Results
-
£48.95Awake the Iron - Scott Watson
"Desperta Ferro!," or "Awake the iron!" was the battle cry of Medieval Spanish soldiers called the Almogavars. In the dim light of dawn, as they prepared for battle, these fierce soldiers would beat their swords on rocks shouting this phrase. The sparks that flew from the rocks in the eerie light of dawn, together with the soldier's call to arms, would give any enemy pause. , with its insistent unisons, energetic rhythms, modal themes, and powerful percussive writing, mirrors the ferocious intensity of the medieval battlefield. This mature sounding, yet approachable work, is sure to be a favorite of both the musicians and audience. (3:30) This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
-
£159.99In Nomine (Concert Band - Score and Parts) - Schwarz, Otto M.
How often has something been justified by, declared to be, or blessed as 'in the name of' some cause or other? How can it be that opposing armies and the use of weapons are ever 'in the name of...'? This is a common thread in the history of different faiths. Good was created but evil was committed and all 'in the name of...' This thread is also found in the history of the Premonstratensian Abbey at Wadgassen. The abbey was built in the 12th century on unfertile, desolate moorland, which later evolved into the most powerful religious community in the Saarland. The history of the abbey records quite astounding achievements under the motto desertum florebit quasi lilium ('the desert will bloom like a lily'); but also the harsh treatment of delinquents. The order had its own school, in which children were taught the seven liberal arts (which included music as well as geography and astronomy), but the poor were left to starve outside the abbey walls and were only allowed to eat from the members' leftovers on feast days. The medieval witch trials demanded their pound of flesh, and one group that fell victim were ecstatic dancers who moved wildly to music, which was interpreted as the devil's work. The result: a show trial that sentenced the dancers to death by fire. All in the name of... The year is 1789: Abbot Bordier is in the tenth year of his command. He does not yet know that he is to be the last abbot of an almost 700-year tradition. Not far from the abbey is the French border, which has long been making itself felt with the sound of gunfire, and the brothers continue to keep a nervous eye on it. The first portents of the French Revolution loom, but no one wants to believe it, that is, until the French pound the door down, storm the abbey and come right into the brothers' chambers. In a blind fury, all the pipes of the abbey organ are torn out, icons beheaded with swords and brothers beaten death while numerous buildings are set on fire. The abbey church is in flames. A frantic and desperate escape begins. Abbot Bordier and a handful of brothers make their getaway via the River Saar, adjacent to the abbey, to the neighbouring village of Bous. They survive, but their life, the Premonstratensian abbey, is destroyed. While they flee towards Prague and the sanctuary of the Strahov Monastery, the abbey at Wadgassen is razed to the ground and becomes a stone quarry. The desert blooms once more, however. A few short decades later, a glasswork arises from the foundations of the abbey. As peace returns to the region, it brings jobs and a new vision for its people.Duration: 11.15
Estimated dispatch 7-14 working days
-
£42.50Castles and Crowns (Concert Band - Score and Parts) - Buckley, Robert
Heroic and regal, this colourful concert opener for young ensembles will spark the imagination and energize any performance. Featuring majestic fanfares, powerful percussion and dramatic contrasts, this work is skilfully scored so that developing players will sound their best. A vibrant processional with a medieval twist!
Estimated dispatch 7-14 working days
-
£49.00From Midnight 'Til Dawn (Concert Band - Score and Parts) - Hammonds, Mike
All things mysterious happen between midnight and dawn, and composer Mike Hammonds has captured the feeling of dreams and nightmares in "From Midnight 'Til Dawn." Creative use of the key of g minor along with generous use of open fourths and fifths gives the music an air of medieval mystery. With cross-cueing between sections and minimal demands on your players, this piece will stand out for any young ensemble. Exceptional programmatic music for the very young band! Duration: 2.30
Estimated dispatch 7-14 working days
-
£150.00Froissart (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul
Froissart, Op. 19, is a concert overture by Edward Elgar, inspired by the 14th-century Chronicles of Jean Froissart. Elgar was first attracted to the Chronicles after finding mention of them in Walter Scott's Old Mortality. Jean Froissart (c. 1337 - c.1405), often referred to in English as John Froissart, was a medieval French chronicle writer. For centuries, Froissart's Chronicles have been recognized as the chief expression of the chivalric revival of the 14th century Kingdom of England and France. The motto written by Elgar on the manuscript score is a quotation from an 1817 poem by Keats: 'When Chivalry lifted up her lance on high.' Froissart is not a programmatic work: unlike the later Falstaff or even Cockaigne it does not tell a detailed story; it evokes a mood and manner in broad terms. The drama of the dynamics enhances the haunting melodies that identify Elgar's compositions.
