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£79.99Glenn Miller in Concert
Glenn Miller and his orchestra helped define the sound of the swing era. Here is an entertaining and authentically scored medley that includes the signature tunes In the Mood, Tuxedo Junction, A String of Pearls, Little Brown Jug and Pennsylvania 6-5000.
Estimated dispatch 7-14 working days
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£13.95
The Very Best of Festival of Music Volume 1
1Old ComradesCarl TeikeThe Massed Bands of the Royal Air Force2.182ElegyDavies/Dyson/HingleyThe Massed Bands of the Royal Air Force3.533633 SquadronRob GoodwinThe Massed Bands of the Royal Air Force2.414NimrodEdward Elgar/HingleyThe Massed Bands of the Royal Air Force3.415Sun and MoonSchoenberg/Maltby/BoubillThe Massed Bands of the Royal Air Force2.556USAF MarchCranfordThe Massed Bands of the Royal Air Force1.487Highland CathedralGilmourThe Massed Bands of the Royal Air Force3.328Robin Hood, Price of ThievesMichael KamenThe Massed Bands of the Royal Air Force9.469Marching with Sousaarr. Gordon LangfordThe Massed Bands of the Royal Air Force5.4510Spitfire PreludeWilliam WaltonThe Massed Bands of the Royal Air Force3.4311Bohemian RhapsodyFreddie MercuryThe Massed Bands of the Royal Air Force7.1812Irish Tune from County DerryPercy GraingerThe Massed Bands of the Royal Air Force3.4813In the MoodRazaf & GarlandThe Squadronaires3.2514Pomp and Circumstance No.1Edward ElgarThe Massed Bands of the Royal Air Force6.0315RiverdanceBill WhelanThe Massed Bands of the Royal Air Force5.5316Evening Hymn and Sunsetarr. Rob WiffinThe Massed Bands of the Royal Air Force3.26
Estimated dispatch 7-14 working days
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£124.95SWORD AND THE CROWN, The (Prestige Concert Band - Score and Parts) - Gregson, Edward
In 1988 I was commissioned by the Royal Shakespeare Company to write the music for The Plantagenets trilogy, directed by Adrian Noble in Stratford-upon-Avon. These plays take us from the death of Henry V to the death of Richard III. Later, in 1991, I wrote the music for Henry IV parts 1 and 2, again in Stratford. All of these plays are concerned with the struggle for power (the crown) through the use of force (the sword) and they portray one of the most turbulent periods in the history of the British monarchy.This work quickly became established in the mainstream repertoire and has received performances worldwide as well as five commercial recordings and many broadcasts. In 2002 I was approached by the Parc and Dare Band regarding their summer festival and commissioned to do a version for brass band. This was given its first performance in Treorchy Hall by the combined bands of Black Dyke and Parc and Dare conducted by Nicholas Childs.When the Royal Air Force Music Services commissioned me to write a work especially for their British tour in 1991 I immediately thought of turning to this music and transforming some of it into a three-movement suite for symphonic band.The first movement opens with a brief fanfare for two antiphonal trumpets (off-stage), but this only acts as a preface to a Requiem aeternam (the death of Henry V) before changing mood to the English army on the march to France; this subsides into a French victory march, but the English army music returns in counterpoint. Finally, a brief reminder of the Requiem music leads to the triumphal music for Richard Plantagenet, Duke of York, father of Edward IV and Richard III (the opening fanfare transformed).The second movement takes music from the Welsh Court in Henry IV (part 1) which is tranquil in mood; distant fanfares foreboding battles to come are heard, but the folktune is heard three times in different variations and the movement ends as it began with alto flute and gentle percussion.The final movement starts with two sets of antiphonally placed timpani, drums and tam-tam, portraying the 'war machine' and savagery of battle. Trumpet fanfares and horn calls herald an heroic battle theme which, by the end of the movement, transforms itself into a triumphant hymn for Henry IV's defeat of the rebellious forces.- Edward GregsonPerformance time 13'54"Recorded on QPRM117D FESTIVAL OF MUSIC 1991, Massed Bands of the Royal Air ForceRecorded on QPRM120D THE SWORD AND THE CROWN, Central Band of the Royal Air Force'Finale' recorded on QPRM142D FESTIVAL OF MUSIC 2002, Massed Bands of the Royal Air Force)
Estimated dispatch 7-14 working days
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£95.00Holiday Mood (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
Paths to Urbino (Symphonic Suite) owes its name to a walking tour in which the composer participated in spring 1995 in the Marche, a region of north eastern Italy about 120 miles south of Venice unjustly but mercifully neglected by mass-tourism. At the time, he was inspired more with the idea of writing a musical account of the trip than with any specific thematic material. Holiday Mood is an exuberant introduction, largely constructed on a characteristic two-bar rhythm (6/8 alternating with 2/4, disturbed by the occasional 2/8).
