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  • £110.40

    ELVIS- The King Medley

    Estimated dispatch 7-14 working days
  • £92.00

    King Robert of Scotland - James L. Hosay

    Estimated dispatch 7-14 working days
  • £194.95

    King Solomon's Mines - Nigel Clarke

    Estimated dispatch 7-14 working days
  • £39.95

    Hall of the Mountain King - Bill Geldard

    Estimated dispatch 7-14 working days
  • £110.00

    I Was Glad When They Said Unto Me (Choir with Concert Band - Score and Parts) - Parry, Hubert C. - Noble, Paul

    I Was Glad is an introit commonly used in the Anglican Church, and also used as an anthem traditionally sung at the coronation of the British monarch. Its most famous setting was written in 1902 by Sir Hubert Parry. Parry's version was composed for the coronation of King Edward VII in 1902, and revised in 1911 for that of King George V, when the familiar introduction was added. This setting employs antiphonal choir effects and brass fanfares. Apart from the imperial splendour of the music, the chief innovation is the incorporation in the central section of the acclamations Vivat Rex... or Vivat Regina... (Long live King/Queen...) with which the King's or Queen's Scholars of Westminster School have traditionally greeted the entrance of the monarch since the coronation of King James II in 1685. This section is generally omitted when the anthem is performed on other occasions. At the last coronation, that of Elizabeth II in 1953, the acclamation took the form of Vivat Regina Elizabetha. Parry's setting of I Was Glad was performed on 29 April 2011 at the Westminster Abbey wedding of Prince William, Duke of Cambridge and Catherine, Duchess of Cambridge (formerly Kate Middleton) as the processional music for the bride and her father and the bridal attendants. It had previously been performed at the wedding of the Duke's parents, Charles, Prince of Wales and Diana, Princess of Wales in 1981.

    Estimated dispatch 7-14 working days

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  • £67.32

    The Gateway City

    Marking 100 years since the first published music of the great American composer, bandmaster, and classic concert band proponent Karl L. King, C. L. Barnhouse is honored to launch the "Karl L. King Centennial Series" of new editions of King music. King's wonderful "The Gateway City March" inaugurates this new series with a flourish! In addition to full score, carefully edited parts, added stylistic practices, dynamics and articulations, this handsome new edition includes extensive information on the composer, this march, history, and performance practices of the "King-style." Long live the KING!

    Estimated dispatch 7-14 working days

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  • £134.99

    The Legend of Ratu Kidul - Filip Ceunen

    The Legend of Ratu Kidul carries us into the world of Indonesian mythology, on the island of Java:Once upon a time, the Queen of the Southern Seas was a kind and beautiful princess. She was the daughter of Prabu Munding Wangi, the favourite ofthe entire court and the local people. Her royal father doted on his daughter. Her name was Dewi Kadita, but many called her Dewi Srengenge or the Angry Princess.Prabu Munding Wangi longed for an heir, but Dewi Kadita's mother couldn't fulfil thiswish. So he took a second wife, called Poetri Moentiara, who was very jealous of the lovely princess and her mother. She begged the king to banish both her rivals from court. However Prabu Munding Wangi didn't do as she asked. He loved his first wifeand her daughter. The second wife bore him a healthy heir, but the monarch remained firm. So Poetri Moentiara called upon the renowned witch, Djahil. She promised her a princely reward, if Dewi Kandita and her mother were banished. Djahil thought fora moment and incanted this rapal (spell): "May leprosy befall you both". Soon both mother and daughter began to suffer this dreadful disease. According to the law of the land, they were to be banished to the wild forest high on the mountain. With aheavy heart, King Munding Wangi saw the law carried out. So the two set off on their way to the forest, covered in terrible sores. A great sadness fell across the land, except for Poetri Moentiara, the second wife of the king, who had achieved heraim. The princess fell on hard times. In the forest lived a hermit, who took pity on the mother and daughter. The queen couldn't bear the shame and within a few days had died. Now Dewi Kandita was all alone in the world. There was still the hermit,however, who fortunately provided food and shelter in a cave temple. He bound her weeping sores but couldn't relieve her emotional pain. Dewi Kandita became increasingly bitter and eventually left the hermit. She travelled southward from village tovillage, further and further, until eventually she reached the shores of the Southern Sea. She climbed upon a high cliff and gazed out onto the sea that spread before her. She was tempted to dive into the deep green and blue. In the cool waters shewould be able to forget all her pain and suffering. Suddenly awaking from these thoughts, she jumped into the deep. The gods, who had looked on Dewi Kandita throughout her hardships, were filled with deep compassion. So they transformed her into apowerful spirit of the netherworld, Ratu Kidul, and to this day she resides in her grand palace under the sea.

    Estimated dispatch 7-14 working days

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  • £55.00

    Avalon

    Avalon-Long Live the Kingis a medieval fantasy piece depicting the Isle of Avalon where the mystical sword Excalibur of King Arthur was forged. Composer Tyler Arcari unearths a solid piece for young bands that is both bold and dramatic. This piece is sure to spark the imagination of students and give them strong musical content with which they can develop their musicianship.

    Estimated dispatch 12-14 working days
  • £75.00

    Under The Double Eagle - Josef Wagner

    Josef Franz Wagner (1856-1908) was a military bandmaster and composer known as the "Austrian March King." He wrote "Under the Double Eagle," his most popular and enduring composition, in 1902 It later became the official march of the 1st Austrian Artillery Regiment Number 2. The title refers to the double eagle in the coat of arms of the Austro-Hungarian double monarchy. America's own "March King," John Philip Sousa, liked the piece enough to record it three times with his own band.

    Estimated dispatch 12-14 working days
  • £206.99

    Omaggio (Euphonium Concerto No.4) (Euphonium Solo with Concert Band - Score and Parts)) - Sparke, Philip

    Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de msica de Malaga.The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, Fantasia, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band, which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, Ballad, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, The King Triumphant, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name (Rex being Latin for king) as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.

    Estimated dispatch 7-14 working days

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