estimated dispatch 7-14 working days
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£74.00Where Christmas Began (Concert Band - Score and Parts) - Clark, Paul
A wonderful intertwining of "O Little Town Of Bethlehem" and "Once In David's Royal City." From the brief solos for euphonium, clarinet and French horn (all cued in other parts) to the majestic and powerful full-ensemble ending, this will be the centerpiece of your next holiday concert. A beautiful and lush work which involves a minimum amount of preparation, but sounds gorgeous! Very highly recommended! Duration: 3.40
Estimated dispatch 7-14 working days
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£59.99Drei Schlawiner Unterwegs (Brass Trio with Concert Band - Score and Parts) - Klostermann, Michael
Trio for 2 Flugel Horns and Tenor Horn. Duration: 3.15
Estimated dispatch 7-14 working days
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£44.95Trumpet Concerto (Concert Band - Score and Parts) - Neruda, Johan Baptist - Phillips, Richard
Johan Baptist Georg Neruda was a classical composer born in Bohemia which is now part of the Czech Republic. Very little is known about this composer other than he had a good reputation as a violinist and conductor in Prague and Germany and became the Konzertmeister of the Dresden Court Orchestra.This concerto was composed originally for the natural horn and pitched in the high register. It is now rarely performed on anything other than an E flat or B flat trumpet.
Estimated dispatch 7-14 working days
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