Estimated dispatch 7-14 working days
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£168.50The Last Flower of Autumn (Male Voice Choir with Concert Band - Score and Parts) - Sparke, Philip
In this work for male voice choir and concert band, Philip Sparke aptly captures the mood of the poem The Last Flower of Autumn by Edith Sodergran (1892-1923), a Swedish-speaking Finnish poet. This solemn composition with extensive instrumentation echoes the idyllic, romantic mood of the poem, which can be understood as an allegory of human existence with all its hardships and life's inevitable difficulties.20 choral parts are included in the set, and extra Male Voice Choir parts can be ordered if needed.Duration: 10.15
Estimated dispatch 7-14 working days
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£149.99Out of the Darkness, into the Light (Concert Band - Score and Parts) - Sparke, Philip
Out of the Darkness, Into the Light is about optimism. All of us experience disappointments in our lives, such failed relationships or the loss of loved ones, but the indomitably of the human spirit allows us to overcome such set backs and get through the darker moments. For some, faith and religion may be the answer, but this piece is more about the internal strength that we can all call upon.Opening in sombre mood, the first phase of the work symbolises the doubts we all have about ourselves and our lives. The opening phrase on solo clarinet appears throughout the piece and could be seen as the central idea of the work, the human spirit itself. The faster, central section is about the struggle to overcome the pain we experience and at bar 88 the moment of catharsis occurs. This signals a change of mood and from then on, the clarinet motif is transformed into a feeling of joy and optimism. We have entered the light.Duration: 8:30
Estimated dispatch 7-14 working days
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£149.99Out of the Darkness, into the Light - Philip Sparke
Out of the Darkness, Into the Light is about optimism. All of us experience disappointments in our lives, such failed relationships or the loss of loved ones, but the indomitability of the human spirit allows us to overcome such set backs and get through the darker moments. For some, faith and religion may be the answer, but this piece is more about the internal strength that we can all call upon.Opening in sombre mood, the first phase of the work symbolises the doubts we all have about ourselves and our lives. The opening phrase on solo clarinet appears throughout the piece and could be seen as the central idea of the work, the human spirit itself. The faster, centralsection is about the struggle to overcome the pain we experience and at bar 88 the moment of catharsis occurs. This signals a change of mood and from then on, the clarinet motif is transformed into a feeling of joy and optimism. We have entered the light.
Estimated dispatch 7-14 working days
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£38.50The Last Flower of Autumn (Male Voice Choir - 25 Pack) - Sparke, Philip
In this work for male voice choir and piano, Philip Sparke aptly captures the mood of the poem The Last Flower of Autumn by Edith Sodergran (1892-1923), a Swedish-speaking Finnish poet. This solemn composition echoes the idyllic, romantic mood of the poem, which can be understood as an allegory of human existence with all its hardships and life's inevitable difficulties.Duration: 10.15
Estimated dispatch 7-14 working days
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£168.50The Last Flower of Autumn - Philip Sparke
In this work for male voice choir and concert band, Philip Sparke aptly captures the mood of the poem The Last Flower of Autumn by Edith Sdergran (1892-1923), a Swedish-speaking Finnish poet. This solemn composition with extensive instrumentation echoes the idyllic, romantic mood of the poem, which can be understood as an allegory of human existence with all its hardships and life's inevitable difficulties.Extra Male Voice Choir parts can be ordered through edition number AMP 516-050.
Estimated dispatch 7-14 working days
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£250.00The England of Elizabeth,Three Portraits from (Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul
This suite was derived from Vaughan Williams' score for the film, The England of Elizabeth, written in 1955. It was the composer's tenth of his 11 cinematic efforts and designed to serve a more descriptive role than other such scores, since the movie was a documentary featuring no action scenes, but lots of images of paintings, buildings, and the like. Composer Muir Matheson adapted this three-movement suite, probably shortly after the composer's death in 1958, though publication of the manuscript would not come until 1964. The first movement is entitled Explorer, and refers to Sir Francis Drake. Its music is mostly festive and colourful, but features interior passages of exotic flavor, similar in style to that of Vaughan Williams' then-recent Symphony No.8. The second movement is entitled Poet and, at about seven minutes, is the longest of the three in this 16 to 17 minute work. It also contains probably the score's best music, hardly a surprising result since the poet in question is Shakespeare, one of the composer's favourites and an inspirational springboard for so many other of his works. The mood is mostly subdued and Vaughan Williams presents lovely, if slightly somber music in the opening, and follows it with a hearty, folk-like dance tune. The latter part of this movement depicts Shakespeare as a noble, heroic figure in English history. The last movement, Queen, is devoted to Queen Elizabeth. It has a regal yet muscular manner at the outset, and features a gentle but somewhat disengaged middle section. It returns to the splendor and colour of the opening to close the work. This suite is important because it distills some of the best music from the film into a logically assembled structure. Program notes extracted from those of Robert Cummings.
Estimated dispatch 7-14 working days
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