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  • £64.99

    Danny Boy (Concert Band - Score and Parts) - Hazo, Samuel R.

    With chordal harmonies that can only be described as rich and luxurious, this timeless Irish ballad is presented here in a marvellous and engaging setting guaranteed to make everyone feel good. Warm chords and Hazo's unique treatment of emotion-packed suspensions help make this a guaranteed favourite for years to come. Already a proven winner with honour bands and festivals, Samuel Hazo's Danny Boy is a must have for your wind library.Duration: 3:15

    Estimated dispatch 7-14 working days
  • £72.99

    In Perfect Silence, I Often Gaze at the New Stars (Concert Band - Score and Parts) - Saucedo, Richard L.

    On a Sunday afternoon in May of 2011 tornados devastated the city of Joplin, Missouri. In Perfect Silence, I Often Gaze at the New Stars is intended as a musical tribute to those who lost their lives that day and to those heroes who gave everything they could to help others. The music is a beautiful blending of sounds and moods, and carries with it a full range of emotions from reflective quiet moments to the massive outpouring from the entire ensemble. An evocative and moving work for band that will resonate with both performers and listeners.Duration: 3:50

    Estimated dispatch 7-14 working days
  • £221.00

    At Kitty O'Shea's (Concert Band - Score and Parts) - De Meij, Johan

    For countless years the legendary Kitty O'Shea's, a bar at the Hilton and Towers Hotel in Chicago, has been the favourite meeting place for participants of the annual Midwest Band and Orchestra Clinic. It was at this bar that Johan de Meij met Max McKee, from whom he eventually received a commission to write a work based on the folk music of McKee's Irish forefathers. De Meij immersed himself in the project and received unexpected help when, while purchasing an espresso machine from a neighbour, discovered the owner was Bill Whelan, composer of Riverdance. Time for another round At Kitty O'Shea'sDuration: 16:15

    Estimated dispatch 7-14 working days

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  • £66.95

    Spontaneous Combustion (Concert Band - Score and Parts) - Sheldon, Robert

    A fast-paced tour-de-force for developing bands, Spontaneous Combustion explodes out of the starting blocks and keeps moving relentlessly to the last note. Presented in a minor key with shifting tonalities and tuneful melodies, this musical juggernaut eventually yields to a major key, which only amplifies its inherent energy. Mixed meters and bombastic percussion help to drive the piece to the very end.Duration: 3.15

    Estimated dispatch 7-14 working days

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  • £104.99

    Geuzen Medal Fanfare (Concert Band - Score and Parts) - De Haan, Jan

    The Geuzen Medal is an annual award given to people or organisations who have found unique ways to further democracy in the world and help eliminate dictatorships, racism, and discrimination. The original Geuzen fought against Spanish imperialism in Holland during the 16th century. During the Second World War a group resisting the Nazis also named themselves De Geuzen. Jan de Haan incorporates Psalm 43, sung by a group of condemned prisoners shortly before their execution in 1943, into Geuzen Medal Fanfare, composed for the 25th bestowal of this special award.Duration: 5:00

    Estimated dispatch 7-14 working days

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  • £180.00

    Spring (Concert Band - Score and Parts) - De Meij, Johan

    This overture recounts the magical re-awakening of Spring's arrival in Sweden with the help of two Swedish folk songs. A melancholic, haunting song is first heard from afar as various instruments from different locations in the concert hall echo the solitary female voice. A soulful melody gradually transforms to a polka-like variant that gradually builds into the joyful main theme. The score contains valuable notes from the composer on how various effects and placement of musicians throughout the space can enhance Spring's performance. Duration: 10.45

    Estimated dispatch 7-14 working days

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  • £41.50

    Kingdom Adventures (Concert Band - Score and Parts) - Hinkel, Joshua

    We can all recall family adventures and outings throughout our childhood that led us to enchanting and magical places where the impossible came to life and reality seemed like only a distant memory. Kingdom Adventures is an exciting composition that portrays the youthful spirit of exploring a magical kingdom, and reminds us of the careless wonders and experiences that highlight the memories of childhood. As you enter the kingdom, the majestic walls protect the stoic castle that stands in the midst of the kingdom. Inside the castle, every twist and turn of the castle's hallways offers the possibility of something amazingly new and exciting. One cannot help but to be transported into another place and time as they experience all that the magical kingdom has to offer!Duration: 2.15

    Estimated dispatch 7-14 working days

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  • £79.99

    Summer of '69 (The Music of Woodstock) (Concert Band - Score and Parts) - Ricketts, Ted

    In 1969, the legendary 3-day music festival defined a generation and gave us unforgettable musical performances. Included in this powerful medley are: Soul Sacrifice (Santana), Proud Mary (Creedence Clearwater Revival, Pinball Wizard (The Who), Somebody to Love (Jefferson Airplane), With a Little Help from My Friends (Joe Cocker), Suite: Judy Blues Eyes (Crosby, Stills, Nash & Young), and Purple Haze (Jimi Hendrix). This is just like being there - without the mud!

    Estimated dispatch 7-14 working days
  • £164.95

    Elgar Variations (Concert Band - Score and Parts) - Ellerby, Martin

    The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra

    Estimated dispatch 7-14 working days

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  • £32.95

    Elgar Variations (Concert Band - Score only) - Ellerby, Martin

    The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra

    Estimated dispatch 7-14 working days

     PDF View Music