Estimated dispatch 7-14 working days
-
£75.00Angelus ad Virginem (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Angelus ad Virginem (or its English title, Gabriel, From Heven King Was To The Maide Sende) was a popular medieval carol,whose text is a poetic version of the Hail Mary and the Annunciation to the Virgin Mary. Probably Franciscan in origin, it was brought to Britain by French friars in the 13th century. It is said to have originally consisted of 27 stanzas, with each following stanza beginning with the consecutive letter of the alphabet. Surviving manuscripts may be found in a c. 1361 Dublin Troper (a music book for use at Mass) and a 13th or 14th century vellum Sequentiale that may have been connected with the Church of Addle, Yorkshire. Its lyrics also appear in the works of John Audelay (perhaps a priest, he definitely spent the last years of his life at Haughmond Abbey, where he wrote for the monks), in a group of four Marian poems.
Estimated dispatch 7-14 working days
-
£75.00Of the Father's Heart Begotten (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Of the Father's Heart Begotten alternatively known as Of the Father's Love Begotten is a doctrinal hymn based on the Latin poem 'Corde natus' by the Roman poet Aurelius Prudentius. The ancient poem was translated and paired with a medieval plainchant melody Divinum mysterium. Divinum mysterium was a Sanctus trope - an ancient plainchant melody which over the years had been musically embellished. An early version of this chant appears in manuscript form as early as the 10th century, although without the melodic additions, and trope versions with various melodic differences appear in Italian, German, Gallacian, Bohemian and Spanish manuscripts dating from the 13th to 16th centuries. Dissatisfied with an earlier translation, Roby Furley Davis (1866-1937), a scholar at St. John's College, Cambridge, wrote a new version for the English Hymnal of 1906. This version was also used in the popular Carols for Choirs series by David Willcocks. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
-
£75.00Resonemus Laudibus (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Resonemus Laudibus is a 14th-century carol which was widely known in medieval Europe, and is still performed today. David Willcocks' arrangement brings a modern excitement to the piece, which would not have been out of place all those centuries ago. The Latin text is translated: 1. Resonemus laudibus cum jocunditatibus ecclesiam fidelibus. Let us make the church resound with the joyful praises of the faithful. Apparuit quem genuit Maria He whom Mary bore has appeared. 2. Deus fecit hominem ad suam imaginem et similitudinem. God made man in his own image and likeness. 3. Deus fecit omnia caelum, terram, maria cunctaque nascentia. God made all things, heaven, earth, the seas and all creation. 4. Ergo nostra concio in chordis et organo benedicat Domino. Therefore let our congregation praise God with strings and organ. 5. Et Deo qui venias donat et laetitias nos eidem gratias. And to God, who gives favours and happiness, we give thanks. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
-
£75.00The Cherry Tree Carol (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
The Cherry Tree Carol is a Christmas carol with roots that go deep and wide: from medieval England back to the 12th century Crusader kingdoms and ultimately to early Christian communities of the Middle East who worshipped in Syriac, a liturgical form of Aramaic, the language of Jesus. The song itself is very old, reportedly sung in some form at the Feast of Corpus Christi in the early 15th century. The ballad relates an apocryphal story of the Virgin Mary, presumably while traveling to Bethlehem with Joseph for the census. In the most popular version, the two stop in a cherry orchard, and Mary asks her husband to pick cherries for her, citing her child. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
-
£75.00Unto Us is Born a Son (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Unto Us is Born a Son is a medieval Christmas carol found in a number of manuscript sources - the 14th-century German Moosburg Gradual and a 15th-century Trier manuscript. The Moosburg Gradual itself contained a number of melodies derived from the 12 and 13th century organum repertories of Notre Dame de Paris and the Abbey of Saint Martial, Limoges, suggesting that its antiquity may be much greater. The carol became popular as a processional hymn following a translation by George Ratcliffe Woodward (1859-1934) first published in 1902. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
View Music