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  • £64.99

    O Most Wonderful (Concert Band - Score and Parts) - Reed, Alfred

    This Christmas carol of ancient European origin begins O Sanctissima and was intended as a tribute to the virgin Mary. A 19th-century translation by Falk gave us the words O How Joyfully that are typically associated with this carol. In addition to its colourful history, this carol has a very warm and expressive character. In this setting by Alfred Reed, the lilting melody is interwoven with a heroic trumpet counter-melody.Duration: 2.00

    Estimated dispatch 7-14 working days

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  • £44.95

    DECK THE HALL (With Boughs of Holly) (Simply Classics Concert Band) - Stubbs, Duncan

    This popular Christmas carol, believed to be Welsh in origin, first appeared in the early 1700s in Edward Jones's Musical and Poetical relics of the Welsh Bards. Its origins are reputed to have come from a tune called Nos Galan (New Year's Eve) dating back to the 16th century. Today it still represents the joy of Christmas and numbers amongst the all-time most popular carols. American Grade 2 Duration 2:26

    Estimated dispatch 7-14 working days

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  • £84.95

    Fire in the Blood (Concert Band - Score and Parts) - Lovatt-Cooper, Paul

    Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!- Paul Lovatt-CooperDuration: 10:00

    Estimated dispatch 7-14 working days
  • £59.40

    Salute to the Colors

    This long-lost march is one of Karl King's most tuneful and toe-tapping works. With melodic and interesting parts for all sections, it's a perfect march for mid-level bands. The trio is pure Karl King, wonderfully lyrical and complete with a nice euphonium part. Sounds like a million bucks! This is a terrific march for concert, festival, or contest use. Audiences will love it!

    Estimated dispatch 7-14 working days

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  • £119.99

    The African Connection Wind Band Set (Score & Parts)

    Carl Wittrock's wide interest in global folk-music resulted in this concert-piece based on original African rhythms. Obviously, the percussion section has a conspicious role to play, but the band too may indulge itself in moments of thoroughly delightful excitement. The introduction depicts the awakening of nature, and develops into a dance. The (main) motif of this dance is from a dance entitled Apollo and comes from Gambia. Its accompaniment consists of an ostinato pattern by balaphon-master Maudo Susa. The quiet middle movement is based on the rhythm of the 'gigbo' : a traditional dance from Ghana. In the final movement -which also bears a slight resemblance to a theme from 'The Lion King'- the so-called 'Kono' rhythm is used. The work is played most advantageously using djembes. Challenge and please your percussion section with 'The African Connection'. Carl Wittrock's brede interesse voor de wereldmuziek resulteerde in dit op originele Afrikaanse ritmes gebaseerde concertwerk. Het slagwerk speelt uiteraard een opvallende rol, maar ook het orkest kan zich op een heerlijke manier uitleven. De inleiding schildert het ontwaken van de natuur, welke overgaat in een dans. Het motief van deze dans (Apollo) is afkomstig uit Gambia. De begeleiding bestaat uit een ostinaatpatroon van de balafon-meester Maudo Susa. De basis van het rustige middendeel is gelegen in het ritme van de Gigbo, een traditionele dans uit Ghana. Het laatste deel (met enige gelijkenis met The Lion King) maakt gebruik van het zogenaamde Kono ritme. Het werk komt het best tot zijn recht als er gebruik wordt gemaakt van djembes.Daag uw percussie sectie uit en doe ze een groot plezier met: The African Connection! 06:30

    Estimated dispatch 7-14 working days

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  • £75.00

    The Winds of Power (Concert Band - Score and Parts) - Hess, Nigel

    After a dark and menacing opening a solo trumpet introduces a theme which will eventually become the centre of a piece and is soon heard tutti in a lyrical form. This is interrupted by a return to the opening mood, with only a brief respite in the form of a chorale for clarinet choir and harp. The theme tries to return once more in a rousing, somewhat cinematic version, but again the sense of foreboding overtakes it. An unsettling march-like section follows before the theme returns in its most lyrical and gentle guise, introduced by solos in the woodwind section. Eventually, a maestoso statement which erupts into a presto coda, ends the journey in a triumphant, more optimistic blaze of sound.Duration: 10.00

    Estimated dispatch 7-14 working days
  • £50.50

    Invasion of the Christmas Crabs - Victor López

    Even though it's not about the holiday, is inspired by the annual migration of literally millions of crabs on Christmas Island in Australia. There's a nod to a holiday favorite but most of the piece musically depicts the awkward movement of these exoskeletal creatures. A creative work for your first-year students! This title is available in MakeMusic Cloud.

    Estimated dispatch 3-5 working days

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  • £58.50

    Pop Culture - Monty Norman, Elmer Bernstein, Joseph Barbara, William Hanna, Hoyt Curtain, Henry Mancini, Margaret Cobb, Bruce Channel, David Mook, Ben Raleigh, The Surfaris, and John Philip Sousa / arr. Robert Sheldon

    Some of the most recognizable tunes of our time are included in this well-crafted arrangement including and . Additionally, every single section in the band is featured on its own tune, so this is the perfect piece to use on recruiting concerts when each instrument is demonstrated---but it is so much fun to play that you will certainly want to use it on pops concerts for years to come.

    Estimated dispatch 3-5 working days

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  • £60.50

    The U.S. Field Artillery - John Philip Sousa / arr. Douglas E. Wagner

    Composed in 1917, "the official march of the United States Army" is one of Sousa's most frequently performed titles. It's unique in that it uses a familiar tune for the trio theme; in this case, "The Army Song." The original thematic material has been diligently preserved while scored to be accessible to the developing band. (2:30)

    Estimated dispatch 3-5 working days

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  • £58.50

    Belle of the Ball for Band - Leroy Anderson

    Like most of Leroy Anderson's efforts, "Belle of the Ball" is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitalization -- of the Viennese waltz tradition. Having said that, the main theme sounds rather unlike a Strauss waltz, but the voice of Tchaikovsky is evident in its playful, fantasy-like character. The melody is rhythmic and comes in short groups of notes, beginning with two notes, then three, then expanding further; the music skates along elegantly. The middle section features a delightful variation on the theme, in which Anderson's gentle belled sonorities impart a playful innocence. Versions for band and the original orchestral scoring are available.

    Estimated dispatch 3-5 working days